Bøker i Continuum Literary Studies-serien

The Marginal as a concept has become an integral part of the British novel as it stands at the turn of the century. Both popular and literary fiction since the mid-1970s has seen an increasing emphasis on the marginal subject. This title offers readings of a range of British novels that represent characters or communities at the margin of society.

The question of intention is central to the study of literature. This book provides an analysis and critique of this concept of intention, its uses within the realms of literary theory, aesthetics, philosophy of language, phenomenology and deconstruction, and its potential for redefinition.

A detailed study of Maggie Gee's work that illustrates how she is rewriting the mid-Victorian condition-of-England novel for 21st-century Britain.

A collection of research by international scholars on Beckett, as well as younger academics, analysing a number of Beckett's poems, plays and short stories through consideration of mortality and death. It explores the theme of deathliness in relation to Beckett's work as a whole.

Drawing on the theories of digital media and on the materiality of words and images, this study makes three original claims about the work of William Blake. It explores these three claims through the concept of incarnation.

Modernist troublemaker in the 1890s, Nobel Prize winner in 1920, and indefensible Nazi sympathiser in the 1930s and 40s, Knut Hamsun continues to provoke condemnation, apologia and critical confusion. This title analyses the heterogeneous and conflicted legacies of the enigmatic European writer, Knut Hamsun.

An examination of work by Anne Enright, Colum McCann and Eilis Ni Dhuibhne raising questions about gender, bodies and history in Contemporary Irish fiction. It pinpoints common concerns for contemporary Irish writers: the relationship between the body, memory and history, and between generations.

From 1888 to 1915 Robert Louis Stevenson and Jack London were uniquely placed to witness and record the imperial struggle for the South Pacific. Engaging the major European colonial empires and the USA, the struggle questioned ideas of liberty, racial identity and class like few other arenas of the time.Exploring a unique moment in South Pacific and Western history through the work of Stevenson and London, this study assesses the impact of their national identities on works like The Amateur Emigrant and Adventure; discusses their attitudes towards colonialism, race and class; shows how they negotiated different cultures and peoples in their writing and considers where both writers are placed in the Western tradition of writing about the Pacific.By contextualizing Stevenson''s and London''s South Pacific work, this study reveals two critical voices of late nineteenth-century and early twentieth-century colonialism that deserve to stand beside their contemporary Joseph Conrad in shaping contemporary attitudes towards imperialism, race, and class.

Analyses the use of caricature as one of the key strategies in narrative fiction since the war. This monograph also analyses some of the best known postwar novelists including Toni Morrison, Philip Roth, Joyce Carol Oates, Angela Carter and Will Self, reveals how they use caricature to express postmodern conceptions of the self.