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Bøker i City Lights Pocket Poets Series-serien

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  • av Frank O'Hara
    110 - 184,-

    The famed New York School bard's ruminations and deep ponderings, written during random Manhattan lunch hours.

  • av Jack Kerouac
    166,-

    These classic Kerouac meditations, zen koans, and prose poems express the poet's beatific quest for peace and joy through oneness with the universe.

  • av Gregory Corso
    171,-

    Gregory Corso was born on March 26, 1930 in New York City. His first book of poetry was published by City Lights Press in 1955.

  • Spar 11%
    - Poems of These States 1965-1971
    av Allen Ginsberg
    165,-

    Vietnam-era poems of rage and compassion. Winner of the National Book Award for Poetry.

  • av Jack Kerouac
    117,-

    In spontaneous, direct, and concrete verses, the author confesses his joy in poetry and life.

  • av Pier Paolo Pasolini
    171,-

    Life on the outskirts of modern Rome, seen as an inferno.

  • av Lawrence Ferlinghetti
    117 - 144,-

    Second, expanded edition, with eighteen new poems.

  • - 1953-1960
    av Allen Ginsberg
    144,-

    Over Kansas, 'American Change,' 'Siesta in Xbalba,' 'The Green Automobile,' and more.

  • - 60th Anniversary Edition
     
    238,-

    A comprehensive selection from Ferlinghetti's famed City Lights Pocket Poets Series, published on the 60th anniversary of its founding.

  • - Pocket Poets No. 53
    av Julio Cortzar
    179,-

    Newly expanded edition of a classic: the first and only collection of Cortazar's poetry to appear in English.

  • - City Lights Pocket Poets Number 17
    av Malcolm Lowry
    171,-

    First collection of Lowry's extensive poetic canon, including most of the Mexican verses related to his novel, Under the Volcano.

  • - Pocket Poets No. 61
    av Tongo Eisen-Martin
    171,-

    The much-awaited second book by a truly revolutionary poet, in the lineage of Gil Scott Heron, Allen Ginsberg, Audre Lorde.

  • - Pocket Poets Series No. 62
    av Tongo Eisen-Martin
    185,-

  • av Will Alexander
    184,-

    From Will Alexander, finalist for the 2022 Pulitzer Prize in Poetry, a new collection of poems from the intersection between surrealism and afro-futurism, where Césaire meets Sun Ra. Divine Blue Light further affirms Alexander’s status as one of the most unique and innovative voices in contemporary poetry.One of Publishers Weekly’s Top 10 Notable Poetry Books for Fall 2022!“Since the 1980s, the Los Angeles-based Alexander has mixed politics with mesmeric, oracular lines.”—The New York TimesAgainst the ruins of a contemporary globalist discourse, which he denounces as a “lingual theocracy of super-imposed rationality,” Will Alexander’s poems constitute an alternative cartography that draws upon omnivorous reading—in subjects from biology to astronomy to history to philosophy—amalgamating their diverse vocabularies into an impossible instrument only he can play. Divine Blue Light is anchored by three major works: the opening “Condoned to Disappearance,” a meditation on the heteronymic exploits of Portuguese modernist Fernando Pessoa; the closing “Imprecation as Mirage,” a poem channeling an Indonesian man; and the title poem, an anthemic ode to the jazz saxophonist John Coltrane. Other key pieces include “Accessing Gertrude Bell,” a critique of one of the designers of the modern state of Iraq; “Deficits: Chaïm Soutine & Joan Miró,” in homage to two Jewish artists forced to flee the Nazi invasion of France; and “According to Stellar Scale,” a compact lyric that traveled to space with astronaut Sian Proctor. The newest installment in our Pocket Poets Series, Divine Blue Light confirms Alexander’s status among the foremost surrealists writing in English today.Praise for Divine Blue Light:"Adopting a surrealist approach to making sense of the universe, Alexander plumbs language for its limits, often with dazzling results....Pondering the mysteries of existence and artistic influence, this engrossing work turns the quest for self-knowledge into a choral act."—Publishers Weekly, Starred Review"Alexander’s range—which moves past the propriety of each subject to the expansiveness of every—can be approximated as Aimé Césaire’s totality of the lion, or form and emptiness, or appositional, apparitional Black being. And this being is most real and realized through the collection’s quantum mechanics and dynamics, which Alexander invokes astrophysically, evokes metaphysically."—Jenna Peng, The Poetry Foundation"These surrealist and Afrofuturist poems examine politics, globalism, and the powers and limitations of language, while paying tribute to artists forced to flee the Nazi invasion of France.”—Maya Popa, Publishers Weekly"The 'invisible current' Will Alexander channels in the meteoric poems of Divine Blue Light is not surreal escape but vibrational engagement—an engagement with the infinite streams of the heart of being."—Jeffrey Yang, author of Line and Light"Like agua tilting itself into a god, Will’s texts suffuse the horizon of Poetry with the abstract purity of their oceanic movements, sun-condensing, dissolving seemingly endless sight into a disappearing instant of the Miraculous. Divine Blue Light exists by what it exudes."—Carlos Lara, author of Like Bismuth When I Enter

  • av Philip Lamantia
    160,-

    Two lost Beat generation books: mystical poems by Philip Lamantia and the legendary poems of John Hoffman.

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