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Yaguareté White is a lyrical exploration of Paraguayan whiteness, or white Latinidad, and what it means to see through a colored whiteness, with all of its tangled contradictions. Diego Báez's poems reconcile the incomplete, contradictory, and inconsistent experiences that reside between languages, nations, and generations.

"When Language Broke Open is a collection of writing by Black queer and trans writers of Latin American descent who help us see Blackness as a geopolitical experience that is always changing. In centering the multifaceted realities of the LGBTQ community, the anthology's trans contributors challenge everything we think we know about gender, sexuality, and what it means to live a livable life"--

"This multiple viewpoint novel, set in El Paso, Texas, is a story of two families-one Mexican-American, one Anglo-who find themselves unexpectedly entangled with one another when each of their households separately implode. When the Mexican maid working in both houses begins to suspect that all is not what it seems, she is implicated in the unfolding of a web of mysteries, history, and border politics that forces all concerned to question their own pasts, their understanding of family, and their relationships to a place on the map that is never as clear-cut as it seems"--

Presents a Latinx retelling of the Brothers Grimm's Snow-White and Rose-Red, reevaluating border, identity, and immigration narratives through the unlikely amalgamation of physics and fairy tale.

Grounded by a rigorously innovative attention to form, The Real Horse offers a testament to and reminder of a daughter's disobedience to cultural patrimony.

Palm Frond with Its Throat Cut uses both humor and sincerity to capture moments in time with a sense of compassion for the hard choices we must make to survive. Vértiz's poetry shows how history, oppression, and resistance don't just refer to big events or movements; they play out in our everyday lives, in the intimate spaces of family, sex, and neighborhood. Vértiz's poems ask us to see Los Angeles--and all cities like it--as they have always been: an America of code-switching and reinvention, of lyric and fight.

In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto González commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.

Buzzing Hemisphere / Rumor Hemisférico imagines an alternative to the monolingualism of the U.S. literary and political landscape, and it proposes a geo-neuro-political performance attuned to damaged or marginalized forms of knowledge, perception, and identity. Poet Urayoán Noel maps the spaces between and across languages, cities, and bodies, creating a hemispheric poetics that is both broadly geopolitical and intimately neurological.

Ticking clocks and tolling bells, scents of roses and warm tortillas: this is the barrio of years past as captured in the words of Patricia Preciado Martin. Cuentos, recuerdos, stories, memories--all are stirred into a simmering caldo by a writer whose love for her heritage shines through every page. Reminiscent of "Like Water for Chocolate," the book is a rich mix of the simplest ingredients--food, family, tradition. We see Silviana striding to her chicken coop, triggering the "feathered pandemonium" of chickens who smell death in the air. We meet Elena, standing before the mirror in her wedding dress, and Teodoro SAnchez, who sleeps under the sky and smells of achaparral and mesquite pollen and the stream bottom and the bone dust of generations. Thereas the monsignor sitting on the edge of a sofa, sipping NescafA(c) from a china cup, and here is Sister Francisca "with her warm, minty breath" warning us away from impure thoughts. Be on your best behavior, too, in TA-a Petraas Edwardian parlor--la DoAa Petrita, descended from conquistadores, might just deliver a tap on your head with her silver-handled walking stick. Then, with Mamacita, spend a summer afternoon bent over your embroidery with trembling hand and sweaty upper lip, and all the while wondering what in the world it feels like to be kissed. Intermingled with the authoras stories are collective memories of the barrio, tales halfway between heaven and earth that seem to connect barrio residents to each other and to their past. These cuentos are mystical and dreamy, peopled with ghosts and miracles and Aztec princesses dressed in feathers and gold. Come, sit down and have some salsa and a tortilla--fresh and homemade, it goeswithout saying; people who buy tortillas at the market "might as well move to Los Angeles, for they have already lost their souls." Then open the pages of this book. Help yourself to another feast of food and flowers, music and dancing, sunshine and moonlight--everything glorious and mundane, serious and humorous, earthly and spiritual, poignant and joyful, in la vida mexicoamericana.