Bøker i Critical Caribbean Studies-serien

Offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book revisits accepted representations of the Caribbean from 'less respectable' segments of popular culture such as dancehall culture and 'sistah lit' that proudly jettison any aspirations toward middle-class respectability.

What has determined whether Antillean solidarity movements fail or succeed? In this comprehensive new study, Alai Reyes-Santos argues that the crucial factor has been the extent to which Dominicans, Haitians, and Puerto Ricans imagine each other as kin. Our Caribbean Kin considers three key moments in the region's history: the nineteenth century; the 1930s; and the past thirty years.

This exciting new bilingual anthology gathers Puerto Rican folktales that were passed down orally for generations before being transcribed beginning in 1914 by the team of famous anthropologist Franz Boas. It includes stories about historical figures like pirate Roberto Cofresí, unique twists on “Snow White” and “Cinderella,” and beloved local characters like the kind cockroach Cucarachita Martina.   Esta nueva y emocionante antología bilingüe reúne cuentos populares puertorriqueños que se transmitieron oralmente durante generaciones antes de ser transcritos comenzando en 1914 por el equipo del famoso antropólogo Franz Boas. La colección incluye historias sobre personajes históricos como el pirata Roberto Cofresí, versiones criollas de “Blanca Nieves” y “Cenicienta” y otros queridos personajes locales como la amable cucaracha Cucarachita Martina.

Sovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone over the last century. By demonstrating the place of performance in the legal landscape of U.S. Empire, Zien transforms our understanding of U.S. imperialism in the Panama Canal Zone and the Caribbean.

This essay collection examines the social upheaval that shook Guadeloupe, Martinique, French Guiana, and Réunion in February and March of 2009, and the ways in which capital accumulation and centralization instantiated hierarchies of profit, capital accumulation, and economic exploitation in the wider non-sovereign Caribbean from Haiti to the Dutch Antilles to Puerto Rico.

This essay collection examines the social upheaval that shook Guadeloupe, Martinique, French Guiana, and Réunion in February and March of 2009, and the ways in which capital accumulation and centralization instantiated hierarchies of profit, capital accumulation, and economic exploitation in the wider non-sovereign Caribbean from Haiti to the Dutch Antilles to Puerto Rico.

Explores how people become who they are through their relationships with the natural world, and shows how those relationships are also always embedded in processes of racialization. Melissa A. Johnson provides an analysis of how processes of racialization are present in the entanglements between people and the non-human worlds in which they live.

Provides a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory, Njelle Hamilton tunes in to each novel's soundtrack while considering the broader listening cultures that sustain collective memory.

Explores the ways in which Caribbean individuals and communities have recurred to art and visual creativity to create and sustain public spaces of discussion and social interaction. The book analyzes contemporary Caribbean art in relation to broader discussions of citizenship, cultural agency, critical geography, migration, and social justice.

Starting in 1780, a fugitive slave, known as ""Three-Fingered Jack"", terrorized colonial Jamaica for almost two years. An outlaw, thief, and killer, he was also a freedom fighter. Frances R. Botkin has compiled and analysed the various plays and songs written about Three-Fingered Jack throughout the centuries in order to show how this story travelled from the Caribbean to England and the US.