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Uses close analysis of key African-American literary texts to investigate the links between the development of blues and jazz and the development of modern African-American literature. This study also examines the highly varied manifestations of a jazz aesthetic as possibly the fundamental common demoninator which links these writers.
Investigates how the notion of incarnation has been employed in phenomenology and how this has influenced literary criticism. This book examines the interest that Joyce and Proust share in the concept of incarnation.
Contributes to the understanding of an important but overlooked aspect of modern poetry, offering a comparative approach to the topic. This collection of research explores the interaction of religious awareness and literary expression in English poetry in the late nineteenth and twentieth centuries.
Provides a critical and cultural theory-based study of male jealousy in western culture and its connections with paranoia. This book traces the meanings of jealousy and the representation of jealous men and argues that jealousy is promoted within patriarchy. It also explores the economy of possession and its relationship to the body.
Argues against the idea that the 'postmodern condition' of late twentieth and early twenty-first century culture has undermined the close and creative association between religious practice and literature. This study suggests that the novel has become an increasingly vital, dynamic and problematic space for engaging with the sacred.
A monograph, which surveys the portrayal of finance and money in British fiction. It argues that British fiction demystifies the 'weightless' economy of contemporary money and critiques the popular sense of money as being everywhere but nowhere.
Addresses the ways in which we read literary history according to quite specific images of growth, development, progression, flourishing and succession. This book argues that the literary and historical imagery of releasing the radical spirit of a text from the dead weight of received tradition is the dominant doxa of historicism.
Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 onwards. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership.
By examining the relation between time and processes of figuration in James Joyce's later work, this study identifies his attempt to engage with the philosophical problem of describing time's characteristic movement whilst acknowledging the impossibility of reducing this movement to anything that can be observed, represented or even experienced.
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