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The early 1980s saw a revolution in mainstream comics as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown quickly developed a cult following. This volume collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines.

In 1977, Dave Sim (b. 1956) began to self-publish Cerebus, one of the earliest and most significant independent comics, which ran for 300 issues and ended, as Sim had planned from early on, in 2004. Over the run of the comic, Sim used it as a springboard to explore not only the potential of the comics medium but also many of the core assumptions of Western society. Through it he analyzed politics, the dynamics of love, religion, and, most controversially, the influence of feminism-which Sim believes has had a negative impact on society. Moreover, Sim inserted himself squarely into the comic as Cerebus's creator, thereby inviting criticism not only of the creation, but also of the creator. What few interviews Sim gave often pushed the limits of what an interview might be in much the same way that Cerebus pushed the limits of what a comic might be. In interviews Sim is generous, expansive, provocative, and sometimes even antagonistic. Regardless of mood, he is always insightful and fascinating. His discursive style is not conducive to the sound bite or to easy summary. Many of these interviews have been out of print for years. And, while the interviews range from very general, career-spanning explorations of his complex work and ideas, to tightly focused discussions on specific details of Cerebus, all the interviews contained herein are engaging and revealing.

Jeff Smith (b. 1960) has made an indelible mark on the comics industry. This career-spanning collection of interviews, ranging from 1999 to 2017, enables readers to follow along with Smith's development as an independent creator, writer, and illustrator.

Jeff Smith (b. 1960) has made an indelible mark on the comics industry. This career-spanning collection of interviews, ranging from 1999 to 2017, enables readers to follow along with Smith's development as an independent creator, writer, and illustrator.

Steve Gerber (1947-2008) is among the most significant comics writers of the modern era. This volume follows Gerber's career through a range of interviews, beginning with his height during the 1970s and ending with an interview with Michael Eury just before Gerber's death in 2008.

Larry Hama (b. 1949) is the writer and cartoonist who helped develop the 1980s G.I. Joe toyline and created a new generation of comic book fans from the tie-in comic book. Through many interviews with Hama, this volume reveals that G.I. Joe is far from his greatest feat as an artist.

As an American comic book writer, editor, and businessman, Jim Shooter (b. 1951) remains among the most important figures in the history of the medium. Interviews collected in this book span Shooter's career. Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; and a discussion from 1980 during his pinnacle at Marvel.

Author Michael Chabon described Ben Katchor (b. 1951) as ""the creator of the last great American comic strip."" Katchor's work is often described as zany or bizarre, and author Douglas Wolk has characterized his work as ""one or two notches too far"" beyond an absurdist reality. And yet the work resonates with its audience because absurdity was the reality.

Like Art Spiegelman or Alison Bechdel, Chris Ware stands out as an important crossover artist who has made the wider public aware of comics as literature. Editor Jean Braithwaite compiles interviews displaying both Ware's erudition and his quirky self-deprecation. They span Ware's career from 1993 to 2015, creating a time-lapse portrait of the artist as he matures.

Canadian cartoonist Gregory Gallant (b. 1962), pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. These interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present.

Michael Allred stands out for his blend of spiritual and philosophical approaches with an art style reminiscent of 1960s era superhero comics, which creates a mixture of both postmodernism and nostalgia. Michael Allred: Conversations features interviews with the cartoonist from the early days of Madman's success through to his current mainstream work for Marvel Comics.

In 1977, Dave Sim (b 1956) began to self-publish Cerebus, one of the earliest and most significant independent comics, which ran for 300 issues and ended in 2004. Through it he analyzed politics, the dynamics of love, religion, and, most controversially, the influence of feminism. This book includes the few interviews that Sim gave.

One of the most distinctive voices in mainstream comics since the 1970s, Howard Chaykin has earned a reputation as a visionary formal innovator and a compelling storyteller. Beginning with early interviews in fanzines and concluding with a new interview conducted in 2010, this volume collects widely ranging discussions from Chaykin's earliest days to his recent work.

Edited by comics scholar M. Thomas Inge, this volume collects the best interviews with Will Eisner from 1965 to 2004. Taken together, the interviews cover the breadth of Eisner's career with in-depth information about his creation of The Spirit and other well-known comic book characters, his devotion to the educational uses of the comics medium, and his contributions to the graphic novel.

One of the most distinctive voices in mainstream comics since the 1970s, Howard Chaykin has earned a reputation as a visionary formal innovator and a compelling storyteller. Beginning with early interviews in fanzines and concluding with a new interview conducted in 2010, Howard Chaykin: Conversations collects widely ranging discussions from Chaykin's earliest days to his recent work.

Canadian cartoonist Gregory Gallant, pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. These interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present.

