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Naoki Sakai examines the decline of US hegemony in Japan and East Asia and its impact on national identity and legacies of imperialism.
In Coed Revolution Chelsea Szendi Schieder examines the campus-based New Left in Japan by exploring the significance of women's participation in the protest movements of the 1960s.
Max Ward explores the Japanese state's efforts to suppress political radicalism in the 1920s and 1930s through the enforcement of what it called thought crime, providing a window into understanding how modern states develop ideological apparatuses to subject their respective populations.
Surveying histories of Korea written during the twentieth century, Henry H. Em examines how the project of national sovereignty shaped the work of Korean historians and their representations of the country's past.
is a historical account of how museums in Japan and its empire contributed to the reimagining of state and society during Japan's imperial era, from 1868 until 1945.
Examines how Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. This title analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through the fragments of the past in order to reconstruct the fabric of everyday life.
Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television.
In The Sublime Perversion of Capital Gavin Walker examines the Japanese debate about capitalism between the 1920s and 1950s, using it as a "prehistory" to consider current problems of uneven economic development and contemporary topics in Marxist theory and historiography.
Presents a theoretical analysis of Japanese thinkers and activists' efforts to reintegrate the natural environment into Japan's social and political thought in the late nineteenth century and early twentieth.
During the 1960s, a group of artists challenged the status quo in Japan through interventionist art. William Mariotti situates the artists in relation to postwar Japan and the international activism of the 1960s.
Features the essays that examine philosophical issues concerning the concepts of poesis and praxis relevant to Marx's ideas of production.
Presenting a social history of "the new woman" that emerged in Japanese culture between the world wars, this title shows how images of modern women burst into Japanese life in the midst of the urbanization, growth of the middle class, and explosion of consumerism resulting from the postwar economic boom, particularly in the 1920s.
Describes Mao Zedongs life and thought in relation to the Chinese revolution and twentieth-century history.
A history of book production and consumption in Japan showing how the Tokyo-based publishing industry manufactured the very concept of modern Japanese literature.
Examines the logic underlying the neoliberal welfare state that South Korea created in response to the devastating Asian Debt Crisis (1997-2001).
A Marxist interpretation of Korean migrant workers struggles in Japan during the 1920s and 1930s.
Focusing on Japan, France, and the United States, this work reveals how the writing of national history in the late nineteenth century made the reshaping of the world by capitalism and the nation-state seem natural and inevitable. It also analyzes the rhetoric, narrative form, and intellectual genealogy of late-nineteenth-century texts.
An examination of the role of cinema and theater in representing urban transformations in China from 1949 to the present.
A detailed examination of the contest in Manchuria between Korean, Chinese, and Japanese interests and its consequences for history
At once a history of policing in China, as well as a political history of "the nation" in the 20th century.
The first translation into English of essays on modern Japanese literature, culture, and urban ethnography written by the late Ai Maeda, arguably the most prominent 20th century Japanese literary and cultural critic
Reveals the connections between gender, nationalism, and cultural representation evident in prevailing interpretations of classic Heian texts (794-1192). This book argues that by foregrounding women's voices in Heian literature, the discipline has repeatedly enacted the modernizing gesture in which the 'feminine' is recognized, and canceled.
Departing from earlier studies of kokugaku (which means "the study of our country"), this title considers how three of the more marginalized participants in the movement challenged its principal founder and engaged its fundamental concerns about what defines the Japanese nation and unifies those within it.
Explores the origins of Chinese reportage (journalism) in the 1930s, 40s and 50s, and develops an understanding of the aesthetics that governed the creation of this literature.
After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou revolutionized Chinese cinema with Red Sorghum, Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. This title tells the story of this class of 1982, China's famous "Fifth Generation" of filmmakers.
Explores the relation between the pre-colonial and colonial past to the postcolonial present in the Democratic Republic of Vietnam.
Looking at a hundred-year history of film and capitalism, this title theorizes a cultural history that illuminates the spaces where film and the nation transcend their customary borders, where culture and capital crisscross - and in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.
Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak
Discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawaii as a centre of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.
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