Bøker i Contributions to Zombie Studies-serien

Zombie mythology has become an integral part of popular culture. In a reversal of the typical pattern of adaptation, the zombie developed onscreen before appearing in fiction. This collection of new essays examines some of the most influential and inventive zombie literature, from the early stories to the most recent narratives, including some told from a zombie perspective.

The roots of the zombie apocalypse are grounded in modern literature, movies, and mythology. This book applies an academic treatment and professional rigour to examine the real-world implications of such an event. Each essay presents a unique perspective that relies on real world, historical, and evidence based examples, as well as those from Hollywood and popular culture.

The figure of the zombie that entered the popular imagination with the publication of William Seabrook''s The Magic Island (1929)--during the American occupation of Haiti--still holds cultural currency around the world. This book calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat a la presidence ... ou les amours d''un zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism.

Since the early 2000s, popular culture has experienced a "Zombie Renaissance," beginning in film and expanding into books, television, video games, theatre productions, phone apps, collectibles and toys. This critical examination of the 21st century zombie phenomenon explores how and why the public imagination has been overrun by the undead horde.

Since the early 2000s, zombies have increasingly swarmed the landscape of popular culture, with ever more diverse representations of the undead being imagined. A growing number of zombie narratives have introduced sexual themes, endowing the living dead with their own sexual identity. The unpleasant idea of the sexual zombie is itself provocative, triggering questions about the nature of desire, sex, sexuality, and the politics of our sexual behaviors. However, the notion of zombie sex has been largely unaddressed in scholarship. This collection addresses that unexamined aspect of zombiedom, with essays engaging a variety of media texts, including graphic novels, films, television, pornography, literature, and internet meme culture. The essayists are scholars from a variety of disciplines, including history, theology, film studies, and gender and queer studies. Covering The Walking Dead, Warm Bodies, and Bruce LaBruce's zombie-porn movies, this work investigates the cultural, political and philosophical issues raised by undead sex and zombie sexuality.

For students, critics, and zombie aficionados, this book offer responses to the end of the world as we know it. Along the way, it argues that the traditional evolutionary model of interpreting zombies is not enough; we must also chase zombies from advent through destruction and toward reintegration as we learn to live alongside them.

With the increased popularity of the zombie, many scholars have begun to consider just why it has captured the attention of audiences today. In this text, the zombie can be viewed as a meditation on death, a memento mori that can help us learn to live with the fact of our own individual mortality.

The key to chidren's survival - and thus the survival of the species - in a Zombie Apocalypse will be the caregiving they receive. Applying psychological theory and real-world research, this book critically examines the likely outcomes of different parenting styles in the hypothetical landscape of the living dead.

Presents essays that document, interpret, and explain the meaning of the George Romero legacy, drawing cross-disciplinary perspectives from such fields as literature, political science, philosophy, and comparative film studies. Essays consider some of the sources of Romero's inspiration, chart his influence and consider his legacy.

This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.