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In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney's Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ';black magic'. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins' notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.

This collection responds to the call within the discipline of classical receptions to foster dialogue across cultures and geographies to show the results of the colonially framed traditional approach to classical studies. It also responds to an important development in Hispanic and Lusophone studies: a turn to relational approaches such as transatlantic, transnational, and global analyses.

This work explores the contributions of Jean Price-Mars to Haitian history and culture and interprets his connections with Black internationalism, Harlem Renaissance, and the Negritude movement. The book also underscores Price-Mars's contributions to post colonialism, religious studies, Africana studies, and pan-Africanism.

This volume explores the connections between people of Asian and African descent in Latin America and the Caribbean, focusing specifically on how they negotiated shared social spaces and experiences to develop what in many cases would become a fusion of cultures.

Fraser-Rahim spotlights the emergence of an American school of Islamic thought, which was created and established by the son of the former Nation of Islam leader. W. D. Mohammed rejected his father's teachings and embraced normative Islam on his own terms while balancing classical Islam and his lived experience of Islam in the diaspora.

A Bristol, Rhode Island and Mantanzas, Cuba Slavery Connection: The Diary of George Howe explores the under-documented slave trade between Cuba and Rhode Island through the analysis of a diary written by George Howe, a Bristolian man performing managerial work on a Cuban sugar cane plantation in 1832-1834.

This book examines the creative and critical works of Nigerian playwright and novelist Femi Euba to demonstrate the place and function of African cultures in modernity. The author makes the case for the vibrancy of such cultures in the shaping and constitution of the modern world.

This volume explores the connections between people of Asian and African descent in Latin America and the Caribbean, focusing specifically on how they negotiated shared social spaces and experiences to develop what in many cases would become a fusion of cultures.

This book analyzes the diasporic experiences of migratory and postcolonial subjects in the U.S., the U.S.-Mexico border, the Hispanophone Caribbean, and the Iberian Peninsula. Contributors explore intertextual transatlantic dialogues, migratory experiences, cultural exchanges, identity construction, and the artificial boundaries of nation states.

Travel and the Pan African Imagination explores the African Atlantic world as a productive theater or space where modernity, racialized dominance, and racialized resistance took form. The book stresses the importance of placing three Atlantic figuresthe Charleston, South Carolina-based armed resistance leader Denmark Vesey; the West African emigration advocate Edward Wilmot Blyden; and the Christian missionary and teacher in Liberia as well as the United States, Alexander Crummellwithin an Atlantic context and as African world community figures between the late-eighteenth and early-twentieth centuries. The book also examines the religious origins of Black Power ideology and modern Pan Africanism as products of the intense dialogue within the African world community about concepts of modernity, progress, and civilization. Tracy Keith Flemming identifies how travel and social mobility led to the generation of an ever more complex and dynamic Atlantic world and of a fluid and adaptive African world community imagination for those figures who were forced to operate within and against a racially framed universe. The vexing social position and symbolic figure of ';the African' was central to the dilemmas facing the racialized imagination of African world community figures and the discipline of Africology.