Bøker i Collection Development, Cultural Heritage, and Digital Humanities-serien

Covering the history and cultural heritage of Rome from ancient through early modern times, this book examines the Eternal City through the lives of some of its most important artists, political leaders, and religious luminaries, with reference to the remarkable monuments, works of arts, and urban spaces associated with them.

This unique collection discusses the nature and future of literary manuscripts, the politics and ethics of collecting and international best practice in a world in which literary papers are increasingly dispersed.

This book presents interdisciplinary approaches to the examination and documentation of material cultural heritage, using non-invasive spatial and spectral optical technologies.

This book argues for the need to integrate museum-based experiential qualities into discussion of Byzantine art in order to reach fuller, deeper, more ethical explanations of this culture than are habitually given.

The successful transmediation of books and documents through digitization requires the synergetic partnership of many professional figures, that have what may sometimes appear as contrasting goals at heart. On one side, there are those who look after the physical objects and strive to preserve them for future generations, and on the other those involved in the digitization of the objects, the information that they contain, and the management of the digital data. These complementary activities are generally considered as separate and when the current literature addresses both fields, it does so strictly within technical reports and guidelines, concentrating on procedures and optimal workflow, standards, and technical metadata. In particular, more often than not, conservation is presented as ancillary to digitization, with the role of the conservator restricted to the preparation of items for scanning, with no input into the digital product, leading to misunderstanding and clashes of interests. Surveying a variety of projects and approaches to the challenging conservation-digitization balance and fostering a dialogue amongst practitioners, this book aims at demonstrating that a dialogue between apparently contrasting fields not only is possible, but it is in fact desirable and fruitful. Only through the synergetic collaboration of all people involved in the digitization process, conservators included, can cultural digital objects that represent more fully the original objects and their materiality be generated, encouraging and enabling new research and widening the horizons of scholarship.

This volume examines new ways to design, develop, explore, and visualize spatial datasets to investigate spatial dimensions and world perceptions in pre-modern sources and societies.