Bøker i Central European Medieval Studies-serien

How and why does vernacular art become foreign? What does ‿Greek manner‿ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia, Russia, and Italy. The research follows developments in artistic practices and the reception of these images, as well as distinguishing between the Greek manner ‿ based on visual qualities ‿ and the style favoured by the devout, sustained by cults and altered through stories. Following the reception of Byzantine and pseudo-Byzantine art in Lithuania and Poland from the late fourteenth through the early eighteenth centuries, Maniera Greca in Europe‿s Catholic East argues that tradition is repetitive order achieved through reduction and oblivion, and concludes that the sole persistent understanding of the Greek image has been stereotyped as the icon of the Mother of God.

This book introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene's literary expression.

This book brings together a team of scholars representing a broad range of interests and new approaches in medieval studies to explore the interactions of secular power and sacral authority in central and southeastern Europe in the period.

A historical analysis of manners of representation of Byzantine emperors and patriarchs in the Short History of Nikephoros of Constantinople in the context of late 8th century Byzantine iconodule ecclesiology.

This book offers thirteen case studies from premodern and contemporary Europe that demonstrate the process through which political corporations-bodies politic-were and continue to be constructed and challenged.