Dagbøker og memoarer

A woman who was sexually abused by her own father and later gave birth to his daughter is now running a support group which spans 30 countries and has tens of thousands of supporters. This is her story of family secrets and lies, and the struggle to overcome the very worst forms of childhood abuse.

The Roma is a profoundly personal portrait of a people and their on-going journey, shedding new light on their history in countries through which they've travelled and in which they've settled, and what it means to be Romani in Europe today. It is a history that is not widely understood, and that invisibility has created a space where fear and hostility continue to thrive. The Roma, as well as being full of fascinating stories and extraordinary individuals, is a powerful corrective to the stereotyping and prejudices that Romani communities still face today.We meet Ceija Stojka, the Roma artist who chronicled her experiences of the Holocaust in Austria; Johann Trollmann, the Sinto boxer who should have become Germany's light-heavyweight champion only to have his win scratched from the record by the Nazis; and Mary Squires, the nineteenth-century Romani who was accused of kidnapping a young woman and sentenced to death only to be exonerated thanks to some detective work by an unconvinced judge.Throughout, Madeline Potter weaves in her travels though contemporary Romani Europe as well as strands of her own journey as a Romani woman in Romania and now the UK. In so doing she deftly blends explorative history with intimate accounts of racism to create a work of history that is also urgent, timely and forward-looking.

A bold memoir, filled with drama, loss and bitterness (with a significant dose of humour) of a dysfunctional family with a domineering mother at the helm.

Joe McGhee, Scotland's gold medal winner at the notorious 1954 Vancouver Empire and Commonwealth Games marathon, gives his personal account of the race. In this previously unpublished memoir he reveals the huge demands, dedication and joys of a long-distance runner through humorous anecdotes while providing inspiration to aspiring runners.

I am sitting in bed next to Mariah Carey. She's wearing a pair of tiny boxer shorts and a belly-airing vest. 'You can lie down if you want,' she says. 'I mean it's fine, be comfortable.' So I lean further back into the pillows, feigning being comfortable.As a young magazine intern, Diana Evans was catapulted overnight into the role of culture editor, and so began her career as a journalist, writing about musicians, dancers and artists, interviewing the likes of Viola Davis, Alice Walker and Edward Enninful.In these portraits of contemporary icons, the author herself remains distant - always the observer. Alongside them, in essays and pieces collected here for the first time, we see her turning the lens on herself. We watch as she dances across stages in London and travels through Cuba. We sit beside her desk as she develops her voice as a writer, shaped by her love for Jean Rhys, James Baldwin and Toni Morrison. We walk by her side as she navigates the world - her family and the midlife sandwich, reflections on fashion, yoga, the British monarchy and lockdowns, and the lasting impact of George Floyd and Grenfell.Crafted over twenty-five years, with the intelligence and sensitivity for which Diana Evans is celebrated, I Want to Talk to You invites you into a conversation about literature, art, identity, and everything in between.

'I was 12 weeks old when my mother, Mags, died. I was eight years old when my father was killed by Molly and Thomas Martens. The Martens made me an orphan. They took away my father, my only constant, the only loving parent I had.' From the Victim Impact Statement of Sarah Corbett Lynch, given in North Carolina Superior Court in 2023On 2 August 2015, Irishman Jason Corbett was killed in his North Carolina home by his American wife Molly Martens and her father Tom. Sarah, Jason's eight-year-old daughter, and her brother Jack were also in the house that fateful night, asleep upstairs. Now eighteen years old, Sarah Corbett Lynch tells her story for the first time. She shares her earliest memories of her beloved dad and her life with him, Jack and Molly Martens in their home in North Carolina, and gives her account of the events leading up to the night that changed everything. She remembers the aftermath of her father's death, and how her words were weaponised amidst lies and deception as she sat in courtrooms from the ages of nine to seventeen during her family's gruelling battle for justice - and the devastation they shared when Molly and Tom Martens were released from prison in 2024, after serving just three and a half years. Using entries from the diary she has kept since she was eight, Sarah also writes about her journey of grief and recovery from trauma, as she and Jack were welcomed into the safe, loving home of her aunt Tracey, her father's sister, in Ireland. And she looks to the future and her plans to study criminal justice, so she can change the world for the better. Raw, powerful and inspirational, My Truth is an unforgettable story of heartbreak and loss, but also of strength, love and courage as this remarkable young woman has survived, healed and thrived - against the odds.

