Fotografi

This ultimate collection showcases Anton Corbijn's photography, focusing on music, fashion, and art since the 1970s, featuring unpublished images and tributes from iconic musicians.

In Carte Mémoire, Bieke Depoorter explores memory's power and fragility, combining images of stargazers, diary texts, and historical fragments, highlighting often-forgotten female astronomers.

Family of Migrants mirrors Edward Steichen's 1955 Family of Man exhibition, focusing on migration through 400 global photographs, exploring departure, journey, arrival, family, loss, and love.

Through an exploration of iconic Australian events, small towns and his own extended family, Big Sky byAustralian photographer Adam Ferguson, attempts to capture a personal vision of Australia that commentson a way of life that is in decline.

The photographs in JML NYC 02-23 were made over two decades as Joseph Michael Lopeztraversed the streets of the boroughs of New York by foot. Devoid of the visual tropes associatedwith the city, the images instead present a vision of New York as it was experienced.

A career-spanning examination of the work of Robert Bergman and its place within the history of American art

Subverting methods used by early colonizers, Moreno's "info-photographic" plates approach the American landscape from a decolonized, gendered perspectiveUsing her images of abandoned Ark-La-Tex drive-in theaters, Spanish artist Linarejos Moreno (born 1974) explores the canonical identity of Americana to sublime effect. Her work also serves as a sociological history of US geography, beginning with early explorations by Alexander von Humboldt.

To Reach the Source: The Stepwells of India is a photography book about a unique and magnificent architectural form that remains unknown to most people outside (and even within) India. More than just a shaft dug into the earth to fetch water, these are entire buildings that descend several stories below ground; they are spaces to be entered and occupied, serving functional, social, and ritual purposes. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once, but instead of rising into the sky, they descend below the surface. They create a spatial experience unlike any other, in which one is below ground but remains connected to the sun and sky. Today they lie largely abandoned and overlooked, in various states of preservation or, more often, disrepair. The photographs seek to recreate the striking ambiance that they elicit. The brief text that follows the images (interspersed with a few architectural drawings) provides a necessary minimum of context, ultimately to reinforce the primarily visual nature of the reader's experience, one in which the photographs have priority. The photographs seek to give readers some sense of the meditative process of descending into these beautiful structures, of going away from the surface on which we live, but not being cut off from it, instead directed towards the very source of life.

This new study of nineteenth-century American photography presents a bottom-up history of the United States, featuring works by lesser-known practitioners that capture the changing scene across the country

In Abandoned Ireland 2, photographer Rebecca Brownlie travels further off the beaten path to explore and showcase Ireland's forgotten buildings before nature or the demolition man claims them forever. Through her evocative photography, we cross the threshold of deserted mansions, cottages, convents and hotels, mills and shopping centres, wandering through once-lively rooms that have now fallen silent, where only mementos of the past stand sentinel. Amid the decay, tables are elaborately set for tea, coats hang by the door and well-thumbed books lay poised and open, as if their owner will be back at any moment. From a castle where King James II stayed before the Battle of the Boyne to a manor house whose occupants mysteriously disappeared in the middle of the night, the arresting and poignant photography on every page is a love letter to Ireland's buildings abandoned to time.

Master Penman and fine artist Jake Weidmann invites you into his studio to explore what it means to embrace art as a spiritual discipline in Old Soul, New Creation, a gorgeous photo-driven coffee table book featuring Jake's original calligraphy and stunning photography of his award-winning artwork.

In the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity.Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading international scholars, the book considers the pioneering developments in European and North American periodicals in the modernist period, whilst expanding the field of enquiry to take in the vibrant magazine cultures of east Asia and Latin America. The construction of these magazines' modern ideals was a complex, dialectical process: in dialogue with international modernism, but equally responsive to their local cultures, and the beliefs and expectations of their readers. Magazines and Modern Identities captures the diversity of these ideals, in periodicals that both embraced and criticised the globalised culture of the technological era.

