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Bøker i Contemporary Film Directors-serien

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  • av Nora M. Alter
    234 - 1 239,-

    Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker stands among the most influential filmmakers of the postwar era. This study includes interviews with the director and investigates his core themes and motivations.

  • av L. Andrew Cooper
    232,-

    Inside the shocking cinema of Dario Argento

  • av Todd McGowan
    232 - 1 211,-

    Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. The author argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art.

  • av Donna Kornhaber
    275 - 1 211,-

  • av John Anderson
    241,-

    Rooted in questions about what it means to be Taiwanese, Edward Yang's films reveal the complexity of life within the island's patchwork culture. The author explains what makes these films so distinctive by pinpointing the specific qualities of Yang's style and outlook.

  • av Judith Mayne
    230,-

    Widely regarded as one of the most innovative and passionate filmmakers working in France today, Claire Denis has continued to make beautiful and challenging films since the 1988 release of her first feature, "Chocolat". The author's comprehensive study of these films traces Denis' career and discusses her major feature films in rich detail.

  • av Thibaut Schilt
    232 - 1 198,-

    A thematic examination of a prolific rising star in contemporary French filmmaking

  • av George Toles
    241 - 1 211,-

  • av Cael M. Keegan
    232 - 1 211,-

  • av Lloyd Michaels
    232,-

    A critical analysis of an exceptional American director

  • av Darlene J. Sadlier
    232,-

    Provides a full critical discussion of the films of Latin America's most important living director. This is one of our first two titles in new Contemporary Film Directors series.

  • av Celestino Deleyto & Maria del Mar Azcona
    232 - 1 211,-

    A searing study of one of Mexico's most dynamic directors

  • av Aaron Baker
    232 - 1 211,-

    A Hollywood director who blends substance with the mainstream

  • av Randal Johnson
    232,-

    Understanding the iconoclastic work of a lifelong cinematic pioneer

  • av Linda Badley
    232 - 1 211,-

    A perceptive analysis of the daring Danish filmmaker's oeuvre

  • av Mary M. Wiles
    232 - 1 198,-

    An extended take on the innovator of the French New Wave

  • av R. Barton Palmer
    232 - 1 211,-

    Offers a postmodern analysis of the Coen brothers' approach to filmmaking.

  • av Kathleen McHugh
    232,-

    The subversive style of the woman who has become one of the world's greatest directors

  • av Marvin D'Lugo
    232,-

    Follows Pedro Almodovar's career chronologically as he moves from amateur to international celebrity, and understands the films' complexity in terms of the director's central themes and the Spanish film tradition from which he comes. This work is of interest to new film students and specialists alike.

  • av George Kouvaros
    256,-

    A searing study of an important American writer-director

  • av Catherine Fowler
    232,-

    Analyzing an influential film director's vivid deconstructions of gender and narrative

  • av Emma Wilson
    232 - 1 211,-

    An integrated analysis of Egoyan's contemplative cinema

  • av Chris Fujiwara
    232,-

    The premier study of an incomparable American director

  • av Peter Brunette
    275,-

    Traces Wong Kar-Wai's perennial themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of former British colony Hong Kong to the People's Republic of China. This book covers a range of Wong's work, from his first film, "As Tears Go By", to "2046".

  • av Nicole Brenez
    232,-

    Argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. This work also argues that films such as "Bad Lieutenant" express this evil through visionary characters struggling against the inadmissible.

  • av James Morrison
    232,-

    Tracing the filmmaker Roman Polanski's remarkably diverse career from its beginnings to the present, this book provides commentary on the major films in their historical, cultural, social, and artistic contexts.

  • av Sean O'Sullivan
    232 - 1 211,-

    A new look at a well-loved director's critical engagement with cinema

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