'Mark Watson is a national treasure' Richard OsmanWhatever I now know about life - or think I know - I found out through failure, disappointment, mortification. I'm writing it all down as much to remind myself as for anyone else - but now you're here, I'd love you to stick around . . .Mark Watson is generally accepted to be alive. And yet he's died many times. Not just on stage - though he'll tell you about that - but in other ways, too. There's been the death of a childhood dream. The death of his panel-show career. And then there was the time he died inside and nearly lost it all . . .Eye-opening, revealing and painfully funny, this is a book about mortification, failure and all the times life doesn't work out as planned. But it also wisely questions whether the things we strive for - recognition, success, the approval of others - are really the things that matter. It's a book about death that reminds us how to live.'Mark Watson makes the base metal of failure into comedy gold' Adam Kay

Twice the winner of the Pulitzer Prize for novels about Harry 'Rabbit' Angstrom, John Updike, though very much aware of his gifts and blessings, believed himself to be, like Rabbit, an everyman- 'a relatively fortunate American male'-and his life a specimen life, 'representative in its odd uniqueness of all the oddly unique lives in this world.' This belief animated his more than sixty autobiographical books-fiction, poetry, collections of first-person essays and memoirs-a body of creative work universal in its literary appeal but intimately based upon, as Updike himself called it, 'this massive datum that happens to be mine.'Now, more than a decade after his death, comes a generous volume of letters both personal and professional. We see, at last, Updike in 'real time,' documenting with preternatural facility every stage of his unspooling life, from Pennsylvania farm boy to Harvard scholarship student, from young father negotiating his first book contract to freelance writer revelling in the 'post-Pill paradise' of the swinging 1960s.Here too are letters to fellow practitioners of the writer's craft including Philip Roth, Joyce Carol Oates, John Barth, and Ian McEwan. Central to the collection are dozens of letters to Updike's mother, the aspiring novelist Linda Grace Hoyer, who modelled for him the life of a writer and was, until her death in 1989, his closest confidante. But the most moving, perhaps, are the letters of Updike's final year-farewells to his children, to colleagues and friends, and to a world that, in his letters as much as in every other form of writing he practiced, he had daily strived to give its 'beautiful due.'

In the tradition of Walter Benjamin and with the journalistic attunement of Joan Didion, Jacqueline Feldman tells the story of Le Bloc, a legendary squat at the far edge of Paris which housed artists and activists.

Don’t Pull Your Sister’s Hair is the story of Sam Flood Jr.—the boy who didn’t speak until he was five has become a man who wants to tell stories for a living.Sam Flood was born on January 1, 1984, two weeks late. Walking and running at ten months, he didn’t speak until age five. “From the outset, Sam seemed to have his own idea for how life should be,” writes his father in the opening chapter, in which Sam pieces together his memories with stories told by his family to describe what it was like for Sam to express himself, from pulling his sister Eliza’s hair to wandering to Häagen-Dazs at age three.Sam’s inability to speak concerned his parents, who consulted doctors to figure out what was wrong. One specialist said Sam would never graduate from high school, let alone go to college. Turning to writing, reading, and his own sense of humor to cope with constant bullying for his differences, Sam proved them wrong, earning a BA from Mitchell College in Connecticut.Any family can find hope in Sam’s story. Anyone who feels different, misunderstood, bullied, or unfairly treated in life can find light in the way Sam charted his course. This is a story of neurodiversity, but it’s not just for people dealing with ADHD, autism, or any other diagnostic label, because everyone has unique ways of thinking, processing, and behaving. Don’t Pull Your Sister’s Hair is about the moments where neurodiversity creates opportunity. It’s the story of what’s possible.

Have you ever wanted to get away from it all and escape to the wilds of Africa? Well, this writer did! At the age of 48, she sold her successful South African company to self-build a house on a 4,500-hectare private game reserve in Botswana. Just four hours of electricity a day, no phone, no gun, no fences to keep predators or elephants at bay, and no vet, doctor, dentist, or supermarket within 120 miles! Told with humour (and a taste of just how life-threatening the bush can be,) this collection of personal experiences gives you a real taste of belonging as an integral part of wild Africa. Be immersed in tales of: Wildfires, droughts, and being marooned by rain-swollen rivers! Being charged by angry elephants and being caught between herds of elephants while on foot! Being adopted by a one-tonne land antelope and a two-week old baby elephant! ...and how often Caesar saved the day!

For the last decade of his career, Peter dedicated himself to traveling the globe, attempting to show that shared information benefits the entire company more than isolated data. However, this book isn't about his professional mission; it's about the adventure of travel itself. Travel is divided into four essential parts: Planning the trip. Getting there. Being there. Getting home. While all four parts are covered, it's 'Being there' that takes center stage, as that's where the real excitement happens. Peter's journeys through diverse countries, encountering different peoples, cultures, and landscapes, only deepened his love for travel and humanity. Yet, post-9/11, the joy of travel has been marred by the extensive time spent navigating airport security. Sometimes, it feels like more time is spent in airports than in the air. Join Peter in rediscovering the joy of travel. Let's bring the fun back into our journeys.

