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A directory of special collections of fair-related materials is also included. Newspaper and magazine articles, books, dissertations, drawings, photographs, maps, letters, documents, and collections of memorabilia-these provide the enduring heritage of the fair.

This exhaustive bibliography is the result of Kim's research of the Asian American experience for almost two decades. An insightful introductory essay written by Shirley Hune enhances the reader's understanding of the Asian American experience within the context of the development of American scholarship on immigration and immigrants.

Barr's Index to Biographical Fragments in Unspecialized Scientific Journals, obituary notices in American journals indexed in the Royal Society's Catalogue of Scientific Papers (1867-1925), lists of deceased scientists in American Men of Science, and other sources.

The presidential campaign from October 4, 1991, to November 3, 1992, is covered in Part two, and Part three provides sources on the transition period from November 4, 1992 to the inauguration.

Whether painted by artist-warriors depicting their feats in battle or by other Native American artists, 19th and 20th century ledger drawings-drawn on blank sheets of ledger books obtained from U.S. soldiers, traders, missionaries, and reservation employees-provide an excellent visual source of information on the Great Plains Native Americans.

A reference guide to literature about reconstruction published from 1877 to 1998. Over 2900 entries cover a broad range of topics including politics, agriculture, labour, religion, and race relations, all organised by topic, geographical regions and states.

Written by a knowledgeable film critic and Korean War scholar, this is the only guide exclusively devoted to the study of Hollywood and television films based on the Korean War, 1950-1953. It opens with eight short essays, discussing the appeal of the war film genre, government and filmmaker cooperation, the isolation of Korean War films from other war films, why John Wayne didn't make a Korean War film, the other actors who did, the plots of Korean War films, television and Korean War films, and the myths resulting from films. Eighty-four films are then discussed in alphabetically arranged entries.The entries include production unit, color status, producer, director, screenwriter, actors and actresses, movie length, and the author's numerical rating of the film. The commentary places each film within the context of other war films, the Korean War, trends in Hollywood, and the social and political realities of the United States. The films also are listed chronologically. Producers, directors, screenwriters, actors, and actresses are indexed by responsibility and are included in the general index. The book also provides a list of 109 documentary films available for public viewing.

During the late years of the 20th century, the issue of Native American influence on the formation of the U.S. government has become a hotly debated topic as well as a central point of difference in trenchant arguments over multiculturalism and political correctness.

Since 1828, every four years has seen the re-emergence of newspapers published on behalf of particular presidential candidates and aspirants.