Bøker av Jeffrey Friedman

From theories of religious intolerance during the Reformation to the contemporary suppression of religious symbols; from homophobia to attempts to ban it; from populism on the right to "cancel culture" on the left-this book covers a variety of forms of intolerance, analysing not only its consequences but its causes and implications as well.

In this volume, twelve political scientists and political theorists approach this question from new perspectives, empirical and theoretic, covering populism around the world. All the contributors attempt to understand populists on their own terms rather than reducing populism to a psychological or structural phenomenon.

Contributors to the volume discuss, inter alia, left Kantianism in historical context, the theological origins of the longing for total revolution, the question of whether the tradition identified by Bernard Yack is connected to twentieth-century totalitarianism, and the unique form of critical genealogy pioneered by Yack's book.

Isaiah Berlin's liberalism seems both dated and essential in an era of ideological extremes. In this volume, ten political theorists reconsider Berlin's thought-especially his famous essay, "Two Concepts of Liberty"-in the light of contemporary political developments such as populism.

This study examines the role of the Basel Accords-a set of international standards regulating bank capital-in the global financial crisis. It argues that because the accords were so widely adopted, they effectively homogenized the banking industry, increasing the systemic risk they were intended to prevent.

The past few years have featured such blockbusters as Super-Size Me, Fahrenheit 9/11, Sicko, March of the Penguins, and An Inconvenient Truth. And as news articles proclaim a new era in the history of documentary films, more and more new directors are making their first film a nonfiction one. But in addition to posing all of the usual challenges inherent to more standard filmmaking, documentaries also present unique problems that need to be understood from the outset. Where does the idea come from? How do you raise the money? How much money do you need? What visual style is best suited to the story? What are the legal issues involved? And how can a film reach that all-important milestone and find a willing distributor? Epstein, Friedman, and Wood tackle all of these important questions with examples and anecdotes from their own careers. The result is an informative and entertaining guide for those just starting out, and an enlightening read for anyone interested in a behind-the-scenes look at this newly reinvigorated field of film.