In Elsewhere, author and photographer Katherine Oktober Matthews examines her compulsion to travel-a fundamental need to be moving. She lays bare her existential journey as a mixed-format essay and journal written on the road, made even more personal through her contemplative photos, quietly coursing with an underlying conflict. Flitting between cities and blinking back and forth through time, Elsewhere pulsates with a nebulous sense of home and the deep wish to belong. In this innovative personal essay of words and photos, raw and insightful of a time and a generation, Matthews traces the widening recognition that the one thing a wanderer takes with her everywhere is herself.

A front-row view of Andy Warhol's relentless rise from cult New York Pop artist to 20th-century icon, charted by legendary photojournalist Steve Schapiro in over 120 photos. From working at the Factory to hanging out with his entourage, including the Velvet Underground in Los Angeles, witness Warhol at the peak of creativity and cultural influence.

Timeless Colours: Waterford celebrates the rich history of the Dé ise and its people through the meticulous colourisation of over 100 stunning images. From architectural gems like the Dromana Gate to the tranquil beauty of the River Suir, each iconic image captures the unique essence of Waterford. Setting out to bring his native county's history to life, Ian Hannigan has combined artificial intelligence technology with historical research to infuse the past with new energy. Step back in time to the streets of Waterford in a bygone era, with the imposing Reginald's Tower standing watch over the hustle and bustle of the quays. From the striking oldest known photo of a survivor of The Great Hunger to Countess Markievicz's visit to Waterford, the images in this book are of great local and national significance. Covering the period 1840 - 1960, Timeless Colours: Waterford offers a vivid and evocative glimpse into the daily lives of Waterford's people during a time of profound transformation.

The first major career retrospective of this remarkable midcentury street photographer, largely undiscovered beyond a prestigious collector and gallery circle. Some 170 images reveal Newman's flawless technique and humanist sensibility through vivid New York cityscapes, riveting sports shots, and other inventive images from across the U.S.

Die Französin Marie-Claude Deffarge (1924-1984) und der Luxemburger Gordian Troeller (1917-2003) arbeiteten ab den 1950er-Jahren zusammen als freie Journalisten und berichteten zunächst vor allem aus Iran, Jemen und anderen Ländern der Region, später aus nahezu der ganzen Welt. In den 1960er-Jahren verantworteten sie wichtige Auslandsreportagen für das deutsche Nachrichtenmagazin Stern. Parallel dazu entstanden erste gemeinsame Filmreportagen, ab den 1970er-Jahren rückten Dokumentarfilmreihen ins Zentrum ihres Schaffens. Geschätzt wurden Deffarge & Troeller für ihre hervorragend recherchierten Beiträge. Selten berichteten sie wertfrei, liessen sich jedoch durch Kritik an ihren Analysen zu vorherrschenden Machtstrukturen nicht beirren. Im Fokus dieses ersten umfassenden Buches über Deffarge & Troeller stehen die für den Stern entstandenen Reportagen und das gemeinsame Filmschaffen, reichhaltig illustriert mit Fotos, kompletten Reportagen und Filmvorschauen, Buchmaquetten, Kontaktabzügen, Film-Stills und Skripten sowie weiteren Dokumenten. Die Texte ordnen die Arbeitsschwerpunkte, das Vorgehen und die Rezeption des Duos ein. Dabei ist die aktuelle Relevanz ihrer Berichterstattung frappierend. Ob politische Konflikte in Iran, Eritrea, Jemen oder Kapitalismuskritik und Feminismus: Der zweisprachig deutsch-englische Band spürt den Ursachen jener Krisen auf, die nach wie vor das Weltgeschehen beeinflussen.

Street Beauty is high visual impact one-of-a-kind street art photography book by renowned international street art photographer Hannah Judah.

An intimate, behind-the-scenes look into the parts of Broadway that most people never see.

Third volume of the Post-Mortem Fairy Tales trilogy by the mysterious duo Mothmeister. An intriguing mix of taxidermy, mask art, and photography.

This volume presents 77 photographs taken by Gabriele Basilico (Milan, 1944-2013) between 1978 and 2012, virtually spanning the Milanese photographer's entire career. Text in English and Italian.

Presents images taken by photographic studio Aldo Ballo and Marirosa Toscani that captured the cultural dynamics and innovations of the ever-evolving Italian design. Accompanies an exhibition at Castello Sforzesco in Milan, from 14 June - 3 November 2024. Text in English and Italian.