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The works of Andreas Vesalius (1514-1564) have long been regarded among the great treasures of the Renaissance. Published as medical books while he was teaching anatomy and dissection at the University of Padua, they include the Tabulae Sex (1538), intended as an aid to students; the magnificently illustrated De Humani Corporis Fabrica (1543), and the companion volume, the Epitome (1543). Individually, these books are milestones in the history of medicine. They also offer one of the most magnificent collections of anatomical drawings ever published. The plates were executed with such vitality and originality that they have been attributed to the most talented illustrators of the sixteenth century, not to mention Vesalius himself. Many of the drawings, in fact, were products of Titian's famous atelier. For this edition of the Vesalius illustrations, Dover has combined the best existing plates and text. The illustrations have been reproduced from the sumptuous (1934) Munich edition of Vesalius titled Icones Anatomicae. The Munich plates were struck for the most part from the original wood blocks then in the collection of the Library of the University of Munich. These priceless art objects were destroyed in the bombing of Munich during World War II. Aside from the original copies of the woodcuts (of which only a few complete sets are known), the Munich restrikes are the best representations of the Vesalian anatomical drawings, for they preserve much of the freshness and richness of the 1543 edition. The text of this Dover edition has been faithfully reproduced from an edition of Vesalius published by World Publishing Company in 1950. The editors, distinguished authorities on sixteenth-century medicine, have provided a very comprehensive history of Vesalius, his career, and excellent explanations of the legends surrounding the illustrators, artists, and publishers involved with the production of his books. No other source will provide the general reader, bibliophile, art historian, artist, or historian of science and medicine with such complete data on Vesalius and his fabulous anatomical illustrations. Unabridged republication of the (1950) English edition published by the World Publishing Company. 93 plates reproduced from the (1934) Munich edition titled Icones Anatomicae, published jointly by the New York Academy of Medicine and the Library of the University of Munich. 3 additional plates of preliminary sketches for the original title page of the De Humani Corporis Fabrica. List of Plates.

In the brief span of his life and career, Aubrey Beardsley (1872-98) galvanized public attention in 1890s London with his exotic renderings of subjects, which often projected the sensual and the grotesque. This splendid volume brings together the best of Beardsley's work--a rich selection ranging from illustrations for Laclos's Les Liaisons Dangereuses and Balzac's La Comédie Humaine to magazine cover designs, book plate silhouettes, title-page ornaments, and delightful mini-portraits of major composers. Also included are two photographs of the artist, consisting of private portrait studies by Frederick H. Evans.Over 180 beautifully reproduced black-and-white plates capture the uniqueness of Beardsley's vision and reveal the seductive power of his art. Among the illustrations are brilliantly conceived vignettes from Le Morte D'arthur, Venus and Tannhäuser, Salome, and Lucian's True History as well as enchanting creations for The Yellow Book (an influential British arts quarterly), and much more.Characterized by bold black masses, elongated shapes, and sensually provocative figures, these works are the product of a remarkable individual style that transformed the art of illustration. Reproduced here in an inexpensive high-quality format, they are certain to thrill not only Beardsley enthusiasts but anyone interested in the early years of modern graphic art.Dover (1990) original publication.

Gustave Doré's Romantic style of illustration, supremely imaginative and richly detailed, was ideally suited to literary subjects. His wood-engraved illustrations for John Milton's monumental epic poem Paradise Lost, recounting mankind's fall from the grace of God through the work of Satan, were among his finest and most dramatic works. This volume presents superb reproductions of all 50 plates drawn by Doré and engraved in his studios for the original edition of Paradise Lost.Artists and art lovers will find in these pages supreme examples of the illustrator's art. Among the events depicted: the expulsion of Satan from heaven, Adam and Eve in Paradise, the nine-day fall of Lucifer's legions to Hell, the Creation, the temptation of Eve, the Flood, Moses holding up the Ten Commandments, and the fearsome creatures Milton referred to as "Gorgons, and Hydras, and Chimeras dire."The dreamlike, otherworldly quality Doré often brought to his work seems especially appropriate for Paradise Lost with its lofty spirit and epic events. Indeed, Doré's grand conception seems to realize perfectly Milton's own poetic version. Appropriate quotes from the text of Paradise Lost are printed alongside each illustration. A plot summary of the entire poem is also included.Dover (1992) unabridged republication of all 50 plates from Milton's Paradise Lost, originally published by Cassell, Petter, and Galpin, London, ca. 1866.

