Bøker i Asia-Pacific: Culture, Politics, and Society-serien

This collection is the first volume in English to examine the entire span of modern Taiwanese literature, from the first decades of the twentieth century to the present.

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou revolutionized Chinese cinema with Red Sorghum, Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. This title tells the story of this class of 1982, China's famous "Fifth Generation" of filmmakers.

Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema

Monsters, ghosts, the supernatural, the fantastic, the mysterious. This title asserts that discourse on the fantastic was at the heart of the historical configuration of Japanese modernity - that the representation of the magical and mysterious played an integral part in the production of modernity beginning in Meiji Japan (1868-1912).

"Challenging, provocative, informative, and giving full substance to the interrelations of the global and local, these essays carry the reader through a marvelously rich range of materials just where intellectual life in the humanities and social sciences today is most vital."--Jonathan Arac, University of Pittsburgh

Focusing on Japan, scholars of history, literature, film, art history, and anthropology demonstrate the necessity of understanding fascisms cultural manifestations.

Examines the logic underlying the neoliberal welfare state that South Korea created in response to the devastating Asian Debt Crisis (1997-2001).

Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, this title shows how the exhibition's display of architecture gave a vision to the colonies that justified France's cultural prejudices, while stimulating the desire for further expansionism.

An analysis of the dominant patterns in the representation of erotic and romantic love between women in contemporary film, television, and fiction from China, Hong Kong and Taiwan.

An examination of the role of cinema and theater in representing urban transformations in China from 1949 to the present.

A collection of essays which use critical theory to reflect on issues pertaining to modern Chinese literature and culture. It addresses topics such as 20th-century literature produced in Taiwan, Hong Kong, and mainland China; film, art, history, popular culture, and literary and cultural criticism and the geographies of migration and diaspora.