Who is this man?He's climbed Kilimanjaro thirty-two times, climbed Mount Kenya over one hundred and fifty times, has climbed major mountains of the world like Denali in Alaska, and Ama Dablam in Nepal, as well as the face of El Capitan in Yosemite. As the founder of Tropical Ice's Great Walk of Africa, he's led adventurers over a hundred times, walking over 10,000 miles across Tsavo National Park. He's been charged by lions, leopards, buffalo, hippo, and elephant, and has come through it mostly unscathed.This man is Iain Allan...and this is his story.

'The letters, gossipy in the kindliest, most amused/bemused manner, bear true witness to the wide-ranging influences on Wodehouse's' best-known novels and best-loved characters.' THE TIMES***The definitive edition of P.G. Wodehouse's collected letters, edited with commentary by Oxford academic Sophie Ratcliffe. One of the funniest and most admired writers of the twentieth century, P. G. Wodehouse always shied away from the idea of a biography. A quiet, retiring man, he expressed himself through the written word. His letters - collected and expertly edited here - provide an illuminating biographical accompaniment to legendary comic creations such as Jeeves, Bertie Wooster, Psmith and the Empress of Blandings. Drawing on previously unpublished sources, these letters give an unrivalled insight into Wodehouse, covering his schooldays at Dulwich College, the family's financial reverses which saw his hopes of university dashed, life in New York working in musical comedy with Jerome Kern and George and Ira Gershwin, the years of fame as a novelist, and the unhappy episode in 1940 where he was interned by the Germans and later erroneously accused of broadcasting pro-Nazi propaganda. Charming, witty and profound, this 50th anniversary edition of A LIFE IN LETTERS is the perfect addition to any Wodehouse-lover's bookcase.

Compelling and intimate, this collection of letters between the celebrated art critic and essayist John Berger and his son Yves, an artist, is a moving look at their musings on art, memory, life, death, and beyond. Composed of letters written between 2015 and 2016, some of the last written by John Berger, along with images of works by old masters and contemporary art and some of the Bergers' own drawings and watercolours, Over to You is an informal back-and-forth not unlike the ping-pong games father and son used to play in the barn of their house. It begins when John, who is in a Parisian suburb, sends Yves, who is in Haute-Savoie, an envelope of reproductions of art that have moved him. And so they begin to reveal their thoughts, looking at works by Goya, Watteau, Twombly, Joan Mitchell, Dürer, Caravaggio, Manet, and Euan Uglow, among many others. But the art is just a way to summon shared emotions and memories, as well as deepen their understanding of the world and its mysteries. John, at eighty-nine, is the more formal teacher; Yves, at thirty-nine, is the younger, philosophical artist. There are John's thoughts on everything from the use of colour, light and space in, say, a Dürer or a Beckmann to the question of 'staying fully alive.' Yves notes how much in life exceeds our understanding, the gap between our consciousness and our feeling, between the said and the unsaid. 'That's the zone where I would like us to meet. Are you coming?' he asks his father. 'I may need other eyes to confirm what is really there. Like your eyes always did.'This is an exceptional and moving tribute to a relationship between a father and a son, and between two artists, as well as a thought-provoking look at questions we all have about work, time, the universe, life, and death.

All Change is a true insider's story of turbulent times in the the media in the second half of the 20th century when Clive Bradley worked at the heart of broadcasting, newspapers, book publishing and politics.¿His fascinating memoir takes us back to the 60s and the pioneering years of political broadcasting when he ran the television side of Harold Wilson's successful election campaign. In the 70s he worked in newspapers as the historic domination by trades unions and press barons was replaced by new technology and new ownership. Then, in the late 70s, he took on the role of Chief Executive of the Publishers Association. Clive's determination and tireless energy helped to steer these industries through seismic legal, economic and technological change, often in the face of the wilfulness of flamboyant media egos.As he lobbied government, regulators, and the EU, his memoir is filled with absorbing pen portraits of the diverse characters he worked with: David Astor, Tony Benn, Robert Maxwell, Rupert Murdoch, Arnold Goodman, Paul Hamlyn and many more as he brings alive the personalities that shaped the decades of his long and distinguished career.This intriguing and important memoir is informed by a deep commitment to the industries he served, creating a fascinating record of triumph and turmoil. It is also a moving personal story of a gay man finding his identity during an era in an era of great social change.