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Correspondance is the name of a Belgian Surrealist magazine published in 1924-1925 by Paul Nouge, Camille Goemans, and Marcel Lecomte. It is considered as seminal as Breton's "Surrealist Manifesto" (1924).

A Maeterlinck Reader

Since the publication of her first novel in 1992, Amélie Nothomb continues to engage and to provoke her readers through her exploration of the fluid boundaries between beauty and monstrosity, good and evil, fable and reality, as well as by her fascinating presentation of childhood, anorexia, and the abject. In Amélie Nothomb: Authorship, Identity and Narrative Practice, the first full-length study in English of Nothomb¿s work, these elements are presented and interpreted from a variety of perspectives, with the contributors focusing on a single novel or comparing different texts. Comprised of a collection of essays on her autobiographical and fictional works, with contributions from her anglophone translators, it also includes an interview with the author, a preface by the eminent writer and critic, Jacques de Decker and a bibliography of secondary works. Nothomb¿s works and the critical responses to them are contextualized in a general introduction and organized under the following key themes: autobiography and gender identity, representations of the body, and narrative practice. This collection is an essential resource for students and scholars of twentieth-century contemporary literature and gender studies.

Emile Verhaeren

The volume contains twenty-two essays contributed by Belgian, French, and American scholars to honor the memory and work of Adrienne Fontainas (1929-2010). The essays presented here explore a wide variety of interdisciplinary fields including, art history, book collecting publishing, literature, and music.

Romancier, nouvelliste, essayiste et dramaturge, Paul Willems (1912-1997) est l¿une des figures majeures de la littérature belge de langue française. Des inédits de l¿écrivain ¿ correspondences et carnets ¿ ouvrent ce volume d¿hommage, qui joint à des témoignages sur l¿homme et l¿écrivain un ensemble d¿études originales, dues à quelques-uns des meilleurs connaisseurs de l¿¿uvre. Celle-ci est abordée sous un angle tour à tour comparatiste, thématique et formel: affinités avec le théâtre italien du grotesque, vérité des mannequins et autres faux-semblants, traitement singulier de la voix dans le dernier théâtre de l¿auteur, infiltration du dramatique par le narratif et composition poétique des récits, nostalgies fusionnelles et aquatiques traduites dans une prose fluide qui suggère, par bribes et reflets, la promesse d¿un paradis entrevu dans l¿instant.