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Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn made a great impact on literary texts. Her study makes an important contribution to the literary history of material culture.

Dr Scott argues that only by attending to the precise locations of words in line or stanza, and to the specific value of syllables, or by understanding the often conflicting demands of rhythm and metre, can the reader of poetry acquire a real grasp of the intimate life of words in verse with all their fluctuations of meaning, mood and tone.

This 1993 book examines the ways in which Pascal posed and solved intellectual problems in his immense and varied output. Hugh Davidson shows how three of the classical 'liberal arts', rhetoric, dialectic and geometry, pervade Pascal's method as liberating and guiding influences in his search for truth.

In this 1993 reading of Baudelaire's Le Spleen de Paris Margery Evans proposes that Baudelaire's text serves to question the conventions of prose forms such as the novel and the moral fable. She shows how the text probes the fundamental tension between individuality and conformity, powerfully symbolized by the giant metropolis.

This book reassesses the love poetry of Maurice Sceve from a phenomenological viewpoint. It calls into question the traditional critical view of Sceve as a poet consumed by the anguish and darkness of unrequited love, and frustrated by poetic and erotic quests which lead him nowhere.

This 1992 book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing.This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing.