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Louis Lumiere is perhaps best known for his seminal role in the invention of cinema, but his most important contribution to the history of photography was the autochrome. This book treats the technology of the autochrome, including the technical challenges of plate fabrication, described in detail, and a thorough account of autochrome manufacture.

Eliot Porter was a pioneer in use of colour photography. His work also became a powerful visual argument for environmental conservation. Possessing a gift for close observation, Porter explored new ways of depicting nature, building blinds in trees so he could study his avian subjects at closer vantage.

Argues that art should address a broad audience and explains the painter's responsibility to his spectators. This book explains how - even if the archbishop did not succeed in reforming the arts - Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion.

Provides an examination of the history and use of modern house paints. This title traces the history of the household paint industry in the USA and UK over the first half of the 20th century.

Photography was introduced to China in the 1840s through the West's engagement in the Opium Wars and the subsequent reforms of Chinese statesmen. This title offers an illustrated exploration of the history of photography in China.

A companion to the prize-winning exhibition catalogue "Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe". This volume contains thirteen selected papers presented at the two conferences held in conjunction with the exhibition.

"A practical guide to the conservation of museum and other cultural heritage collections in hot and humid climates"--Provided by publisher.

An anthology of important texts tracing the historical development of the conservation of works of art on paper.

Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923-1991) was among the most original creative forces to emerge in post-war American art and culture. This title presents an examination of the life and works of Harry Smith.

Part of the American Painter's on Technique series, this title offers an overview of an important but largely unknown aspect of American art from 1860 to 1945. It is based primarily on firsthand descriptions of the materials and techniques that artists used to make paintings. It is into two parts: 1860 to 1910 and 1910 to 1945.

A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research.

How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations.

Offers fresh insights into the evolution of the forms and meanings of Roman art. The author offers a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire.

Looks at the work of three artists who paved the way for ceramics to be considered fine art. This title focuses on artists John Mason (b 1927), Kenneth Price (b 1935), and Peter Voulkos (1924-2002) and their radical early work in post-war Los Angeles where they formed the vanguard of a new California ceramics movement.

Focuses on the topic of plants in Greek and Roman myth. Suitable for readers ranging from those interested in archaeology, classical literature, and ancient history to garden enthusiasts, this book comes with an original translation of selections from Ovid's Metamorphoses, an extensive bibliography, and glossary of names and places.

The architectural photographer Julius Shulman (1910-2009) is one of the few image makers to have documented, as well as witnessed, nearly an entire century of Los Angeles history. This title presents a pictorial history of the City of the Future. It features 60 images and an informative essay exploring Shulman's talent.

Examines the making of the first modern catalogue - La galerie electorale de Dusseldorff. This book showcases this one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum.

Explores the issues surrounding the study and conservation of earthen architecture. This title addresses such themes as earthen architecture in Mali, conservation of living sites, local knowledge systems and intangible aspects, seismic and other natural forces, and the management of archaeological sites.

Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta.

A collection of critically important readings on the concepts and practices of textile conservation. It intends to promote critical thinking about the concepts and practices of textile conservation and to encourage engagement with issues.

Bringing together leading conservation scholars and professionals from around the world, this volume offers a timely look at values-based approaches to heritage management.

At the heart of all good art museum teaching is an effort to bring people and artworks together in meaningful ways. But what constitutes an experience of a work of art? This book addresses these and myriad other questions and investigates the mission, history, theory, practice, and future prospects of museum education.

The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas.

Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years.

A revised and expanded edition of a key text for librarians, scholars, and museum professionals

Focuses on all known aspects of Greek, Etruscan, and Roman cults and rituals. In this volume, fifty-five authors discuss various life stages, health, sustenance, craft production, economics, travel, public and private life, guilds, priesthoods, priestly colleges and other institutions, law, diplomacy, and war.

The first study devoted to classical art's vital creative impact on the work of the Flemish master Peter Paul Rubens.

This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in internationalcollections.

In the 18th and early 19th centuries first modern, public museums of art appeared throughout Europe, setting a standard for nature of such institutions that has made its influence felt to present day. This book includes chapters on fifteen of the earliest major examples, from Capitoline Museum in Rome, opened in 1734, to Alte Pinakothek in Munich.