A gallery of superb portraits in pencil, pastels and charcoal. Virtuoso display of technical skill and intuitive eye of noted American portrait painter.

Volume 1 of 2-volume set. Total of 1,566 extracts includes writings on painting, sculpture, architecture, anatomy, mining, inventions, and music. Dual Italian-English texts, with 186 plates plus over 500 additional drawings.

Gustave Doré (1832-83) was perhaps the most successful illustrator of the nineteenth century. His Doré Bible was a treasured possession in countless homes, and his best-received works continued to appear through the years in edition after edition. His illustrations for Dante's Divine Comedy constitute one of his most highly regarded efforts and were Doré's personal favorites. The present volume reproduces with excellent clarity all 135 plates that Doré produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Doré's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Thaïs the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more. Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work. Dover (1976) original publication.

Treasury of portraits, character studies, nudes, more, by great Viennese Expressionist. Characteristic focus on inner psychological states, hidden personality traits of subjects.

83 moving works: "The Weavers, Peasant War, War, Death," and others. "To see the beautiful examples of her work reproduced...is to sit at the feet of a great modern master." -- "School Arts."

Once regarded as a brilliant eccentric whose works skirted the outer fringes of English art and literature, William Blake (1757-1827) is today recognized as a major poet, a profound thinker, and one of the most original and exciting English artists. Nowhere is his glorious poetic and pictorial legacy more evident than in The Marriage of Heaven and Hell, which many consider his most inspired and original work.The Marriage of Heaven and Hell is both a humorous satire on religion and morality and a work that concisely expresses Blake's essential wisdom and philosophy, much of it revealed in the 70 aphorisms of his "Proverbs of Hell." This beautiful edition, reproduced from a rare facsimile, invites readers to enjoy the rich character of Blake's own hand-printed text along with his deeply stirring illustrations, reproduced on 27 full-color plates. A typeset transcription of the text is included.Dover (1994) republication of plates from a facsimile of the 1794 edition published by Trianon Press, Jura, France, 1960.

273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.

Choice drawings -- from early impressions of peasant life to studies for "Starry Night," other masterpieces. 44 black-and-white illustrations. Captions.

One of the finest wood engravers of the twentieth century, Lynd Ward took his work to a new dimension when he created the "wordless novel. "Gods' Man, his first novel in woodcuts, appeared in 1929; during the 1930s, he published five more pictorial narratives. Ward earned the Library of Congress Award, the Caldecott Medal, and other prestigious awards. Vertigo, published in 1937, is considered to be his masterpiece. Telling this poignant story with 230 stylized woodcuts, the artist rewards his readers' eyes with the intricate beauty of his craft -- and satisfies their spirits with a freedom of interpretation that extends beyond the reach of words. Published more than seventy years ago in the midst of the Great Depression, the dramatic tale of three people dealing with financial instability, joblessness, and debt rings strikingly true today. A young girl who longs to be an accomplished violinist, and a boy who hopes to become a builder, find their dreams shattered by desperate economic times. When an elderly gentleman wields his power to cut his business losses, all three lives are changed forever. Includes a new introduction by David Beronä, a woodcut novel historian and the author of Wordless Books: The Original Graphic Novels.

One of the most renowned and best-loved illustrators of his day, English artist Arthur Rackham (1867-1939) brought countless stories and fairy tales to life though his vivid imagination and eye for telling details. Combining a sensitive use of line and subdued watercolors, he skillfully depicted forests of startling trees with claw-like roots, wholesome fairy maidens, monsters, and demons, and backgrounds filled with obscure figures. His inspired illustrations for the fairy tales of the Brothers Grimm (1900) brought him his first great success, with a long and distinguished career to follow.This collection of 55 full-color plates, reproduced from rare early editions, contains a rich selection of Rackham's best fairy tale images: a giant terrorizing the inhabitants of an isolated village in English Fairy Tales, a wicked witch greeting two lost children on her doorstep in Hansel and Gretel, a young maiden beset by snarling wolves in Irish Fairy Tales, and many more, including illustrations from Snowdrop and Other Tales, Little Brother and Little Sister, and The Allies' Fairy Book.

