Historiske og politiske biografier

Soldier, journalist and centenarian: a triple badge of honour, especially for a woman. Introducing Rena Stewart (1923-2023), a remarkable, 100-year-old Bletchley Park Girl who translated Hitler's will and blazed a trail for women at the BBC. The Story of Rena Stewart narrates Rena's fascinating tale, in her own words, and is a testament to a life that was seriously well lived. On graduating from St Andrews University in 1943, Scottish linguist Rena and her friend Agnes decided to 'do something about the war'. They signed up for the Auxiliary Territorial Service and were posted to Bletchley Park, where Rena processed secret German messages. At the end of the war, Rena and her Bletchley chums were sent to Germany, to translate the statements of captured Nazi officers. There, she and another friend, Margery, were also given a top-secret task: to translate Hitler's personal will. Career woman Rena had, however, always wanted to work in the media. On her return to England, she managed to secure a position as a lowly clerk at the BBC World Service. She worked her way up from there, including spending ten years listening in to Russian Cold War broadcasts. Finally, she became the first female Senior Duty Editor in the World Service newsroom. 'My greatest achievement,' she declared with pride, 'has been getting people to recognise that a woman can be as good a journalist as a man'. Alongside Rena's story, this book delves into the lives of her closest Bletchley friends and uncovers intriguing historical mysteries from her remarkable century of life.

Outrageous, passionate and glamorous, the Mitford sisters beguiled their peers, the press and then the rest of the world throughout their lives and still captivate us today - celebrated cartoonist Mimi Pond brings to them to life in this sparkling graphic biography.As a young girl living in sun-bleached 1960s suburban California, Mimi Pond fell in love with the Mitford sisters. Nancy, Pamela, Diana, Unity, Jessica and Deborah Mitford brought society glitz, pageantry, scandal, and real (rainy) weather to her own prosaic life.High society debutantes known for rubbing shoulders with some of history's most infamous fascists and communists, the sisters were also, in turn, gifted writers, inveterate nicknamers, chicken-raising homebodies, scathing wits, and passionate adventurers in the maelstrom of the 20th century.Drawn with inimitable artistic flair and a mischievous affinity for the decadent and grandly declining aristocracy, Mimi Pond brings the Mitfords to life in this glittering and lovingly researched family biography.

[Not final] Intimate afterlives of empire is the first comprehensive study of post-imperial autobiography as an important genre of cultural memory. investigate the relationship between individual and cultural memory at the end of empire as voiced through the practice of autobiographical writing. Through close readings of more than a dozen autobiographies and memoirs/Through close readings of almost twenty autobiographies written after the break-up of the British Empire, it examines how individuals engage with the changing narrative landscape brought about by decolonisation/ it examines how changes to cultural narratives about the imperial past manifest themselves in personal life stories. . It argues that individuals navigate the changing narrative landscape of decolonisation by way of personal memory work, repositioning themselves in relation to a contemporary audience. The book conceives of decolonisation as a narrative shift, though not a total break, from the logics of the colonial era. /The narrative changes brought about by decolonisation has previously been studied at the level of collective or national memory. Intimate afterlives of empire is the first book to examine how individuals have responded to this changing narrative landscape. It argues that authors are at once affected by and seek to affect cultural memories of the colonial past. /It argues that authors respond dialogically to shifts in the cultural memories of empire, inserting themselves in a wider narrative. As decolonisation brought changes to the narrative landscape, individual writers ... Studying the dialogues between individual and cultural memory, the book argues that autobiographers are at once influenced by and seek to influence the cultural memory of empire and its legacies (and the authors' own position in both)/ trace the responses to the moment of decolonisation as a narrative eventEach chapter focuses on one trope and one autobiographical sub-genre so that the result is an anatomy of the genre of the end of empire autobiography as a whole.

In June 1983 Margaret Thatcher won the biggest increase in a government's Parliamentary majority in British electoral history. Over the next four years, as Charles Moore relates in this central volume of his uniquely authoritative biography, Britain's first woman prime minister changed the course of her country's history and that of the world, often by sheer force of will.The book reveals as never before how she faced down the Miners' Strike, transformed relations with Europe, privatized the commanding heights of British industry and continued the reinvigoration of the British economy. It describes her role on the world stage with dramatic immediacy, identifying Mikhail Gorbachev as 'a man to do business with' before he became leader of the Soviet Union, and then persistently pushing him and Ronald Reagan, her great ideological soulmate, to order world affairs according to her vision. For the only time since Churchill, she ensured that Britain had a central place in dealings between the superpowers.But even at her zenith she was beset by difficulties. The beloved Reagan two-timed her during the US invasion of Grenada. She lost the minister to whom she was personally closest to scandal and almost had to resign as a result of the Westland affair. She found herself isolated within her own government over Europe. She was at odds with the Queen over the Commonwealth and South Africa. She bullied senior colleagues and she set in motion the poll tax. Both these last would later return to wound her, fatally.In all this, Charles Moore has had unprecedented access to all Mrs Thatcher's private and government papers. The participants in the events described have been so frank in interview that we feel we are eavesdropping on their conversations as they pass. We look over Mrs Thatcher's shoulder as she vigorously annotates documents, so seeing her views on many particular issues in detail, and we understand for the first time how closely she relied on a handful of trusted advisors to help shape her views and carry out her will. We see her as a public performer, an often anxious mother, a workaholic and the first woman in western democratic history who truly came to dominate her country in her time.In the early hours of 12 October 1984, during the Conservative party conference in Brighton, the IRA attempted to assassinate her. She carried on within hours to give her leader's speech at the conference (and later went on to sign the Anglo-Irish agreement). One of her many left-wing critics, watching her that day, said 'I don't approve of her as Prime Minister, but by God she's a great tank commander.' This titanic figure, with all her capacities and all her flaws, storms from these pages as from no other book.

