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Renowned human rights activist Michael "Mike" Wilson has borne witness to the profound human costs of poverty, racism, border policing, and the legacies of colonialism. From a childhood in the mining town of Ajo, Arizona, Wilson's life journey led him to US military service in Central America, seminary education, and religious and human rights activism against the abuses of US immigration policies. With increased militarization of the US-Mexico border, migration across the Tohono O'odham Nation surged, as did migrant deaths and violent encounters between tribal citizens and US Border Patrol agents. When Wilson's religious and ethical commitments led him to set up water stations for migrants on the Nation's lands, it brought him into conflict not only with the US government but also with his own tribal and religious communities.This richly textured and collaboratively written memoir brings Wilson's experiences to life. Joining Wilson as coauthor, Jose Antonio Lucero adds political and historical context to Wilson's personal narrative. Together they offer a highly original portrait of an O'odham life across borders that sheds light on the struggles and resilience of Native peoples across the Americas.

Confronts the chronic displacement of Indigeneity in the politics and discourse around race in American political theory and culture, arguing that the ongoing influence of settler-colonialism has undermined efforts to understand Indigenous politics while also hindering conversation around race itself.

Drawing on oral history interviews, correspondence, material objects, and archival sources, Susan Burch reframes the histories of institutionalized people and the places that held them. In so doing, Committed expands the boundaries of Native American history, disability studies, and US social and cultural history generally.

Offering an intersectional approach to US empire, Indigenous dispossession, and labour exploitation, Space-Time Colonialism makes clear that Alaska is essential to understanding both American imperial expansion and the machinations of settler colonialism.

Drawing on oral histories, letters, photographs, military records, and more, Christine Taitano DeLisle reveals how the entangled histories of CHamoru and white American women make us rethink the cultural politics of US imperialism and the emergence of new indigenous identities.

"Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, and drag performance, Stephanie Nohelani Teves shows that misunderstanding of the concept has not prevented the Kanaka Maoli from using it to create and empower community.

Considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Gloria E. Chacon argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics.

In this ethnography of Navajo (Dine) popular music culture, Kristina M. Jacobsen examines questions of Indigenous identity and performance by focusing on the surprising and vibrant Navajo country music scene. Through multiple first-person accounts, Jacobsen illuminates country music's connections to the Indigenous politics of language and belonging.