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Frontmatter -- Part Two. L-Z -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z -- Index
Frontmatter -- Preface -- Acknowledgements -- Contents -- List of Illustrations -- Abbreviations and Glossing Conventions -- CHAPTER 1: BACKGROUND -- CHAPTER 2: NONMANUAL SIGNALS -- CHAPTER 3: WORD ORDER -- CHAPTER 4: SUBORDINATION -- CHAPTER 5: RESTRICTIVE RELATIVE CLAUSES -- References -- Appendix A: Index of the Major Nonmanual Signs -- Appendix B: "The King's Pie Contest" -- Index to Signs
Frontmatter -- Preface -- Contents -- Graphie conventions -- 0. Introduction: Knots in a red thread -- 1. Encyclopedic outline of a cultural unit: «Aspirin» -- 2. The semiotic specificity of the pharmacologically nonspecific: the placebo problem -- 3. De attractionibus electivis: the modelling of /similarity/ in the history of pharmacy and chemistry -- 4. Reflections on pharmaceutical esthetics -- 5. Conclusion: Pharmacomorphism of the doctorpatient relationship and liturgy of the physic -- Notes -- References -- Index
Frontmatter -- Acknowledgements -- Introduction -- Contents -- The Book of Jonah: A paradigm of the "hermeneutics of strangeness" -- Homer's portrayal of women: A discussion of Homeric narrative from an oralist point of view -- Orality, literacy, and the "readership" of the early Greek novel -- Memory, fictionality, and the issue of authority: Author-function and narrative performance in Beowulf, Chretien and Malory -- The marvellous North and authorial presence in the Icelandic fornaldarsaga -- Women and Old Norse narrative -- Repainting the lion: Chaucer's profeminist narratives -- The mimesis of change: Gascoigne's Aduentures of Master F.J. (1573) -- Archetextual palimpsests: Compositional structure and narrative self-awareness in L'Astrée and other French baroque novels -- Pragmatism and narratology: The case of Paradise Lost -- "That prerogative over human": Paradise Lost and the telling of divine history -- The beginnings of the epistolary novel in England -- Not being a historian: Women telling tales in restoration and eighteenth-century England -- "Worn by the friction of time": Oral tradition and the generation of the balladic narrative mode -- Contributors -- Author Index -- Subject Index
Frontmatter -- Preface -- Contents -- Introduction -- Chapter I. Ideology and literary representation -- Chapter II. Marxism and literary representation -- Chapter III. Ideological system and narrative process -- Chapter IV. Narrative and realist representation -- Conclusion -- Bibliography -- Index -- Backmatter
Frontmatter -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Supplement
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