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This edition includes a critical introduction and an extensive collection of historical documents relating to the composition and reception of the novel, the social implications of England's shift from a rural agrarian to an urban industrial economy, the role of women in provincial society. Emma is on HSC syllabus.

A novel that touches on issues of race, gender roles, and women's education in the late eighteenth century. It tells a story of desire, transgression, and remorse over the lives of a mother and daughter. It begins and ends with the relationship between Adeline and her intellectual, experimental mother, Editha.

The Romance of a Shop is an early "New Woman" novel about four sisters, who decide to establish their own photography business and their own home in central London after their father's death and their loss of financial security. In this novel, Amy Levy examines both the opportunities and dangers of urban experience for women in the late nineteenth century who pursue independent work rather than follow the established paths of domestic service. By outfitting her characters as photographers, Levy emphasizes the importance of the gendered gaze in this narrative of the modern city. This Broadview edition prints for the first time since the 1880s Levy's essay on Christina Rossetti and a short story set in North London, both published in Oscar Wilde's magazine The Woman's World. Other appendices include poetry by Levy, Michael Field, Dollie Radford, and A. Mary F. Robinson, and essays on Victorian photography, literary realism, "the woman question" at the end of the nineteenth century, and the plight of women working in London.

As the inscription on his tombstone reveals, Wilkie Collins wanted to be remembered as the "author of The Woman in White," for it was this novel that secured his reputation during his lifetime. The novel begins with a drawing teacher's eerie late-night encounter with a mysterious woman in white, and then follows his love for Laura Fairlie, a young woman who is falsely incarcerated in an asylum by her husband, Sir Percival Glyde, and his sinister accomplice, Count Fosco. This edition returns to the original text that galvanized England when it was published in serial form in All the Year Round magazine in 1860. Three different prefaces Collins wrote for the novel, as well as two of his essays on the book's composition, are reprinted, along with nine illustrations. The appendices include contemporary reviews, along with essays on lunacy, asylums, mesmerism, and the rights of women.

Michael Field" was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I.

The prize-winning entry in a national competition for distinctively Canadian fiction, Winona was serialized in a Montreal story paper in 1873. The novel focuses on the lives of two foster-sisters raised in the northern Ontario wilderness: Androsia Howard, daughter of a retired military officer, and Winona, the daughter of a Huron chief. As the story begins, both have come under the sway of the mysterious and powerful Andrew Farmer, who has proposed to Androsia while secretly pursuing Winona. With the arrival of Archie Frazer, the son of an old military friend, there is a violent crisis, and the scene shifts southward as Archie takes the foster-sisters via Toronto to his family's estate in the Thousand Islands region of the St. Lawrence River. Farmer follows, and the narrative moves towards a sensational climax. The critical introduction and appendices to this edition place Winona in the contexts of Crawford's career, the contemporary market for serialized fiction, the sensation novel of the 1860s, nineteenth-century representations of women and North American indigenous peoples, and the emergence of Canadian literary nationalism in the era following Confederation.

The story of a young soldier, Henry Fleming, who flees a Civil War battle, The Red Badge of Courage has been celebrated for its depiction of both the physical action of battle and the protagonist's internal struggle. Despite the precise and vivid descriptions of the scenes of battle in his fiction, Stephen Crane was not born until six years after the war had ended and never saw military service. His novel altered the tradition of war literature in its naturalistic emphasis on a single, ordinary man facing the horrors of battle. This edition includes an important new introduction by James Nagel, author of the book Stephen Crane and Literary Impressionism and former president of the Stephen Crane Society. Historically significant reviews and commentary from the publication of the novel in 1895 are included, along with the deleted Chapter 12 from the novel. The short story "The Veteran," in which the protagonist appears as an elderly man, is also included.

Daniel Defoe's fifth novel, Colonel Jack is the supposed autobiography of an English gentleman who begins life as a child of the London streets. He and his two brothers are brought up as pickpockets and highwaymen, but Colonel Jack seeks to improve himself. Historical appendices relate to eighteenth-century Virginia and Maryland and contemporary crime, punishment, and imprisonment.

This edition recovers Elizabeth Oakes Smith's successful 1842 novel The Western Captive; or, The Times of Tecumseh and includes many of Oakes Smith's other writings about Native Americans, including short stories, legends, and autobiographical and biographical sketches. The Western Captive portrays the Shawnee leader as an American hero and the white heroine's spiritual soulmate; in contrast to the later popular legend of Tecumseh's rejected marriage proposal to a white woman, Margaret, the "captive" of the title, returns Tecumseh's love and embraces life apart from white society. These texts are accompanied by selections from Oakes Smith's Woman and Her Needs and her unpublished autobiography, from contemporary captivity narratives and biographies of William Henry Harrison depicting the Shawnee, and from writings by her colleagues Jane Johnston Schoolcraft and Henry Rowe Schoolcraft.

