Bøker i Art and Material Culture in Me-serien

The sculpted Entombment of Christ in Burgundy and Champagne is examined from various viewpoints in Stone, Flesh, Spirit. Whether invoking the Holy Sepulcher or pathos by proxy, the Entombments are a testament to the power of late medieval devotion.

Andrea Nicolotti reconstructs the history and iconography of an ancient image of Christ, the acheiropoieton ("not made by human hands") Mandylion of Edessa. He refutes the theory that the Mandylion still exists and is known as the Shroud of Turin.

Nine case studies on the artistic representation of earthquakes, fires and other natural disasters in European towns, from the late Middle Ages to the end of the 20th century.

Cellini's Perseus and Medusa and the Loggia dei Lanzi: Configurations of the Body of State explores the role that maternal influence played in the formation of Cosimo I de' Medici's absolutist state.

In Material Culture and Queenship in 14th-century France Marguerite Keane analyzes the artistic and devotional context of the household of a medieval queen, Blanche of Navarre (1331-1398), as revealed through the evidence of her testaments of 1396 and 1398.

This volume brings together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam.

Space, Place, and Motion offers the first sustained comparative examination of the relationship between confraternal life and the spaces of the late medieval and early modern city.