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"A rich and captivating social and political history of Shanghai, one of the world's most complex cities, under high socialism. Using the metaphor of Tai Chi, Hanchao Lu explores how people experienced and adapted to a new Maoist political culture"--

In the 1980s, a Chinese state-sponsored oral history project led to the publication of local, regional, and national histories. These histories are the basis of this innovative study of ideology formation and political mobilization, post-Cultural Revolution reconciliation, and the recovery of borderland identities in early post-Mao China.

The first study to analyse the central role that Switzerland played in China's presence in Europe in the Cold War. Using extensive research in Western and Chinese archives, Ariane Knusel offers new perspectives on the formulation and implementation of China's foreign policy, foreign trade policy, and intelligence activities.

This revisionist history of China's sent-down youth movement draws on rich archival research to show how participants in the movement - the sent-down youth, their parents, and local government officials - disregarded, circumvented, and manipulated state policy, ultimately undermining a decade-long Maoist project.

Curating Revolution examines the relationship between Maoist China's exhibition culture and its political campaigns. From collection to display and from narration to reception, museums and exhibitions made China's Communist revolution material, shaping how people understood its history and ideology and the ways in which they participated in its turbulent political movements.

In this empirically rich exploration of the social and cultural significance of Chinese communist legal practice in constructing marriage and gender relations in the turbulent period from 1940 to 1960, Xiaoping Cong interrogates the development of the revolutionary principle of 'self-determination' in the choice of marriage partner.

This study explores the role of drama troupes that were tasked with roaming the countryside in support of Mao's communist revolution in China. Caught between the party and their audiences, the book illustrates how drama troupes, through performance, attempted to resist the ever growing reach of the People's Republic of China state.