Bøker i Criminal Practice Series-serien

Euripides' Medea is one of the most often read, studied and performed of all Greek tragedies. A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Medea can appear at once timeless and strikingly modern. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy. This collection of essays by leading academics addresses these issues, exploring key themes such as revenge, character, mythology, the end of the play, the chorus and Medea's role as a witch. Other essays look at the play's context, religious connotations, stagecraft and reception. The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original.

Explores the intellectual and identity politics of Latin language use in the Enlightenment 'Republic of Letters' via the figure of Gerard Nicolaas Heerkens (1728-1801), a Dutch physician and Latin poet, disenchanted disciple of Voltaire, and lifelong devotee of Ovid.

A high-level scholarly collection of articles on the transmission of knowledge and culture from a Mediterranean world politically fragmented by the fall of the western Roman empire and Islamic expansion into Latin Europe, 400-800 AD.

Politicians and pundits regularly invoke the Bible in social and political debates on a host of controversial social and political issues, including: abortion, stem-cell research, gay marriage, the death penalty, separation of church and state, family values, climate change, income distribution, teaching evolution in schools, taxation, school prayer, aid for the poor, and immigration. But is the Bible often used out of context in these major debates?This book includes essays by fourteen biblical scholars who examine the use of the Bible in political debates, uncovering the original historical contexts and meanings of the biblical verses that are commonly cited. The contributors take a non-confessional approach, rooted in non-partisan scholarship, to show how specific texts have at times been distorted in order to support particular views. At the same time, they show how the Bible can sometimes make for unsettling reading in the modern day. The key questions remain: What does the Bible really say? Should the Bible be used to form public policy?

Originally published: London; New York: T & T Clark, c2007.

For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture: graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks. This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood.

Taking on the myth of France''s creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945.Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer.Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations.Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.