Bøker i China Studies-serien

In Visualizing China, the authors launch a broad inquiry aimed at a synergistic understanding of the story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, from the 1840s to the 1960s.

In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of fiction, poetry, film, and visual art.

Science and Technology in Modern China, 1880s-1940s looks at the transnational routes for the development of science and technology in the first pivotal decades of modern China.

In Shanghai Filmmaking, Huang Xuelei paints a multi-faceted picture of early Chinese film culture and examines a series of border-crossing practices across various ideological, geographical and medial divides.

In Struggle by the Pen, Ondřej Klimes explores the emergence of national consciousness and nationalist ideology of Uyghurs in Xinjiang from c. 1900-1949.

Print, Profit, and Perception examines the dramatic knowledge expansion and dynamic cross-cultural exchanges occurring in China and Taiwan from 1895 to 1949. The nine chapters, heavily case-studied, collectively address the co-existence of globalization and localization processes in the period.

Science and Technology in Modern China, 1880s-1940s looks at the transnational routes for the development of science and technology in the first pivotal decades of modern China.

In Singing on the River, Igor Chabrowski explores life conditions and work-song traditions of Sichuan boatmen demonstrating how they constructed their mentality and social identity in the turbulent first half of the twentieth century.