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Kasimir MalevichΓÇÖs treatise on Suprematism was included in the Bauhausb├╝cher series in 1927, as was Piet MondrianΓÇÖs reflections on Russian Constructivism in 1925 (New Design, Bauhausb├╝cher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless had a close connection to the ideas of the school in terms of content. This volume 11 laid the foundation for the Russian avant-garde artistΓÇÖs late work: to wrest the mask of life from the true face of art.