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Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema
"Challenging, provocative, informative, and giving full substance to the interrelations of the global and local, these essays carry the reader through a marvelously rich range of materials just where intellectual life in the humanities and social sciences today is most vital."--Jonathan Arac, University of Pittsburgh
Focusing on Japan, scholars of history, literature, film, art history, and anthropology demonstrate the necessity of understanding fascisms cultural manifestations.
Examines the logic underlying the neoliberal welfare state that South Korea created in response to the devastating Asian Debt Crisis (1997-2001).
Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, this title shows how the exhibition's display of architecture gave a vision to the colonies that justified France's cultural prejudices, while stimulating the desire for further expansionism.
An analysis of the dominant patterns in the representation of erotic and romantic love between women in contemporary film, television, and fiction from China, Hong Kong and Taiwan.
An examination of the role of cinema and theater in representing urban transformations in China from 1949 to the present.
A collection of essays which use critical theory to reflect on issues pertaining to modern Chinese literature and culture. It addresses topics such as 20th-century literature produced in Taiwan, Hong Kong, and mainland China; film, art, history, popular culture, and literary and cultural criticism and the geographies of migration and diaspora.
Shows how female cosmopolitanism re-contextualises the well-known Western male romance with the Orient: Japanese women are now the agents, narrating their own desires for the "modern" West in ways that seem to defy Japanese nationalism as well as long-standing relations of power not only between men and women but between Japan and the West.
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