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This timely volume brings together case studies that address the urgent need to manage energy use and improve thermal comfort in modern buildings while preserving their historic significance and character.
Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Presenting new scholarship, this publication is the first comprehensive study of the Concrete art movement in Argentina, Brazil, and Uruguay from the 1940s to the 1960s.
Two kittens from ancient Egypt take an unexpected journey to Rome in this new twist on one of Aesop's most beloved fables.
A beautifully illustrated, accessible volume about one of the Getty Center's best-loved sites.
Beginning in the seventeenth century, many of Europe's greatest writers and artists became embroiled in a debate that centered on the priority of paintings or sculpture, touch or sight, colour or design, ancient or modern. This title lets us eavesdrop on a contentious topic that preoccupied European intellectuals for three hundred years.
The photographs in these two volumes present an impressionistic view of the Getty Center and its grounds. One book concentrates on the Getty Center site, including its architecture and galleries. The second captures the Center's gardens and landscaping.
This is a companion volume to "Seismic Stabilization of Historic Adode Structures: Final Report of the Getty Seismic Adode Project", and it offers guidance for planners, architects and engineers in the retrofitting of historic and culturally significant adode structures.
This series supports scholarship in the field of art education and disseminates ideas about the theory and practice of discipline-based art education.
. Vincent van Gogh painted Irises in the last year of his life, in the garden of the asylum at Saint-Remy, where he was recuperating from a period of mental illness. Featuring colour illustrations, this title presents a study of this Vincent van Gogh's most famous paintings.
A study of a manuscript created in 1469 by Taddeo Crevelli, an Italian illuminator of manuscripts. Kurt Barstow discusses each of Crevelli's paintings and relates its iconography to other devotional images of the time. All 24 of Crevelli's images are reproduced along with sample leaves.
This is the catalogue of an exhibit of work by 11 artists who used an object in the J. Paul Getty Museum's collection or an experience at the Getty as a basis for their own creative work. It includes photographs of the artists at work in their studios, along with examples of their past work.
The effects of war and famine in Europe, in the 14th century, lead to a widespread mystical religiosity, which emphasised both joy and suffering. This in turn inspired the creation of some of the most magnificent religious art of the period. This illustrated work highlights the most important artists, works, concepts and theories of the period.
Seeks to familiarize American audiences with Nicolas Lancret(1690-1743), a master of the genre of fete galante, who was a revered painter in his own time, rivalling his contemporaries Antoine Watteau and Francois Boucher, and a favourite of crowned heads across Europe.
A study of the work of William Henry Fox Talbot, who is credited with being the inventor of photography as we know it. It reproduces 50 of his photographs from the Getty Museum's collection, along with commentary on each. There is also an edited transcript of a colloquium on Talbot's career.
The remains of the ancient city of Pompei have provided archaeologists with evidence into the daily life of a city at the height of the Roman Empire. This title takes a look at how ancient Romans interacted in their public squares, how they worshipped and spent their leisure time - at the theatre, in the gyms, and in the baths and brothels.
A multivolume reference work on various aspects of Greek, Etruscan, and Roman cults and rituals. Providing both an overview and in depth investigation, this work covers the period from Homeric times (1000 BC) to late Roman times (AD 400). It deals with the elements of cult, such as: divination; prayer, gestures, and acts of prayer; and others.
Photographer John Humble has created a body of work that uniquely captures the distinctive architecture and natural environment of Southern California. This work is a celebration of Humble's distinctive view of Los Angeles - from the concrete channels of the Los Angeles River and the monumental freeways in the sky to the people and the cityscape.
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