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The Chinese in the Philippines constitute one of the many Chinese communities globally. Although many Chinese have maintained their cultural traditions, most of them are Filipina/o citizens and have always considered the Philippines home. Embodying "Tsina/o" (Chinese) and "Pina/oy" (Filipina/o) identities, Tsina/oys must learn how to negotiate their hybridity through cultural and linguistic practices in everyday life.Using a multimethodological approach to ethnography (critical ethnographic interview, autoethnography, and cyberethnography), (Trans)national Tsina/oys: Hybrid Performances of Chinese and Filipina/o Identities examines Tsina/oy identity as intersectional performance of ethnicity, nationality, and class in physical and online environments.The book draws from critical intercultural and performance studies to analyze what makes "Tsina/oy" a complex identity and what it could mean for the future in and beyond the Philippines.The book is well-suited for undergraduate and graduate students and academics who study international and intercultural communication, qualitative research methods, and performance studies. It is also of great interest to scholars in anthropology, Asian American studies, cultural studies, ethnic studies, geography, liberal studies, sociology, among other disciplines. "This book is a travelogue to places and spaces of knowing the self in culture; crossing borders to different but familiar locations, and (re)discovering the socializing practices that shape culture and identity. Hao introduces us to complex ways of revisiting notions of intersectionality not just through the complex meeting places of oppressions in social contexts, but through the importance of a diasporic transnational hybridity. He eschews the notion of hybridity as just a mixture of discrete cultures, but the complex co-informing aspects of ethnicity, nationality, class, and the politics of place that shape a sense of self in relation to common origins and the performative variations of identity that are held in contradistinction to those shared roots. Using diverse and interlocking ethnographic and qualitative methodologies, (Trans)national Tsina/oys: Hybrid Performances of Chinese and Filipina/o Identities asks the reader to engage at the intersections, the hyphens, and the parenthetical constructions of hybridity that make the subjects of the study, including himself, both/and always searching for homeplace in communities of recognized co-informing identities that are at once the same and not the same."¿Bryant Keith Alexander, Ph.D., Dean and Professor, College of Communication and Fine Arts, Loyola Marymount University ¿(Trans)national Tsina/oys: Hybrid Performances of Chinese and Filipina/o Identities stands as an exemplar of critical intercultural communication studies and the deep-level insights that it provides as a field to uncover the intricately woven layers of cultural identity, performativity, belonging, and the cultural politics that constitute ¿home.¿ Dr. Haös book also highlights the key role that critical intercultural communication studies plays in unpacking the complex of diasporas in terms of (but not limited to) their identity dynamics, the power effects in claiming/remembering/clarifying one¿s identity in relation to a ¿home¿ (of memory, of place, of relational cultural space), and the thorny assemblage of meaning around ¿belonging.¿¿¿Rona Tamiko Halualani, Ph.D., Professor of Intercultural Communication, Department of Communication Studies, San Jose State University

This book articulates a communicative praxis for resisting multiple forms of oppression by showing how everyday performances of identity and culture challenge master narratives of power and control. As an emancipatory tool, it recenters nonheteronormative Latinx experience difference as a managed form of queer of color worldmaking.

The book challenges white and Western feminist approaches to embodied politics, or the use of the body in everyday enactments of resistance, while mapping transgressive performances of femininities by the funkeiras, marginalized women and transfeminine people of color artists in Brazilian favela funk.

The book provides insights into how places and memories intersect with intercultural conflicts, oppressions, and struggles by which communities make sense of, deal with, and reconcile the past.

The book provides insights into how places and memories intersect with intercultural conflicts, oppressions, and struggles by which communities make sense of, deal with, and reconcile the past.

This book illustrates the configuration of Western migrants' Other-identity during their reversed migration from the West to China

This book is an edited collection of case studies of contemporary issues in culture and communication around the world.

The author reframes the tough Jew as an enduring act of rhetorical regeneration by reifying a related figure, the vital Jew. For audiences of rhetoric and cultural studies, the book offers critical and theoretical study of rhetorical regeneration, including original constructs of postmodern blackface and transformative performativity, as a resource for contemporary rhetorical invention.

Although community engagement to enhance justice, equity, and inclusion is at the heart of this book, dancing with difference is the overarching metaphor. Featuring case studies of several international, national, and local organizations, the book showcases both first-hand and public discourses related to community engagement work from Nepal and Northern Ireland to Kenya, Zimbabwe, and the U.S.

Contemporary Media Culture and the Remnants of a Colonial Past examines contemporary representations of colonialism, by developing a historically and culturally specific theory of neocolonialism in U.S. media culture.

Using qualitative research methods and drawing from critical cultural studies and social theory, Digital Fusion is an interdisciplinary project that engages digital literacy and social justice issues related to race, ethnicity, language, class, and education.

This book is an edited collection of case studies of contemporary issues in culture and communication around the world.

Uniting communication and postcolonial studies, this volume historically situates seminal essays in the field alongside new essays that aim to answer the question: "How, if at all, might communication scholars extend, or even renew, the postcolonial dialogue?" The collection highlights themes, trends, and conflicts that appear in the scholarship produced with postcolonial communication studies.

The Limits of Cosmopolis addresses the question of how human life is organized: Is it possible to be a "citizen of the world"? Is there a difference between avowing that identity for oneself and morally and ethically making a commitment to others? What are the implications for communication - for a real dialogue of cultures?

Offers theoretical insights, fresh evidence and applications as it assesses nature of digital culture(s) in order to address assumptions about the present state of mediated global society(ies) and their future trajectory. This book showcases interpretative and critical research from voices with diverse backgrounds, from locations around the world.

This volume occasions a dialogue between major authors in the field who engage in a conversation on cosmopolitanism and provinciality from a communication ethics perspective. There is no consensus on what constitutes communication ethics, cosmopolitanism, or provinciality: the task is more modest and diverse and began with contributors being asked what the bias of their work suggests or offers for understanding the theme Communication Ethics: Between Cosmopolitanism and Provinciality. Rather than responding authoritatively, each essay acknowledges the contributor¿s own work. This book offers no answers, but invites a conversation that is more akin to a beginning, a joining, an admission that there is more than «me», «us», or «my kind» of people, theory, or wisdom. The book will be an excellent resource for instructors and for upper-level undergraduate and graduate courses in communication.

This book's critical intercultural approach investigates what U.S. and international audiences were saying about other cultures while they wrote and talked about the Osama bin Laden raid. The authors argue that these mediated debates have become inextricably entangled in political, military, cultural, and legal rhetorics of "American exceptionalism".

Offers theoretical insights, fresh evidence and applications as it assesses nature of digital culture(s) in order to address assumptions about the present state of mediated global society(ies) and their future trajectory. This book showcases interpretative and critical research from voices with diverse backgrounds, from locations around the world.

This book brings MENA Communication and Critical Cultural Studies in conversation with Global and Transnational Studies. It centers Arab, Arab American, Iranian and Iranian American voices from a transnational perspective that privileges their positionalities and experiences rather than studying them from a Eurocentric lens.

Intercultural Communication as a Clash of Civilizations argues that Al-Jazeera is not an agent of globalization, as is widely argued, but a tool used by the Qatari government to advance its political as well as Islamist goals.

The book breaks new ground in our understanding of transnational and cross-border marriages by looking at the long-term effects of such marriages on communities, families, and individuals. How these relationships are formed, how they impact gendered understandings of women and men, and how they affect the children of these families and their education, are some issues explored.