Bøker i Bio-Bibliographies in Music-serien

This bio-bibliography is devoted to Ulysses Kay, the prolific American composer, who has produced more than 135 compositions. The volume includes his biography, a chronological listing of his work, a discography to Spring 1994, and an annotated bibliography.

Presenting the life and professional career of "The Dean of Afro-American Composers", this book deals with the writings by and about William Still, the compositions of manuscript sources, the performances of Still's works and the reviews of those performances.

Professor Grim's bio-bibliography is the first publication in English to bring together the considerable amount of scholarship that has been devoted to Reger's life and work and to his role in the transition from late romanticism to modernism.

This is the first book on the French composer Jean Langlais to be published in English and also the first to provide complete information on all of his published works plus 86 unplubished compositions, and eleven orchestral works.

It includes a detailed catalogue of the composer's works and performances, including his film music, incidental music for the theatre, music for radio plays, and songs he composed under a pseudonym, as well as a bibliography, discography, and brief biographical sketch.

He had composed a remarkable body of work and was also at the height of his career as a concert pianist at his untimely death while a passenger on a torpedoed British ship. The biographical study, the first in English, draws on primary sources in English, Spanish, French, Catalan, and other languages.

This reference guide to the life and work of the prolific British composer, Cyril Scott, includes a brief biography and detailed bibliography and discography sections.

A bibliography of Krenek's writings covers both manuscripts and published writings, while a bibliography of writings about the composer traces his career. This clear, comprehensive reference guide in four major sections details Ernst Krenek's prolific work as both composer and author.

George Whitefield Chadwick was one of the most prolific composers that the United States ever produced. He composed in nearly every genre, including opera/stage works (seven), orchestral music (17 major works), songs (over 100), and dozens of choral and chamber works.

This reference guide to the life and work of the prolific American wind band composer, Alfred Reed, includes a brief biography followed by detailed bibliography and discography sections.

Irwin Bazelon, one of the most original figures in American music in the second half of the 20th century, devoted his life to the art of composition.

A brief biography of Carole King, which includes a critical analysis of her music, precedes an extensive discography of 1,275 recording entries and bibliography sections. Popular music scholars, along with Carole King fans, will appreciate this detailed source of available research materials on Carole King.

?Compilations like this one, which both list compositions and summarize secondary literature, are much needed, since the volume of writings about composers have become so large it is difficult to keep pace with.... Meckna lists 288 citations alphabetically by author in one chapter, with one- or two-sentence annotations in most cases. Hundreds of other citations are found in the Works and Performances' chapter, clustered with the pieces they discuss. The list of compositions include instrumentation, duration, publication, and premiere information. Thomson's own writing, as a scholar and critic, is given a full bibliographic inventory. There is a discography of all commercial recordings, whether or not currently in print. Compositions are listed by date and by title, and there is a general index. A thorough and impressive study of a significant American artist, recommended for all academic libraries.?-Choice

Esther Williamson Ballou was greatly admired by all who encountered her remarkable versatility as a musician and teacher. Although her music has continued to be performed over the years since her death in 1973, this volume is the first book-length study of her life and contributions to the musical world.

Documenting and organizing American composer Roy Harris's complex oeuvre is the essential concern of this book, and the catalogue of works and performances provides information on instrumentation, premieres, publication and special aspects of each composition.

Ligeti's writings, writings about Ligeti, and reviews and analyses of his works, mainly after his 1956 flight from Hungary to the West, are listed and annotated.

Many of his compositions are for piano, yet he also composed orchestral and symphony works, three operas, choral and liturgical works, some chamber works, and numerous songs.

This first scholarly book on Cecile Chaminade, a popular composer, pianist, and one of the few women to attain critical acclaim as a composer in the early twentieth century, contains an extensive biography drawn from a significant collection of primary sources.

One of the most prolific composers of the 20th century, Heitor Villa-Lobos' influence on the music of Latin America was enormous.

This comprehensive work reflects the renewed interest and recognition of Charles Ives's music, and it gathers into one volume previously scattered and hard-to-find material by and about the composer.

Appropriately, this work written on the year of the 100th birthday of Frank Martin, is the first English language resource dealing with work by and about the Swiss composer.

Randall Thompson: A Bio-Bibliography is the first comprehensive study of Thompson's oeuvre since his death. The volume is organized into five parts, beginning with a substantial biography written by David Francis Urrows, Thompson's final student and amanuensis.

As a writer, Hill served as a Boston music critic, authored many journal articles on contemporary music, and wrote the first systematic English-language study of French musical thought from Chabrier to Les Six.

Francis Poulenc: A Bio-Bibliography is a thorough presentation of the works of this often performed and critically appreciated 20th-century composer.

The list of works and performances includes Rorem's plays and books, works in preparation, and his musical compositions. The first provides an alphabetical listing of Rorem's compositions, including individual songs in cycles, distinctive subtitles, working titles, and titles of unpublished works.

It provides fully annotated catalogues of his compositions, performances and reviews of his works, and his achievements as a teacher, writer, and lecturer. The volume begins with a biographical survey of the life and works of Anthony Milner.

Despite the immense popularity of his works for musical theater in the late nineteenth and early twentieth centuries, Andre Messager has, to a large extent, been neglected by contemporary musicologists and musicians outside France.

It then presents a complete list of works and performances, classified by genre and arranged alphabetically by title of composition. Each entry contains a list of premiere performances, with references to commentaries from performance reviews cited in the bibliography. Annotations are often in the form of quotations from performance reviews.

Elinor Remick Warren's distinguished career as a composer, concert pianist, and accompanist for renowned singers spanned seventy-five years of American musical history. A biographical sketch is supplemented by a long interview conducted by the author with Warren four years before the composer's death in 1991.

The annotated entries cover a wide range of valuable information on 19th-century American music, American studies, church music, music education, teacher training programs, music publishing, and instrument manufacturing.