Bøker i Asia-Pacific: Culture, Politics, and Society-serien

Focusing on Japan, scholars of history, literature, film, art history, and anthropology demonstrate the necessity of understanding fascisms cultural manifestations.

Naoki Sakai examines the decline of US hegemony in Japan and East Asia and its impact on national identity and legacies of imperialism.

At once a history of policing in China, as well as a political history of "the nation" in the 20th century.

The first translation into English of essays on modern Japanese literature, culture, and urban ethnography written by the late Ai Maeda, arguably the most prominent 20th century Japanese literary and cultural critic

Reveals the connections between gender, nationalism, and cultural representation evident in prevailing interpretations of classic Heian texts (794-1192). This book argues that by foregrounding women's voices in Heian literature, the discipline has repeatedly enacted the modernizing gesture in which the 'feminine' is recognized, and canceled.

Departing from earlier studies of kokugaku (which means "the study of our country"), this title considers how three of the more marginalized participants in the movement challenged its principal founder and engaged its fundamental concerns about what defines the Japanese nation and unifies those within it.

Explores the origins of Chinese reportage (journalism) in the 1930s, 40s and 50s, and develops an understanding of the aesthetics that governed the creation of this literature.

Explores the relation between the pre-colonial and colonial past to the postcolonial present in the Democratic Republic of Vietnam.

Looking at a hundred-year history of film and capitalism, this title theorizes a cultural history that illuminates the spaces where film and the nation transcend their customary borders, where culture and capital crisscross - and in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.

Examines the institutions and productions of area studies and explores what it takes to "learn a place."

Shows how female cosmopolitanism re-contextualises the well-known Western male romance with the Orient: Japanese women are now the agents, narrating their own desires for the "modern" West in ways that seem to defy Japanese nationalism as well as long-standing relations of power not only between men and women but between Japan and the West.

A collection of essays which use critical theory to reflect on issues pertaining to modern Chinese literature and culture. It addresses topics such as 20th-century literature produced in Taiwan, Hong Kong, and mainland China; film, art, history, popular culture, and literary and cultural criticism and the geographies of migration and diaspora.

An examination of the role of cinema and theater in representing urban transformations in China from 1949 to the present.

An analysis of the dominant patterns in the representation of erotic and romantic love between women in contemporary film, television, and fiction from China, Hong Kong and Taiwan.

Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, this title shows how the exhibition's display of architecture gave a vision to the colonies that justified France's cultural prejudices, while stimulating the desire for further expansionism.

Examines the logic underlying the neoliberal welfare state that South Korea created in response to the devastating Asian Debt Crisis (1997-2001).

Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema

"Challenging, provocative, informative, and giving full substance to the interrelations of the global and local, these essays carry the reader through a marvelously rich range of materials just where intellectual life in the humanities and social sciences today is most vital."--Jonathan Arac, University of Pittsburgh

Monsters, ghosts, the supernatural, the fantastic, the mysterious. This title asserts that discourse on the fantastic was at the heart of the historical configuration of Japanese modernity - that the representation of the magical and mysterious played an integral part in the production of modernity beginning in Meiji Japan (1868-1912).

Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou revolutionized Chinese cinema with Red Sorghum, Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. This title tells the story of this class of 1982, China's famous "Fifth Generation" of filmmakers.

This collection is the first volume in English to examine the entire span of modern Taiwanese literature, from the first decades of the twentieth century to the present.

Features the essays that examine philosophical issues concerning the concepts of poesis and praxis relevant to Marx's ideas of production.

The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. This title analyses Kurosawa's entire body of work, from 1943's Sanshiro Sugata to 1993's Madadayo.

In The Sublime Perversion of Capital Gavin Walker examines the Japanese debate about capitalism between the 1920s and 1950s, using it as a "prehistory" to consider current problems of uneven economic development and contemporary topics in Marxist theory and historiography.

Discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawaii as a centre of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.

Describes Mao Zedongs life and thought in relation to the Chinese revolution and twentieth-century history.

A Marxist interpretation of Korean migrant workers struggles in Japan during the 1920s and 1930s.

A work of history documenting the late-nineteenth- and early-twentieth-century transformation of State Shinto into a radical ideology that ultimately drove Japan into a holy war against Western civilization.