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For Sadia Messaili, the suicide of her son, who emigrated to Canada with his family at the age of 12, is the starting point in this moving and challenging quest for truth about our failing mental-health system, justice, and above all better ways to rekindle hope for people suffering mental illness and for their families.

It's 1963 Jean-Yves Soucy is 18 and dreams of being a fire warden scanning the boreal forest from a fire tower. But he ends up at an equipment depot. To his delight he is located near the Cree community of Waswanipi. With two Cree guides, including a man named William Saganash, he will be canoeing through the lakes and rivers of the region.

In this hard-hitting anthology, Ishmael Reed and Carla Blank have invited a diverse group of informed and accomplished writers, both women and men, who are rarely heard to comment on the long-standing bigotry on Broadway towards many different ethnic minorities.

Wendake, Odanak, Wô linak, Pointe-du-Lac, Kahnawake, Kanesatake, Akwesasne, Kitigan Zibi are communities located all along the St. Lawrence River valley and its tributaries. They have been home to descendants of the Huron-Wendat, Algonquin, Nipissing, and Iroquois nations. These First Nations have in common the fact that their ancestors were allies of the French and had converted to Christianity. Historians have ignored these nations described as " domiciled Indians" (" sauvages domicilié s" ) by the French administrators. Jean-Pierre Sawaya carefully studied how an alliance of such diverse " missions" was created, developed and conducted to become The Seven Nations of Canada. How did this confederation come about? Who took part and what were their roles? The answers are mined in the massive colonial archives. Seven Fires is original research at its best, combining detailed analysis and systematic investigation, that has enabled the author to dispel the tenacious colonial myth about irrational, submissive, and fatalistic Indigenous peoples. Readers will discover forward-looking people motivated by a deep desire for independence and solidarity.

Two young writers who grew up in the shadow of the huge chimney of a copper refinery in Rouyn-Noranda speak out. They refuse to be lulled by the songs of gold that have silenced the people who built the city and enriched the foundry owners for many decades. They subtly and poetically illustrate the love-hate relationship they maintain with the " piles of slag and copper." This passionate dialogue has hit Quebec bookstores like a tornado and will echo in mining towns across North America. The title is inspired by the Marguerite Duras book Hiroshima Mon Amour and the film by Alain Resnais.

In the fiery political debates in and about Italy, silence reigns about the country's colonial legacy. Reducing European colonial history to Britain and France has effectively concealed an enduring phenomenon in Italian history that lasted for 80 years (1882 to 1960). It also blots out the history of the countries it colonized in Northeastern Africa. Francesco Filippi challenges the myth of Italians being " nice people" or " good" colonialists who simply built roads for Africans. Despite extensive historiography, the collective awareness of the nations conquered and the violence inflicted on them remains superficial, be it in Italy or internationally. He retraces Italy's colonial history, focusing on how propaganda, literature and popular culture have warped our understanding of the past and thereby hampered our ability to deal with the present. Filippi's unique approach in which he deftly pits historical facts against popular myths provides a model that can be adapted to countries everywhere, including the United States and Canada.