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Bøker i Contemporary Film Directors-serien

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  • Spar 14%
    av Barbara Mennel
    232,-

  • Spar 15%
    av Joshua Lund
    229 - 1 211,-

  • av Gemunden
    232,-

    Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticizeand pointedly circumventthe high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond.

  • av Kelley Conway
    275 - 1 211,-

  • av Rob White
    241,-

    Rob White's highly readable book, which includes a major new interview with Todd Haynes, is the first comprehensive study of the director's work.

  • av Juan A. Suarez
    232,-

  • Spar 14%
    av Katherine Fusco & Nicole Seymour
    232,-

  • av Nora M. Alter
    234,-

    Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker stands among the most influential filmmakers of the postwar era. This study includes interviews with the director and investigates his core themes and motivations.

  • av Elizabeth Ezra
    252,-

    A penetrating analysis of a director whose work exemplifies Europe's engagement with Hollywood

  • av Mehrnaz Saeed-Vafa & Jonathan Rosenbaum
    232,-

    A penetrating study of the Iranian filmmaker Kiarostami's life and work.

  • av Annette Insdorf
    241,-

    The first complete study of the protean filmmaker

  • av Nicole Brenez
    232,-

    Argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. This work also argues that films such as "Bad Lieutenant" express this evil through visionary characters struggling against the inadmissible.

  • Spar 14%
    av Peter Brunette
    232,-

    Traces Wong Kar-Wai's perennial themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of former British colony Hong Kong to the People's Republic of China. This book covers a range of Wong's work, from his first film, "As Tears Go By", to "2046".

  • av Linda Badley
    232,-

    A perceptive analysis of the daring Danish filmmaker's oeuvre

  • av Lloyd Michaels
    232,-

    A critical analysis of an exceptional American director

  • Spar 14%
    av Donna Kornhaber
    232,-

  • av Todd McGowan
    232,-

    Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. The author argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art.

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