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This volume contains even plays, written between 1906 and 1926, which demonstrate the basic forms, tenets and preoccupations of German Expressionist drama, which has been described as the forerunner of Absurdist theatre and is characterized by both visual and verbal violence. These plays, taken together, offer an excellent introduction to the entire movement. Kokoschka''s ''Murderer; Hope of Womankind'', for example, has that strong ritualistic quality which characterizes so many other Expressionist writings, and Stramm''s terrifying ''Awakening'' recalls the threatening absurdities of Ionesco''s theatre. These plays, with their visionary elements and their timeless quality, speak as clearly to audiences today as they did at the time of their creation.

This collection of Scottish short stories has been chosen to give as wide as possible a picture of Scottish fiction of the nineteenth century. Authors such as Walter Scott, James Hogg, John Galt, Margaret Oliphant and Robert Louis Stevenson are widely known as major figures outside Scotland, and this collection - which also includes stories from lesser-known authors such as W.E. Aytoun, James Grant, George McDonald, William Black and William Alexander - places them within the context and tradition of Scottish literature.The volume has been compiled and annotated by Douglas Gifford (former senior lecturer in English studies at the University of Strathclyde) for use in schools and universities as well as for general reading.