Bøker i Critical Perspectives on English and American Literature, Communication and Culture-serien

This book questions the artistic, aesthetic, political and ethical legacy of E. M. Forster's novels. It covers Forster's literary, cinematic and musical legacies across the twentieth and twenty-first centuries, and deal with many authors, such as Melville, Isherwood, Hollinghurst and Kureishi.

El objetivo de nuestro estudio es demostrar cómo el concepto culturalmente relevante e interesante de hogar y naturaleza juega un papel activo y central en La Comunidad del Anillo de JRR Tolkien y en Mago y Cristal de Stephen King. Para ello, analizamos la idea de hogar desarrollada en ambas obras desde el punto de vista de la crítica medioambiental, aportando puntos ilustrativos que justifican las implicaciones ecológicas en la obra de Tolkien y, a su vez, contrastando los resultados obtenidos mediante un análisis comparativo con la obra de King. Presentamos la forma en que ambos autores añaden una nueva perspectiva al concepto de hogar, en la que se presenta un enfoque sostenible y ambientalmente integrado en el que la naturaleza no se sitúa en un espacio separado y artificial, sino al mismo nivel que los protagonistas de las historias.

When the book titled Poems. By the Incomparable Mrs K.P. was published in 1664 Katherine Philips herself defined it as "those fugitive papers that have escap'd my hands", expressing her reluctance to publish them and her aversion to her works appearing in print. Despite her (apparent) modesty, Orinda and her work definitely occupied an important position in the literary field of that time. This book studies the life and work of Katherine Philips (1632-1664) from a historicist and socio-critical perspective. It posits that 'the Matchless Orinda' embodies the literary shift from manuscript to printed literature, and shows how a woman poet, following in the footsteps of successful male counterparts, such as Abraham Cowley and John Dryden, was able to achieve fame in the male-dominated literary world.

La carrera de John Fante tras un éxito esquivo está repleta de anécdotas sorprendentes y giros inesperados. El último, el encuentro casual entre su obra y las manos de Charles Bukowski en una biblioteca de Los Ángeles, sería el que le permitiría, finalmente, darle caza. En el despertar tardío de la bibliografía fantiana sobresale Ask the Dust, un retrato en claroscuro del amor fatal en los márgenes de la L.A. de los años 30 que golpeó la inspiración del director y guionista Robert Towne al primer contacto: arrancaba entonces un nuevo pillapilla entre la pasión del genio y el pragmatismo de la industria que recorrería los pasillos de Hollywood durante más de tres décadas. 2006 pondría término a la espera y alfombra roja a la película: Ask the Dust desembarcaba en los cines estadounidenses. Por fin.Este trabajo da cuerpo a las historias esbozadas en las líneas anteriores, pero también penetra en una fracción de la alfaguara paratextual que sucedió al lanzamiento de la película para analizar su recepción por parte de crítica y público. Al mismo tiempo, sus páginas calibran el peso de la (in)fidelidad a la novela en sus valoraciones y desglosan cómo aborda cada audiencia este aspecto, tan central como controvertido en la genealogía de los estudios de adaptación. Para saber más, no hace falta preguntar al polvo: basta con leer este libro.

The portrayal of nature in works of fantasy is coloured by the corresponding context. This book shows how the natural world has been depicted within this genre, comparing the British tradition with Ursula K. Le Guin's Earthsea cycle. Because of her specific context, Le Guin's works deviate from the received tradition in significant ways.

This collection studies new developments in postmillennial popular romance fiction. The book discusses romance in different countries and explores how the genre has always been sensitive to customer demands and market trends. The chapters focus on how traditional formulae are being reshaped to meet the needs of contemporary transnational markets.

This book studies dramatic texts, dedications, autobiographies, adaptations and performative practices, to prove that the boundaries between on and off stage performances of gender are blurred. The limits that separate theatre and life are highly permeable and the relations between both are bidirectional: the performativity of gender and identity.

This book sheds new light on various interconnected aspects of the Gothic through the lens of converging critical and methodological approaches. With its interdisciplinary perspective, the authors explore the domains of literary, pictorial, filmic, televisual and popular cultural texts in English from the eighteenth century to the present day.

This volume discusses women in Nabokov. It has two parts: In the first one, there are biographical essays on the role of the real women in Nabokov's life and how their love and suffering are reflected in his prose. The second part deals with Nabokov's women in his fiction.

