Bøker utgitt av Regent Press

ABOUT THE BOOKShortly before he published Walden; or Life in the Woods, Henry David Thoreau called "The library a wilderness of books." He also noted that while Americans were "clearing the forest in our westward progress, we are accumulating a forest of books in our rear, as wild and unexplored as any of nature''s primitive wildernesses." In A Terrible Beauty: The Wilderness of American Literature, Jonah Raskin takes a long close look at the forest of books that poets, novelists and essayists mapped and explored before and after Thoreau. The first work of cultural criticism to look back at writing in the United States from the perspective of the contemporary environmental crisis, Raskin offers insights for students, teachers and lovers of literature as well as for backpackers and hikers who have trekked across untrammeled forests, deserts and mountains. ABOUT THE AUTHORJonah Raskin has taught American literature at Sonoma State University, the State University of New York at Stony Brook and as a Fulbright professor at the University of Antwerp and the University of Ghent in Belgium. The author of fifteen books, he earned his B.A. at Columbia College in New York, his M.A. at Columbia University and his Ph.D. at the University of Manchester, Manchester, England. He lives in northern California and has written for The San Francisco Chronicle, The L.A. Times, The Nation, The Redwood Coast Review and Catamaran.

"At a time when the confessional mode has banished American poetry to one vast self-mirroring island, the work of Jeanne Powell nudges us again and again to break out of our little selves. Whether celebrating the triumphs of Australia's champion Aboriginal athlete Cathy Freeman, berating a hellish vacation in the Sierra Foothills, disclosing the subtle and not so subtle pain of social injustice, or commemorating a powerful, dancing mother reared in the big band swing era, Powell rocks. Unfailingly, the open-hearted spirit of her prose and poetry allows us to re-experience our membership in one another." ­ ­- Al Young, California Poet Laureate EmeritusJeanne Powell has earned degrees from WSU in Detroit and USF in San Francisco. She writes prose poems, flash fiction and short stage plays. Her previous books are MY OWN SILENCE and WORD DANCING, both published in second editions by Taurean Horn Press in 2013/2014. For ten years Jeanne hosted an acclaimed spoken word series, "Celebration of the Word." She is the inspiration behind Meridien PressWorks¿ which has published 20 authors since 1996. She has been an instructor in the CS, OLLI and UB programs in California.

The Viet Arcane is a poetic vision of the Viet Nam War written in the early 1970''s. It was inspired by a book by René Depestre, A Rainbow for the Christian West, in which a series of poems enacts an invasion by the Vodou Loas - or Haitian gods and goddesses - into the southern and most reactionary part of the United States. Hirschman imagines a similar invasion manifested by Vietnamese Mediums who follow the Dao Mau (the Worship of the Mother) religion. He strives to remind us that the war in Vietnam, although now history, was the major catastrophe of its time and must not be forgotten by future generations. ABOUT THE AUTHORJack Hirschman was born in 1933 in New York City and grew up in The Bronx. A copyboy with the Associated Press in New York, his first brush with fame came from a letter Ernest Hemingway wrote to him, published after Hemingway''s death as "A Letter to a Young Writer." He was a popular and innovative professor at UCLA in the 1970s, before he was fired for his anti-war activities. Hirschman is a member of the League of Revolutionaries for a New America (LRNA), a founding member of the Revolutionary Poets Brigade and the World Poetry Movement, the fourth emeritus poet of the city of San Francisco, and poet in residence with the Friends of the San Francisco Public Library.

This is the second volume of a three-part trilogy. The first volume, GOLD FEVER / San Francisco 1851, was published in 2013. While part of an on-going series, the books stand alone and can be satisfactorily read individually. In GOLD FEVER Part Two San Francisco has been torched twice in the space of six weeks. Merchants and residents are angry and organized in a Committee of Vigilance to arrest, try and hang the arsonists and all the other cutthroats, villains and armed criminals that make the city a dangerous, lawless den of inequity in 1851 and 1852. The Governor, his cronies, and the corrupt city and county officials are determined to rein in the Committee of Vigilance even if it means civil war. Pierre and Manon Dubois must negotiate their way carefully through the minefield of warring factions, treacherous streets, and from competition of the boatloads of new immigrants, Jezebels and fortune hunters arriving weekly. The city is still a ruthless man's world where Yankee men control commerce, can bribe juries and customs officials, and deport foreign immigrants at will. Can Manon realize her dream to own and run a high-end French restaurant employing women chefs in competition with the established male-owned and staffed restaurants? Can Pierre establish a viable notary and private detective agency in this uncertain environment? Can Manon's women partners, associates and employees prevail in their careers in the still lawless town with over 2,000 saloons, innumerable gambling palaces and dens, fancy bordellos and sex-slave cribs?

ABOUT THE BOOKAt the beginning of this dreamlike graphic novel, a young woman's sleep is disturbed by a mysterious voice calling in the night. She follows the sound into a forest grove where she is inspired to weave a dress of leaves. As she adorns her garment with one last leaf, it breaks and falls away, ruining her creation. She collapses in frustration only to awaken as some other tiny self on the surface of that torn leaf. She begins to explore her microscopic new world under the moonlight, unaware that a frightened, hungry creature, Samael, is growing on the darkened underside of this leaf world. Scott David Finch's "A Little World Made Cunningly" is a story about creativity built on the ancient template of the Creation Story. ABOUT THE AUTHOR: Drawing upon images from esoteric Christianity, the syntax of postmodernism, and Saturday morning cartoons, Finch's work demonstrates an interest in the arcane strata below and beyond ordinary waking consciousness. He often employs several parallel lines of metaphor at once in a dense, layered visual language. After more than twenty years of making large brightly colored paintings derived from photographic imagery, during a creative block 2010, images of a woman weaving leaves into a dress around her own body began to unfold in his mind's eye. This narrative impelled him to devote the next year to writing and drawing "A Little World Made Cunningly."

THE BLUE NOTE is an indiscreet book about a discreet subject. It is a love and sex story that takes place both in the virtual world and in the real world. The computer screen is the mediating interface, the "e;door of perception,"e; through which our heroine and hero speak of love and, step by step, achieve sexual union. They discover and exploit the intense eroticism provided by the anonymity of electronics, a phenomenon of current technology that is causing a total upheaval in the way the sexes meet and merge.

In "The Rabbi and Princess Harmonica" a Romanian girl ensnared by human traffickers, and a displaced rabbi who discovers his true calling in art, are brought together through the circumstance of an attempted suicide. They struggle to overcome forces that seek to keep the girl, Sorina, enslaved in degradation. The novel spans locations from Eastern Europe to Australia to the United States.