Lady Nijo's A Tale Unasked (Towazugatari) is the last, and arguably the finest, among classical Japanese literature's famous 'women's diaries'. Thought to have been completed around 1307, when the author was in her late forties, the first two thirds of this autobiographical work document in rich and compelling detail the experiences of an imperial concubine whose time at court was ruled and finally ruined by her passionate and complicated love life. The final third of the work equally memorably describes her peripatetic life after the emperor expelled her from the court in her mid-twenties and she became a nun, wandering the roads of Japan as a form of Buddhist austerity.Meredith McKinney's superb translation breathes new life into Lady Nijo's fascinating diaries, which survived her era in a single copy and were only rediscovered in the 1940s.

A biography of a woman whose contribution to the musical life of Britain transcended the sadnesses in her life. Also a woman whose life confronts some of the key issues of the 20th century. WW2 refugees, legality of homosexuality, changes in royal attitudes to divorce and privilege in the legal system.

Castro: A Biography by Consent offers the most comprehensive and in-depth life history of one of the most iconic and controversial revolutionary leaders of the modern world. Respected by some, despised by others, Fidel Castro was a force to reckon with. Claudia Furiati spent nine years of intensive research unraveling and chronicling his story through seven decades of Cuban history.   Castro granted Furiati his consent to write this biography and gave his assurance that he would not read it until the book was completed and published. He allowed her access to his personal (confidential and secret) archives and official files. Through these and multiple interviews with Castro’s friends and enemies alike, Furiati fills in gaps missing from other biographies and provides, through extensive narrative and photos, a powerful portrayal of this charismatic yet enigmatic head of state.

On three hot days in early July of 1863, America stood at a crossroads. Two armies faced each other in a battle that might determine the course of the nation. Would the country that was founded with such high ideals in 1776 continue, or would it be divided, and another country be established alongside it? Much was riding on the decisions made by the Southern high command as they attempted to defeat the Union Army and threaten Washington, D.C.This book takes the reader through the command decisions, the troop movements, and the combat action of the battle. In addition to the narrative of the battle, there are biographical sketches which tell about many of the leaders who were engaged in this struggle, offering a human side to the conflict. This war has often been described by scholars as the first modern war in history due to the advancements in weapons and ammunition. Many of those technologies are described and the implications of those advancements on the soldiers involved.Gettysburg is remembered as a pivotal battle in the Civil War, a war that pitted brother against brother, friend against friend, neighbor against neighbor.

This book is about the late Soviet Union, focusing on the crisis in the ruling structures of the Communist Party, caused by the lack of generational rejuvenation. Author analyzes the case of Volgograd as a typical manifestation of this crisis and explains why Perestroika did not work.

New softback edition of the acclaimed historical biiography. Read about Jean Gordon's involvement in many ofthe well-known adventures of Mary, Queen of Scots, and how she survived theintrigue of the Queen's court

From multi-award-winning writer Helen Ennis comes the first ever biography of the photographer Max Dupain, the most influential Australian photographer of the 20th century and creator of many iconic images that have passed into our national imagination. Max Dupain (1911-1992) was a major cultural figure in Australia, and at the forefront of the visual arts in a career spanning more than fifty years. During this time he produced a number of images now regarded as iconically Australian. He championed modern photography and a distinctive Australian approach. To date, Dupain has been seen mostly in one-dimensional, limited and limiting terms - as exceptional, as super masculine, as an Australian hero. But this landmark biography approaches him as a complex and contradictory figure who, despite the apparent certitude of his photographic style, was filled with self-doubt and anxiety. Dupain was a Romantic and a rationalist and struggled with the intensity of his emotions and reactions. He wanted simplicity in his art and life, but found it difficult to attain. He never wanted to be ordinary. Examining the sources of his creativity - literature, art, music - alongside his approaches to masculinity, love, the body, war, and nature, Max Dupain: A Portrait reveals a driven artist, one whose relationship to his work has been described as 'ferocious' and 'painful to watch'. Photographer David Moore, a long-term friend, said he 'needed to photograph like he needed to breathe. It was part of him. It gave him his drive and force in life.'