The essays in this book explore the rhetoric of dissent in a range of texts that include letters, novels, poems and nonfiction, mostly focusing on selected works by such authors as Abigail Adams, Nathaniel Hawthorne, Mary Ovington, Toni Morrison, Adrienne Rich, Thomas Pynchon and Don DeLillo.

Further to the first book, Writers of the Spanish Civil War, on the war writing by some British and American authors, this second one studies the relevant work by eight more foreign authors: Virginia Woolf, John Dos Passos, Franz Borkenau, V. S. Pritchett, Andre Malraux, Arthur Koestler, Martha Gellhorn and Peter Kemp.

The present volume focuses on explaining the strong impact that Japanese culture bore on Western intellectuals, Modernist literary writers and artists from the second half of the nineteenth century onwards, and, conversely, the impact of Western modernity on Japanese cultural modernization from the Meiji Era onwards.

This book argues that a profound shift can be found in the works of Virginia Woolf, from an early pursuit of the individual to a late pursuit of the collective. Evidence for this shift is found both in the narrative modes she employed and the methods by which thought is represented in the works themselves, and in ideas and ruminations found in Woolf's diaries and essays. The stylistic analysis covers works from The Voyage Out (1915) to the posthumously published Between the Acts (1941), and shows how several of the shorter pieces can be considered to be experiments with techniques that were fully employed in Woolf's longer, major fictions. This shift arises from changes in Woolf's concept of the conscious and unconscious over time, and the argument shows how she took deliberate steps to reflect these changes in her fiction. This framework provides key insights for new interpretations of her works.

The difference between modernism and postmodernism has been object to constant revision from a variety of critical perspectives. This collection of essays on women's short fiction tackles anew this thorny distinction from the theoretical perspective sketched by a psychoanalytical philosopher.

This scholarly but accessible volume traces the impact of the enduring themes and key women characters from Arthurian tradition in Dante Gabriel Rossetti's artistic corpus. Combining literary and visual analysis, the author opens a double perspective upon the past to emphasize that the painter-poet's renditions on the legend of Camelot should not be read only as merely illustrative of pre-existing textual sources. Quite on the contrary, his personal take stands out as an eclectic exercise of revaluation providing additional insight into his professional preoccupations and view of the self. Unfolding in three sections, the book first focuses on the tragic love triangles in Malory's Le Morte Darthur, and so on Rossetti's portrayal of Guinevere and La Belle Yseult. Next, it considers the value of female mediating presences and inter-gender unity in the Grail Quest. The third set of chapters addresses Rossetti's view of chivalric paternalism and romantic rescue. For reasons of complementation and contrast, this last section also includes an analysis of the painter-poet's contribution to the stained glass series on the legend of Saint George and the dragon.

Brings together essays on six of the most important British and American writers who lived in or visited Spain in the 20th century and whose work bears the impact of the Spanish Civil War of 1936-39.

Offers varied studies of the problematic construction of contemporary identities from a literary and cultural perspective. This book covers transcendental, relevant and polemic topics like the difficulty of growing up, classist and interracial struggles, narratives of displacement and exile, queering the world, power politics and the individual.

This book is a major source for scholars of the latest American poetry. These exciting essays comprise energy and documented discussions on experimentalism, multiculturalism, hyperspace, and gender. Anthologies and little magazines form the matrix for this exploration on conceptual issues surrounding language. The author widens the perspective in which a great deal of writing forced the limits of poetry in this kind of publications. At the same time, he analyzes new contexts and enters into conversation with other sources for inspiration found through other disciplines such as social theory, philosophy, linguistics, and art generated at both sides of the Atlantic Ocean. Reflective, taut with alertness, and exploding the postmodern concept of word/object as a liberating experience, this book becomes a driving force to address poetry and challenging political issues with admirable depth.

Flaming Embers

Echoes of History, Shadowed Identities

This collection explores the literary creativity of outstanding women writers of American, Canadian, English, and Irish origins. Each chapter offers an individual study of the writers' work and associated process of ageing.

The study examines exploration in Voss. It shows that the novel absorbs (and contests) a variety of literary genres, starting as a "chronicle" and ending up as a parable. The literary transformation enables the reader to understand White's historical novel as a parable of the writer's exploration of Australia in the 1950s.