Bøker i Classical Scholarship in Translation-serien

"From Greece to Palmyra, Tyre to Babylon, the names of the gods reveal their fields of competence and action. Through the study of divine names, the twelve chapters of this book unfold a gallery of portraits that reveal the changing aspects of the divine throughout the ancient Mediterranean"--

The early Christians were by no means a homogeneous group, let alone a church. This is the fascinating story of the beliefs, practices and experience of individual Christians of antiquity, their relationships to Jewish tradition and the wider Roman world, and the shockwaves they caused among their contemporaries. Ancient Christians are closely connected to today's world through a living memory and a common textual heritage - the Bible - even for those who maintain a distance from Christianity. Yet, paradoxically, much about the early Christians is foreign to us and far removed from what passes for this faith as it currently stands. The distinguished historian Hartmut Leppin explores this paradox, and considers how such a small, diverse band of followers originating on the edge of the Roman Empire was able within less than three centuries to grow and become its dominant force under Emperor Constantine and his successors.

This is the first comprehensive account of Platonism in antiquity, from the foundation of Plato's Academy in the fourth century BC to late antiquity. Clearly and accessibly written, Mauro Bonazzi reveals the depths of Platonism's philosophical engagement and influence on the history of philosophy.

In this concise but stimulating book on history and Greek culture, Hans-Joachim Gehrke continues to refine his work on 'intentional history', which he defines as a history in the self-understanding of social groups and communities ¿ connected to a corresponding understanding of the other ¿ which is important, even essential, for the collective identity, social cohesion, political behaviour and the cultural orientation of such units. In a series of four chapters Gehrke illustrates how Greeks' histories were consciously employed to help shape political and social realities. In particular, he argues that poets were initially the masters of the past and that this dominance of the aesthetic in the view of the past led to an indissoluble amalgamation of myth and history and lasting tension between poetry and truth in the genre of historiography. The book reveals a more sophisticated picture of Greek historiography, its intellectual foundations, and its wider social-political contexts.