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"Originally published in 2006 as A Writer's Coach, the book has been updated to address the needs of contemporary writers well beyond print journalists. It retains the structure of the original, beginning by breaking down the writing process into a series of manageable stages-from idea to polishing-each of which is crucial to the next. While emphasizing the importance of the early stages, including information gathering and organizing, Hart also delves deeply into the elusive characteristics achieved through polishing, such as force, clarity, rhythm, color, and voice. Each chapter is filled with real examples, both good and bad, of these attributes. The book concludes with updated advice and resources for mastering the craft of writing. With these revisions, Wordcraft now functions as a set with the new edition of Hart's book Storycraft, on the art of storytelling, as the author always intended"--

"Storytelling is one of the few traits common to all human societies. A sequence of actions, a sympathetic character, a complication, a resolution-the key ingredients in a story are as familiar to us today as they were to our ancestors. Although we may associate the form with fictional narratives such as novels and movies, the same ingredients also underlie the best nonfiction works, including those by David Grann, Mary Roach, Tracy Kidder, and John McPhee. In the first edition of Storycraft, Jack Hart illustrated how these and other nonfiction writers, including many he coached over decades at the Oregonian, used the ingredients of story to create compelling and award-winning works of narrative nonfiction. For this revision, he has expanded the field to consider how storytelling techniques can be used in the rapidly growing nonfiction form of podcasting. He has added insights from recent research into storytelling and the brain, illustrating how facts and arguments effectively embedded in narrative are more likely to stick in readers' minds. And he has added new examples of effective nonfiction narratives."--

New edition of a classic reference work recognizes recent developments in information literacy--including finding, evaluating, and citing a wide range of digital sources--and the evolving use of software for citation management, graphics, and paper format and submission while continuing to reflect best practices for research and writing.

"First published by Auckland University Press, 2007."--Title page verso.

"A version of chapter 5, "Your Proposal," appeared in the October 2000 issue of PMLA and appears here, with alterations, by permission of the Modern Language Association."

For beginning writers and researchers, this guide introduces students to the art of formulating an effective argument, conducting high-quality research with limited resources, and writing an engaging class paper.

The publication of The Dramatic Writer's Companion in 2009 cemented Will Dunne's reputation as a master teacher of playwrights, screenwriters, and anyone working on dramatic scripts. Divided into three major sections on character, scene, and story, the book consists of more than 60 exercises to help writers zero in on and solve specific problems in their scripts. The success of that book has led Dunne to write a sequel, with new workshop-tested exercises that address additional issues in script development. This new edition of The Dramatic Writer's Companion is fully linked to the sequel and allows readers to find related exercises of interest in the new volume, though it can also still be used as a stand-alone resource.

This guide to research methods covers four areas of social science: the creation of "imagery" to guide research; methods of "sampling" to generate maximum variety in the data; the development of "concepts" to organize findings; and "logical" methods of exploring the implications of the findings.

This book is a comprehensive guide to scientific communication that has been used widely in courses and workshops as well as by individual scientists and other professionals since its first publication in 2002. This revision accounts for the many ways in which the globalization of research and the changing media landscape have altered scientific communication over the past decade. With an increased focus throughout on how research is communicated in industry, government, and non-profit centers as well as in academia, it now covers such topics as the opportunities and perils of online publishing, the need for translation skills, and the communication of scientific findings to the broader world, both directly through speaking and writing and through the filter of traditional and social media. It also offers advice for those whose research concerns controversial issues, such as climate change and emerging viruses, in which clear and accurate communication is especially critical to the scientific community and the wider world.

Earning praise from scientists, journalists, faculty, and students, this book helps writers to communicate data clearly. It draws on a decade of additional experience and research, expanding author's advice on reaching everyday audiences and further integrating non-print formats.

Tells what every senior researcher knows: that research is not a mechanical, linear process, but a thoughtful and adventurous journey through a nonlinear world. The author breaks library research into seven basic and simultaneous tasks: design, search, scanning/browsing, reading, analyzing, filing, and writing.

Includes a chapter arguing that the future of academic writing is in the hands of young scholars who meet the broader expectations of readers rather than the narrow requirements of academic committees. This title reveals to PhDs the secrets of careful and thoughtful revision.

Bad writing is bad for science. The problem is so significant that clear writing has become a legal requirement for federal agencies, thanks to the Plain Writing Act of 2010, which requires that writing be accessible, consistent, written in plain language, and easy to understand. This book shows how to produce such clear, concise scientific prose.

Editing is a tricky business. It requires analytical flair and creative panache, the patience of a saint and the vision of a writer. This book provides an approach to developmental editing. It deals with the core tasks of shaping the proposal, finding the hook, building the narrative or argument, executing the plan, and establishing a style.

A reference and guide for students, scholars, and practitioners of ethnography and beyond. It discusses about the deskwork of fieldwork and the various ways culture is put forth in print.

Presents a series of guidelines, suggestions, and practical advice for creating useful fieldnotes in a variety of settings. This title discusses different organizational and descriptive strategies and shows how transforming direct observations into descriptions results not simply from good memory but from learning to envision scenes as written.

Each year, 700,000 students from around the world come to the United States and Canada to study. For many, the experience is as challenging as it is exciting. This title is designed to help students navigate the myriad issues they will encounter - from picking a program to landing a campus job.

Explores the unconventional ways we communicate what we know about society to others. This book explores the many ways knowledge about society can be shared and interpreted through different forms of telling such as fiction, films, photographs, maps, mathematical models - many of which remain outside the boundaries of conventional social science.