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As the earliest surviving European drama, Persians is of incalculable interest to students of ancient literature. This edition offers facing translation, commentary and notes that focus on the visual and aural effects Aeschylus created, his extraordinarily rich imagery, and the play's unique contribution to Athenian democratic ideology.

Lysistrata is the third and last of Aristophanes' peace plays. It is a dream of peace, of how the women could help to achieve an honourable settlement, conceived when Athens was going through its most desperate crisis since the Persian War. This fully annotated English translation of the play presents facing translation, commentary and notes.

Book V of Herodotus' Histories begins the run-up to the Persian Wars of 490-479 B.C. with Persia's conquest of coastal Thrace after the Scythian expedition and the beginning of the Ionian Revolt against Persia, to which digressions on Sparta and Athens at the end of the sixth century are attached.

The first of two volumes presenting all the remnants of tragedies produced by contemporaries and successors of Aeschylus, Sophocles and Euripides. Greek texts and sources are accompanied by English translations, historical background, detailed explanatory notes and bibliographies. Volume 1 includes amongst others Phrynichus, Aristarchus, Ion, Achaeus, Sophocles' son Iophon, Agathon and the doubtful cases of Neophron and Critias.

The play's title figure has long held a central place in the 'libertarian' stream of Western culture, but controversies continue to swirl about the work and its hero. This volume presents the original Greek text with facing-page translation, commentary and notes.

Rational persuasion and appeal to an audience's emotions are elements of most literature, but they are found in their purest form in oratory. The speeches written by the Greek Orators for delivery in law-courts, deliberative councils and assemblies enjoyed an honoured literary status, and rightly so, for the best of them have great vitality.

This is the only English edition of The City of God with Latin text and facing-page translation as well as a detailed introduction and commentary. In Books XIII- XIV, Augustine turns to the problem of death as punishment for the sin of disobedience, resumes his attack on the Platonists and pursues topics emerging from consideration of Adam's sin.

Cicero's great polemic against Antony, a literary masterpiece, is here made available with full translation and notes. The introduction to this edition deals with the historical setting, Roman rhetoric and Cicero's style while the notes are mainly literary, not historical. Latin text with facing-page translation, introduction and commentary.

Hecuba, in slavery after Troy's fall, fails to dissuade Odysseus, whose life she once saved, from sacrificing her daughter to honour his dead friend, Achilles; but the girl dies proudly, true to her royal blood in surmounting degradation.

Xenophon's Symposium is a work as useful for its Greek as it is precious for its content, a document of prime importance for the study of classical Greek society. This edition offers an unprecedented amount of help with the language, a large vocabulary and notes on the content. Greek text with facing translation, introduction and commentary.

Terence's Phormio , based on a Greek original by Apollodorus of Carystus, was produced towards the end of his short dramatic career in 161 BC. With its lively action, based on the traditional elements of love, deception and mistaken identity, the play provides an ideal introduction to the genre of New Comedy.

The Girl from Andros was the Roman comic playwright Terence's first play and shows him as already a master dramatist. It contains much plotting and counter-plotting, two boys in danger of losing the girls they love, and a girl searching for her family. This is the first detailed commentary on the play for nearly sixty years.

Following the volume of six fragmentary Sophoclean tragedies published in this series in 2006, Alan Sommerstein and Thomas Talboy now present seven more.

Before the publication of the second-century AD papyrus containing eight and a fragmentary ninth of the Mimiambs of Herodas in 1891, Herodas was known only through approximately twenty lines which had survived in quotations found principally in Athenaios and Stobaios.

Juvenal's fourth book of Satires consists of three poems which are all concerned with contentment in various forms. The Introduction places Juvenal in the history of Satire and also explores the style of the poems as well as the degree to which they can be read as in any sense documents of real life.

For the modern world Greek tragedy is represented almost entirely by those plays of Aeschylus, Sophocles and Euripides whose texts have been preserved since they were first produced in the fifth century BC. From that period and the next two hundred years more than eighty other tragic poets are known from biographical and production data, play-titles, mythical subject-matter, and remnants of their works quoted by other ancient writers or rediscovered in papyrus texts. This edition includes all the remnants of tragedies that can be identified with these other poets, with English translations, related historical information, detailed explanatory notes and bibliographies. Volume 1 includes some twenty 5th-century poets, notably Phrynichus, Aristarchus, Ion, Achaeus, Sophocles' son Iophon, Agathon and the doubtful cases of Neophron (author of a Medea supposedly imitated by Euripides) and Critias (possibly author of three other tragedies attributed to Euripides). Volume 2 will includethe 4th- and 3rd-century tragedians and some anonymous material derived from ancient sources or rediscovered papyrus texts.Remnants of these poets' satyr-plays are included in a separate Aris & Phillips Classical Texts volume, Euripides Cyclops and Major Fragments of Greek Satyric Drama, edited by Patrick O'Sullivan and Christopher Collard (2013).