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This is not an inspirational memoir. This is not trauma porn. This is a memoir about the forces that impact our lives, both good and bad.
Pushing back against a system which feels designed to keep parents isolated and exhausted, Latched Mama founder, Melissa Wirt shows moms how to build a supportive "village" to bring joy and connection back to motherhood.Melissa Wirt thought she had everything-she'd built her own company and moved to a beautiful farm with her family. Then during a personal crisis, she realized: despite having created an online community reaching thousands of moms, she'd also somehow, become utterly isolated.In I Was Told There'd Be a Village, Melissa describes how she began making small changes-leaving behind a damaging Isolation Mindset and developing an advantageous Village Mindset. Using personal anecdotes and stories from moms across the country, this book provides specific, actionable steps to transform oppressive, solitary parenting into a connected, collective (even joyful) endeavor.
A remarkable memoir from one of football's most versatile players and the Ukraine's most invaluable advocate
An autobiography of Edgar Henry Baskerville born in Sydney Australia, covering his early childhood experiences to adventures he had as a teenager including hitchhiking to Queensland and Victoria and a stint in the army. From labourer to Accountant and Barrister. Over three years in the Cook Islands starting from beachcomber with a wife and four small children to head of a Government Department there including an episode as Master of Ceremonies to Prince Phillip and Lord Mountbatten. Back to Australia and later conversion to Islam. Performing Haj and three months Khuruj in India and Pakistan. Experiences during Haj and Khuruj. Three Marriages and a fifth child. Some old age philosophical reminiscences and reflections.
In this lyrical, radically expansive self-portrait, celebrated poet, author, and lecturer Sophie Strand explores-with searing insight and honesty-the intersecting spaces of her own chronic illness, the complex ecology of a changing world, and the very nature of the stories we tell ourselves. At age sixteen Sophie Strand-bright, agile, fearless-is suddenly beset by unexplained, debilitating illness while on a family trip abroad. Her once vibrant life becomes a tangled miasma of medication, specialists, anaphylaxis, and seemingly never-ending attempts to explain what has gone so terribly wrong. And, for many years thereafter, Sophie's life becomes subsumed with ideas not of "health," but of explanation, and the narrative of how and why she became sick. But slowly, through both profound fatigue with the medical industrial complex and a deeply entwined relationship with the natural world, she comes to another, more fundamental understanding of what has happened to her body. What if sickness is not a separation from the body? What if health is not quite so easy to see? What if physical pain leaves us no choice but to return to our bodies, the pinpricks and lightning of illness stitching us back into a physical presence our society has taught us to ignore? In a work both expansively tender and shockingly frank, Sophie Strand offers readers a window onto her own winding journey through the maze of chronic illness-a web not unlike those created by the mycorrizhal fungi whose networks she begins to see as a metaphor for the profound connections between all species and the earth. Grounded deeply in the mountains of the Hudson Valley, each moment of this far-reaching narrative snakes its way through the multi-layered ecology of the land around us, from the stunningly powerful pollen of a phlox plant to the unexpected beauty and wisdom of the woodchuck. The Body Is a Doorway dives into the murky waters of sickness and trauma, as well as the resonant challenges and joys of friendship, young adulthood, first love, and fertility. Throughout, in precise, sparkling language, it explores questions both personal and universal: Is there healing beyond the human? Beyond the hope for a cure or a happy ending? Is there something wilder and more symbiotic beyond narrow ideas of well-being?
The 1960s was the golden age of European motorsport, with two countries leading the saloon car field: Britain with the Mini and Italy with the Fiats 500 and 600. As their rivalry was further ignited by the creation of the Mini Cooper and Fiat Abarth, there was a fervent need for tuning and 'go faster' component companies - and here, one of Britain's most iconic, Radbourne Racing, was born.In this captivating memoir, Lincoln Small - the last surviving co-founder of Radbourne Racing - shares the untold story of how a small company, fuelled by ingenuity, left an indelible mark on British motorsport history. Through a retelling rich with anecdotes of both rivalries and triumphs, Small brings to life the glamour, grit and camaraderie of those unforgettable halcyon days, offering a heartfelt tribute to the people, cars and innovations that shaped motorsport's most exhilarating era.Featuring rare, personal photographs and comprehensive appendices, Abarth, Radbourne Racing and Me is both a nostalgic celebration and a vital record of a team and a time when every lap was a leap into the unknown. For petrol-heads and racing enthusiasts alike, this is a story of inspiration and legacy that will resonate long after the final page.
