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Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars.

Providing profiles of Tunisia's major mosaic sites, this title contains more than 130 full-colour photographs. It offers an introduction this region's mosaic art; also looking at the historical background of Roman Africa. It discusses the development of art in and around the Mediterranean.

Examines the painting in relation to the artist's life and works, explores his stylistic development, and considers as well, his often complex relationship with other artists. This work also looks at the subject matter of the piece within the broader historical context of 17th-century Dutch concepts of domesticity and parenthood.

Greek painted pottery from the fourth century BC is one of the largest and most remarkable bodies of theatrically informed material that still survives. This work provides a large body of photographs accompanied by a picture-by-picture discussion of the vases, organized by playwright - including Aeschylus, Sophocles, and Euripides.

The seventeenth century was the beginning of a new era of commercialism, in which artists increasingly catered to affluent collectors. This title highlights the most important artists, works, concepts, and theories of the period, accompanied by 400 full-colour illustrations.

This delightful book is a colourful reminder of the many things that visual art can be, become, and do.

Offers an informative overview of the research and development in stone conservation. Suitable for conservators and conservation scientists, this title reflects the explosion of research, enlarging the discussion of preventive conservation and adding sections on rock art and other subjects.

In 1984 the Getty Museum acquired a collection of Italian Renaissance majolica, or tin-glazed earthenware. This volume catalogues this collection of 45 objects spanning 400 years, including a pair of 18th-century candlesticks representing mythological scenes and a tabletop with hunting scenes.

A discussion of 59 Greek funerary monuments at the J. Paul Getty Museum. The title considers their relationships to the art and society of the period. It should be suitable for scholars and students of antiquities, and museum and art libraries.

The letters of the alphabet are illustrated for children in details from 26 paintings in the collection of the John Paul Getty Museum. The book also contains reproductions of the 26 paintings.

This volume is devoted to the smaller and more unusually-shaped works of Carleton E. Watkins, many of which have not been published before. The book also contains an overview of his life, and an edited transcript of a colloquium on his career.

In this volume, first published in German in 1927, Walter Curt Behrendt presents a revisionist concept of style that places equal emphasis on form and function. Behrendt calls on architects to return to basic geometries and to express the new social and economic realities.

Published in 1765, Giovanni Battista Piranesi's "Osservazioni" is an impassioned defence of the superiority of Roman architectural "invention" over the "beautiful and noble simplicity" of Ancient Greece. This is an English translation of Piranesi's three-part polemical work.

An examination of Bernardo Bellotto's "View of the Grand Canal", a visual record of life in 18th-century Venice. The volume presents the painting in a series of details that allow the reader to examine it closely and the book jacket opens to become a small poster of the entire painting.

Chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality.

Attentive observation of art provides an excellent opportunity for better thinking, for the cultivation of the "art of intelligence." The arts are important in an educational setting, therefore, because they can cultivate important thinking strategies in children and adults alike. Withcarefully chosen illustrations, Perkins demonstrates how the reflective approach to art can develop broader, more adventurous, and clearer avenues of thought.

In the margin, for quick access by the reader, is a summary of the essential characteristics of the symbol in question, the derivation of its name, and the religious tradition from which it springs.

A colloquium discussion on the artist's work includes Abbott's contributions as well as those of six other participants: photographer William Clift; Amy Conger, author of Edward Weston: Photographs from the Collection of the Center for Creative Photography; David Featherstone, a freelance writer and editor;.

In 2005, the Institut National du Patrimoine of Tunisia played host to the ninth Triennial meeting of the International Committee for the Conservation of Mosaics (ICCM). The meeting focused on assessing past practices of mosaic conservation, both in situ and in museums. This volume provides readers with a record of the conference proceedings.

Laszlo Moholy-Nagy (1895-1946) was a painter, sculptor, filmmaker, writer, graphic and stage designer, teacher, and photographer. Working in his native Hungary as well as in Germany, Holland, England, and the United States, Moholy-Nagy constantly experimented in these various fields, leaving a remarkable legacy of innovation. The J. Paul Getty Museum owns eighty-two photographs by Moholy-Nagy, almost fifty of which are presented in this volume, the second in the Museum's In Focus series on photographers. The plates are accompanied by commentaries by Katherine Ware, Assistant Curator in the Department of Photographs. Ms. Ware, along with Thomas Barrow, Jeannine Fiedler, Charles Hagen, Hattula Moholy-Nagy, Weston Naef, and Leland Rice, participated in a colloquium on the life and work of Moholy-Nagy at the Museum in 1994. An edited transcript of this discussion and a chronology of significant events in the artist's life are also included in this book.

The subject of this book, which is the first to be devoted to a single photograph, is Camille Silvy's remarkable River Scene. Hailed as a masterpiece when it was first exhibited in France in 1859, the photograph is accompanied here by newly commissioned color photographs by noted photographerStephen Shore. In a provocative essay, Haworth-Booth discusses the history of the photograph in the context of attitudes of the day toward photography and photographic exhibitions, outlines the influences on Silvy, and examines his eventual influence on others. This is the third book in the GettyMuseum Studies on Art (GMSA) series.

Looks at the art scene in France in the German occupation of WW II. Beginning with Adolf Hitler's staging of the armistice at Rethondes, this title offers a survey of Nazi and Vichy artistic policies, key events and organizations, and individual acts of collaboration and resistance. It examines the official junket by French artists to Germany.

Brings together a collection of works relating to the biodeterioration and conservation of art, architecture, and archaeological sites around the world. This book includes such topics as mechanism of biodeterioration, and correlation between biodeterioration and environment. It discusses solutions for the prevention and control of deterioration.

Between 1699-1701, Maria Sibylla Merian travelled to the Dutch colony of Suriname in South America to study the area's unique flora and fauna. Many of the drawings and painting she produced on this trip were published in her "Metamorphosis of the Insects of Suriname" (1705). This volume reproduces details of sixteen plates from that volume.

Jean-Leon Gerome (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. This title includes the essays challenging critical biases against the artist.

Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer.

Collects essays that explore the idea of cultural identity in the ancient Mediterranean, examine the subject from a variety of angles, and encompass a range of cultures: Greek, Persian, Jewish, Phoenician, Egyptian, Roman, Gallic, and German - and an array of topics.

Born in Dresden in 1932, Gerhard Richter was first educated under the prevailing doctrine of Socialist Realism, but retrained after emigrating to West Germany, thus uniquely embodying the division of Germany during the Cold War. This volume takes a look at the unique work and artistic vision of Gerhard Richter.