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Describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.

Offers an exploration of the art of medieval fighting. This title offers a look into the world of late medieval martial arts, from wrestling to swordsmanship and to the subtle tricks that could be employed when jousting on horseback.

What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications.

Lawrence Alloway was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. This title offers analysis of the multiple facets of Alloway's life and career, exploring his formative influence on the disciplines of art history, art criticism, and museum studies. It also includes nine essays in this volume.

In 1505, Michelangelo began planning the magnificent tomb for Pope Julius II, which would dominate the next forty years of his career. This definitive book thoroughly documents the art of the tomb and each stage of its complicated evolution.

An influential force in the world of art and museum studies, Paul J. Sachs is widely credited with creating a course that trained a generation of art and museum professionals in the United States, putting most American museums in the hands of homegrown talent, by the mid-twentieth century.

Provides an illustrated analysis of the symbolic imagery found in gardens throughout history. This work discusses the constituent elements of gardens - both real and imagined - that uncovers their often-hidden symbolic meanings. It uses over 380 paintings to provide a continuous visual record of the myriad and ephemeral form of the garden.

Precisely rendered to dazzle the eye with their botanical accuracy, the sumptuous arrays of fruit and flowers by Dutch painter Jan van Huysum (1682-1749) were among the most avidly collected paintings of the 18th century. This little book explores two of Van Huysum's most important still-life paintings, "Vase of Flowers" and "Fruit Piece".

First published in 1758, this was the book that brought the wonders of Greek classical architecture to the notice of the Western world. This is a translation of the second, considerably expanded, edition of 1770.

A heavily illustrated and highly designed tribute to Los Angeles architect Pierre Koenig, a key figure of the Los Angeles Modernist movement.

A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century.

An illustrated guide to the symbols of power in Western art. It examines the way that sovereign rulers have employed well-defined symbols, attributes and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for future generations to admire.

The Appian Way was the first great artery from Rome to southern Italy and the model for all roads originating in the ancient capital. Conceived by Appius Claudius in 312 B.C., the thoroughfare provided easy access to Capua, the most important junction in southern Italy, and facilitated Roman expansion into the southern peninsula.

This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist.

Repairing works of art and writing about them-the practices that became art conservation and art history-share a common ancestry. This handsomely illustrated volume charts the intersections between the two fields in the treatment of Italian Renaissance paintings in nineteenth-century Europe and proposes a model for a new conservation history.

In almost thirty interviews, Donatien Grau probes some of the world's most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.

The visionary nature of the "Apocalypse" - the biblical book of "Revelation" - along with its detailed descriptions of the end of the world have long made it ideal for illustration. This title offers an illustrated exploration of this 13th-century English Apocalyptic manuscript.

This title reproduces, with commentary, "Le Case i Monu Menti di Pompeii" (1854) of Fausto and Felice Niccolini, the first work to completely and systematically present the public and private buildings so far excavated in Pompeii. It features the watercolours they created to document Pompeii.

An introduction to this ancient library that describes the difficult history of attempts to unwind the damaged rolls. This book discusses the texts that have been deciphered and puts them in the context of literacy and Roman society of the time. It also describes the form of books in antiquity and the papyrus sheets on which they were written.

Based on the revised German edition of Max Schweidler's "Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw" - originally published in 1934 - this book includes a glossary, and an illustrated appendix. It complements Schweidler's text in aiding curators, conservators, and collectors on the conservation and restoration of works on paper.

The Belgian artist, illustrator, sculptor, and photographer Fernand Khnopff (1858-1921) became a popular society portraitist in the 1880s, using elements that had served him well as an avant-garde symbolist painter: visual realism and a mood of silence, isolation, and reverie.

This guide aims to help readers recognize the legendary characters of classical antiquity in art. The characters are described in entries summarizing their stories, special attributes, and the ways in which artists have depicted them. Each entry is illustrated with reproductions of artworks.

A guide to identifying Christian saints as they are portrayed in art. From Agatha to Zeno, it presents the characteristic features of over 100 saints, with notes on their lives and martyrdom and visual references to help readers recognize them. The resource features a collection of masterpieces.

Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars.

Providing profiles of Tunisia's major mosaic sites, this title contains more than 130 full-colour photographs. It offers an introduction this region's mosaic art; also looking at the historical background of Roman Africa. It discusses the development of art in and around the Mediterranean.

Examines the painting in relation to the artist's life and works, explores his stylistic development, and considers as well, his often complex relationship with other artists. This work also looks at the subject matter of the piece within the broader historical context of 17th-century Dutch concepts of domesticity and parenthood.

Greek painted pottery from the fourth century BC is one of the largest and most remarkable bodies of theatrically informed material that still survives. This work provides a large body of photographs accompanied by a picture-by-picture discussion of the vases, organized by playwright - including Aeschylus, Sophocles, and Euripides.