Stan Lee (b. 1922) is one of the most successful writers and publishers of comics. Stan Lee: Conversations collects interviews ranging from 1968 to 2005. Lee's charm, good humour, and keen business sense are on display. He talks with candour about his creative process, publishing, film and television adaptations of his comic books, and the evolution of the comics industry.

As a group the interviews in John Jennings: Conversations give a picture of a black man forging a way where comic books have afforded him a means to carve out an important space for people of colour.

As a group the interviews in John Jennings: Conversations give a picture of a black man forging a way where comic books have afforded him a means to carve out an important space for people of colour.

Spanning the period from 1990 to 2017, Alison Bechdel: Conversations collects ten interviews that illustrate how Bechdel uses her own life, relationships, and contemporary events to expose the world to what she has referred to as the "fringes of acceptability" - the comics genre as well as queer culture and identity.

Brings to life the legendary Warner Bros. artist who helped shape the history of American animation, defining our impressions of such characters as Bugs Bunny, Daffy Duck, Road Runner, Wile E. Coyote, and Pepe le Pew. These interviews span more than thirty years, beginning with a 1968 conversation in which Jones shares the spotlight with science fiction giant Ray Bradbury.

Presents a collection of interviews and profiles spanning 30 years (1976-2006), that reveal an artist who had long been working to establish comics as a serious art form.

Author Michael Chabon described Ben Katchor (b. 1951) as ""the creator of the last great American comic strip."" Katchor's work is often described as zany or bizarre, and author Douglas Wolk has characterized his work as ""one or two notches too far"" beyond an absurdist reality. And yet the work resonates with its audience.

Steve Gerber (1947-2008) is among the most significant comics writers of the modern era. This volume follows Gerber's career through a range of interviews, beginning with his height during the 1970s and ending with an interview with Michael Eury just before Gerber's death in 2008.

Larry Hama (b. 1949) is the writer and cartoonist who helped develop the 1980s G.I. Joe toyline and created a new generation of comic book fans from the tie-in comic book. Through many interviews with Hama, this volume reveals that G.I. Joe is far from his greatest feat as an artist.

Spanning the period from 1990 to 2017, Alison Bechdel: Conversations collects ten interviews that illustrate how Bechdel uses her own life, relationships, and contemporary events to expose the world to what she has referred to as the "fringes of acceptability" - the comics genre as well as queer culture and identity.

Peter Kuper (b. 1958), one of America's leading cartoonists, has created work recognized around the world. Along with two dozen images, this volume features ten lively, informative interviews with Kuper. The book also includes a quartet of revealing interviews with underground comix legends R. Crumb and Vaughn Bode, Mad magazine publisher William Gaines, and Jack Kirby.

Michael Allred (b. 1962) stands out for his blend of spiritual and philosophical approaches with an art style reminiscent of 1960s era superhero comics, which creates a mixture of both postmodernism and nostalgia. Michael Allred: Conversations features several interviews with the cartoonist from his early days to his current mainstream work for Marvel Comics.

Ed Brubaker has emerged as one of the most popular, significant figures in art comics since the 1990s. Brubaker layers his stories with a keen self-awareness, applying his expansive knowledge of American comic book history to invigorate his work and challenge the dividing line between popular entertainment and high art. This collection of interviews explores the sophisticated artist's work.

"I think that if you're an editor, and you do what's right, you occasionally have to say 'no' to people. To the good people, the professionals, that's fine. But the people who are 'hacks, ' they won't like that."As an American comic book writer, editor, and businessman, Jim Shooter (b. 1951) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protege of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman's villain the Parasite, and jointly devised the first race between the Flash and Superman.When he later ascended to editor-in-chief at Marvel Comics, the company, indeed the medium as a whole, was moribund. Yet by the time Shooter left the company a mere decade later, the industry had again achieved considerable commercial viability, with Marvel dominating the market. Shooter enjoyed many successes during his tenure, such as Chris Claremont and John Byrne's run on the Uncanny X-Men, Byrne's work on the Fantastic Four, Frank Miller's Daredevil stories, Walt Simonson's crafting of Norse mythology in Thor, and Roger Stern's runs on Avengers and The Amazing Spider-Man, as well as his own successes writing Secret Wars and Secret Wars II. After a rift at Marvel, Shooter then helped lead Valiant Comics into one of the most iconic comic book companies of the 1990s, before moving to start-up companies Defiant and Broadway Comics.Interviews collected in this book span Shooter's career. Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; a discussion from 1980 during his pinnacle at Marvel; and two conversations from his time at Valiant and Defiant Comics. At the close, an extensive, original interview encompasses Shooter's full career.