Original collection of outstanding wood engravings by a noted master ranges from the religious to the erotic with images inspired by The Song of Songs, The Canterbury Tales, and the Gospels.

German Expressionism was an extraordinarily vivid presence in the art of the early twentieth century, its violent colors and often distorted, stylized forms reflecting not only the rebellious spirit of its participants, but the revolutionary mood of the new century itself. One of the most popular media used by the German Expressionists was the woodcut, important in the history of German art from the time of Albrecht Dürer (1471-1528), and especially suited to Expressionism's bold graphics.This superb collection presents over 100 finely reproduced woodcuts from the work of nearly 30 major artists in the movement who worked in the woodcut medium. Among them are Ernst Barlach, Max Beckmann, Lyonel Feininger, Ernst Ludwig Kirchner, Käthe Kollwitz, Franz Marc, Emil Nolde, Max Pechstein, and many others. Most of the woodcuts reproduced here date from the first three decades of the twentieth century. They are powerful works, ranging in mood from Felix Müller's pensive portrait of Carl Sternheim (1925) to Franz Marc's electric Riding School (1913) and Ernst Barlach's profoundly moving Christ on the Mount of Olives (1920).Readers interested in the art of the woodcut as well as students and enthusiasts of twentieth-century art will find this volume ideal for browsing and study. Individual captions for each selection, notes on each artist, and an informative introduction to the art of the woodcut and the German Expressionist movement add to the book's value as a reference work.Dover (1994) original publication.

This book contains 101 of Hogarth's finest and most important engravings, including all the major series or progresses: The South Sea Scheme, A Harlot's Progress, A Midnight Modern Conversation, A Rake's Progress, Before and After, Marriage à la Mode, Industry and Idleness, The March to Finchley, The Four Stages of Cruelty, Time Smoking a Picture, Tailpiece, and many more, including ten study sketches and paintings that show how the final works evolved. Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.Dover Original.

The London of Dickens as seen by France's greatest illustrator. 180 line illus.

Forty-four drawings from many periods and styles show master 20th-century draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Media include lithograph, drypoint, etching, and pen-and-ink.

This graphic novel by an Expressionist master offers a stunning depiction of urban Europe between the world wars. First published in Germany in 1925, it presents 100 woodcuts of remarkable force and beauty that depict scenes of work and leisure, wealth and deprivation, and joy and loneliness.

Lush, full-color reproductions of 56 dazzlingly inventive full-color silkscreens. Exquisite visions of "The Seven Deadly Sins," "The Four Emotions," "The Zodiac," "At the Theatre," and more will delight enthusiasts and win new admirers.

Only rarely in publishing history has the ideal edition of a literary work been created, where text, typography, and illustrations complement one another perfectly. Among the few examples are the Kelmscott Chaucer, Baskerville's Milton, and Beardsley's Salome. Another such book is the 1896 edition of Pope's The Rape of the Lock, illustrated by Aubrey Beardsley.Beardsley's elaborate drawings for The Rape of the Lock were created during the last phase of his brief career. This nearly Romantic period, characterized by rich, brilliantly imagined decoration and ornamentation and by high textual contrasts, was perfectly suited to the blend of mock-heroic, satire, and delicate fancy of Pope's poems. As Beardsley's biographer R. A. Walker wrote, These drawings show a verve, a wit and appreciation of the poem than can scarcely be matched in English literature. Using his unique line and black blot technique, Beardsley created a masterpiece of design and mood.This Dover edition reproduces the first edition: the complete text of the five-canto poem, notes, seven full-page drawings, two half-page drawings, and the original cover design by Beardsley.

First republication of remarkable repainting of great Mexican codex, dated to ca. AD 1400. 76 large full-color plates show gods, kings, warriors, mythical creatures, and abstract designs. Introduction.