The two narratives published together in The Tragedy of Pudd'nhead Wilson and the Comedy of Those Extraordinary Twins are overflowing with spectacular events. Twain shows us conjoined twins, babies exchanged in the cradle, acts of cross-dressing and racial masquerade, duels, a lynching, and a murder mystery.

First published in 1865, Alice's Adventures in Wonderland began as a story told to Alice Liddell and her two sisters on a boating trip in July 1862. The sequel, Through the Looking-Glass and What Alice Found There, was published in 1871. Along with both novels and the original Tenniel illustrations, this edition includes Carroll's earlier story Alice's Adventures Under Ground.

E. Pauline Johnson, also known as Tekahionwake, is remarkable as one of a very few early North American Indigenous poets and fiction writers. More extraordinary still, she became both a canonical poet and a literary celebrity. This edition collects a diverse range of Johnson's writings on what was then called "the Indian question" and on the question of her own complex Indigenous identity.

Continuously in print and translated into multiple languages since it was first published, Anna Sewell's Black Beauty is a classic work of children's literature and an important text in the fields of Victorian studies and animal studies. This Broadview Press edition reproduces the first edition of 1877, restoring material often abridged in other modern editions.

Unjustly overlooked in its own time, Frank J. Webb's novel of pre-Civil War Philadelphia weaves together action, humour, and social commentary. The Garies and Their Friends tells the story of two families struggling for different sorts of respectability. Along the way the families confront racialized violence, melodramatic villainy, and sentimental reversals.

As nearly all of its reviewers pointed out, Clotel was an audience-minded performance, an effort to capitalize on the post--Uncle Tom's Cabin "mania" for abolitionist fiction in Great Britain, where William Wells Brown lived between 1849 and 1854. The novel tells the story of Clotel and Althesa, the fictional daughters of Thomas Jefferson and his mixed-race slave. Like the popular and entertaining public lectures that Brown gave in England and America, Clotel is a series of startling, attention-grabbing narrative "attractions." Brown creates in this novel a delivery system for these attractions in an effort to draw as many readers as possible toward anti-slavery and anti-racist causes. Rough, studded with caricatures, and intimate with the racism it ironizes, Clotel is still capable of creating a potent mix of discomfort and delight. This edition aims to make it possible to read Clotel in something like its original cultural context. Geoffrey Sanborn's Introduction discusses Brown's extensive plagiarism of other authors in composing Clotel, as well as his narrative strategies within the novel itself. Appendices include material on slave auctions, contemporary attractions and amusements, and the topic of plagiarism more broadly.

Dinah Mulock Craik's The Half-Caste concerns the coming-of-age of its title character, the mixed-race Zillah Le Poer, daughter of an English merchant and an Indian princess. Craik explores issues of gender, race, and empire in the Victorian period in this compact and gripping novella. Along with a newly-annotated text, this Broadview edition includes a critical introduction.

Robert Pepperman Taylor's new edition clarifies the specific political and philosophical contexts in which Thoreau composed Civil Disobedience.

The first publisher of Tender Buttons described the book's effect on readers as ""something like terror, there are no known precedents to cling to."" This edition of Gertrude Stein's transformative work immerses the text in its cultural context. The most opaque of modernist texts, Tender Buttons also had modernism's most voluminous and varied response.

Mary Shelley's Gothic novella was not published for 140 years after she wrote it; this new edition brings together an authoritative text and a selection of biographical and cultural documents.

John Cleland's Memoirs of a Woman of Pleasure has been described as the first erotic novel in English and is perhaps the greatest example of the genre. Cleland's novel is a triumph of literary style, resting on his invention of an entirely new, vividly metaphoric, terminology for describing sexual pleasure.

A compelling tale of sleepwalking, murder, and frontier violence set in rural Pennsylvania in the 1780s. His memory and wits shaken by the scenes he has witnessed, ordinary republican citizen Edgar Huntly relates the unpredictable and catastrophic consequences of his chance encounter with Clithero Edny, a mysterious Irish immigrant whose unfortunate but violent history catches up with him.

The Middle English romance of Richard Coeur de Lion transforms the historical Richard I of England - a Frenchman by upbringing, who spent only four months of his reign in England - into an aggressively English king. This act of historical revision involves the invention of several fantastic elements that give Richard the superhuman force necessary to unite the English nation.

Jane Eyre, the story of a young girl and her passage into adulthood, was an immediate commercial success at the time of its original publication in 1847.

A major scholar of Mark Twain contextualizes one of the most debated novels in American history in this new edition.