In 1983 an off-duty prison officer was shot by the IRA in cold blood on a Dublin street. Over 40 years later, no one has been convicted of his murder. In this book, his son outlines why justice must be done.Brian Stack was the chief prison officer working on the IRA wing of Portlaoise Prison in 1983. He was also a fan of amateur boxing, and had travelled to see a match in Dublin in March of that year. After the match, he was shot outside the venue by an IRA gunman, leaving him paralysed and brain damaged.Brian survived the attack but succumbed to his injuries within 18 months, leaving a wife and three young sons. Austin Stack was 14 when his father passed away, but he has never forgotten him nor has he ever given up hope of bringing his murderers to justice. Over the years, he has held secret talks with Gerry Adams and members of the IRA, but to date no one has been convicted of the crime. This book is an account of a son's ongoing quest for justice, and his determination to set the record straight.
Legendary cricket writer Scyld Berry celebrates his reporting of 500 Test matches in this unique portrait of English cricket culture.
Weaving memoir with on-the-ground reporting, The Descent illustrates the changing realities of Putin's long and bloody rule and Russia's march to full-scale war in Ukraine.
This book is for anyone who is struggling with addiction or thinks they might have a problem.It is a book for family and friends who live with the real-life consequences of addiction and want to know more about the illness and where and how to get help.
"Jessica N. Turner, a working mom of three, found herself whispering these words when her husband came out as gay and their 16-year marriage ended. Suddenly, the life she was living looked nothing like what she had imagined, and she was forced to face the fact that she didn't know how to make it better. In I Thought It Would Be Better Than This, Jessica draws on the lessons she learned in this time to helps readers face their own disappointments, heartaches, and unmet expectations in their own lives. This isn't just a story of rising from the ashes, it's a practical plan for finding new life on the other side of trauma. She offers sixteen simple actions readers can take-including moving, eating, creating, and experiencing-to encourage readers to take control of any situation for our own good. Filled with inspiration and hope, this is an intensely practical book is for anyone who is struggling with a life that does not look like they imagined it would, and will point readers toward a happy, healthy, whole future"--
From an author and podcaster, an "invaluable and hilarious" memoir-in-essays about learning to understand that we can’t earn God’s love no matter how hard we try, and learning to accept the grace that is freely given (Jennifer Dukes Lee). Growing up, Kimberly Stuart got really good at strapping on her spiritual tap shoes and trying to be a star for Jesus. She could sing all the songs, ace the sword drills, and knew all the right theology. From earning creepy Jesus paperweights in her church’s faux Girl Scout program to trying to calm an actual storm on the Mediterranean, she was doing her best . . . and still found herself longing for something more. She didn’t mean to completely ignore the most beautiful tenets of her faith—the unwavering grace and tenacious love of God—but she did. Which, of course, was the problem. Her best was lackluster, and God wasn’t looking for a star performer anyway.Star for Jesus (And Other Jobs I Quit), is an invitation for readers to spot unvarnished, amazing grace when they see it. With her trademark wit and transparency, Stuart brings readers through moments that teach us to cling to the fierce love of God instead of the flimsier versions we find elsewhere. With unflinching honesty and relatable humor, Stuart encourages readers to take another look at unrelenting grace, and why this moment in history is the perfect time to extend no-strings-attached grace to an emotionally bedraggled, wary world.
Fair: The Life-Art of Translation, is a satirical, refreshing and brilliantly playful book about learning the art of translation, being a bookworker in the publishing industry, growing up, family, and class. Loosely set in an imagined book fair/art fair/fun fair, in which every stall or ride imitates a real-world scenario or dilemma which must be observed and negotiated, the book moves between personal memories and larger questions about the role of the literary translator in publishing, about fairness and hard work, about the ways we define success, and what it means - and whether it is possible - to make a living as an artist. Fair is also interested in questions of upbringing, background, support, how different people function in the workplace, and the ways in which people are excluded or made invisible in different cultural and creative industries. It connects literary translation to its siblings in other creative arts to show how creative and subjective a practice it is while upholding the ethics and politics at play when we translate someone else's work. Blurring the lines between memoir, autofiction, satire and polemic, Fair is a singularly inventive and illuminating book by one of the UK's most original and admired writers and translators.
A fascinating narrative of a psychoanalyst's experience of working with a patient with dementia. It is interspersed with current theory from the literature on attachment, object relations, and neuroscience, and ends on a substantial appendix of detailed notations about relevant articles to illustrate her work and provide further ar
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