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Provides the first full study of the original church on the site of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction. Explores aspects of the basilica's history, from its physical fabric to the activities that took place within its walls and its relationship with Rome itself.

This book brings together scholars from several disciplines in order to examine the historical continuity of dirt, disease and hygiene in one environment, and to explore the development and transformation of these ideas alongside major chapters in the city's history, from early Roman urban development through to the advent of Fascism.

This is a collection of essays bringing the most exciting work in Phoenicio-Punic studies to English-speaking readers. They ask what 'Phoenician' and 'Punic' really mean in ancient and modern contexts, and offer in response a rich series of case studies of Phoenician identity and activity from sites across the Mediterranean.

This book brings together scholars from several disciplines in order to examine the historical continuity of dirt, disease and hygiene in one environment, and to explore the development and transformation of these ideas alongside major chapters in the city's history, from early Roman urban development through to the advent of Fascism.

This book examines crucial aspects of the important cultural relationship between Turin and Britain in the period 1600-1800, when Savoy-Piedmont was one of the principal political powers of modern Europe, through a series of twenty-two essays by an international group of scholars exploring a range of disciplines.

Provides the first full study of the original church on the site of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction. Explores aspects of the basilica's history, from its physical fabric to the activities that took place within its walls and its relationship with Rome itself.

This is a collection of essays bringing the most exciting work in Phoenicio-Punic studies to English-speaking readers. They ask what 'Phoenician' and 'Punic' really mean in ancient and modern contexts, and offer in response a rich series of case studies of Phoenician identity and activity from sites across the Mediterranean.

An international team of experts draws upon a rich range of Latin and Greek texts to explore the roles played by individuals at ports in activities and institutions that were central to the maritime commerce of the Roman Mediterranean. Invaluable for all scholars and students of Roman history.

This book examines crucial aspects of the important cultural relationship between Turin and Britain in the period 1600-1800, when Savoy-Piedmont was one of the principal political powers of modern Europe, through a series of twenty-two essays by an international group of scholars exploring a range of disciplines.

Argues that buildings in early Italy serve as windows into the minds and lives of those who made and used them, and demonstrates that architecture was closely connected to communities, to the natural world, and to the cosmos, and had the power to shape society as much as reflect it.

This book addresses a critical era in the history of the city of Rome, the eighth century CE. This was the moment when the bishops of Rome assumed political and administrative responsibility for the city's infrastructure and the physical welfare of its inhabitants, in the process creating the papal state that still survives today. John Osborne approaches this using the primary lens of 'material culture' (buildings and their decorations, both surviving and known from documents and/or archaeology), while at the same time incorporating extensive information drawn from written sources. Whereas written texts are comparatively few in number, recent decades have witnessed an explosion in new archaeological discoveries and excavations, and these provide a much fuller picture of cultural life in the city. This methodological approach of using buildings and objects as historical documents is embodied in the phrase 'history in art'.

The first inter-disciplinary study to examine the construction and development of the world's first cathedral from its origins to 1600.