Bøker i Cultural Expressions-serien

Examines literary challenges to Israel's national narratives. Using the image of suicide, A. B. Yehoshua, Amos Oz, Etgar Keret, Yehudit Katzir, Alon Hilu, Yaakov Shabtai, Benjamin Tammuz, and Yehoshua Kenaz each engage in a critical and rhetorical process that examines the nation's formation and reconsiders myths at the heart of the Zionist project.

Examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907-1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi German camp. Haltof's fascinating book offers to English-speaking readers a wealth of new materials and sources.

The British Peace Movement's failure to halt the rise of fascism and the Second World War continues to cast a shadow over contemporary pacifist movements. Writing about War will fascinate scholars of peace studies and literature and offers valuable insights for current-day peace activists and artists who seek to integrate creativity with activism.

Taking seriously Ireland's euphemism for World War II, ""the Emergency"", Anna Teekell's Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency.

Taking seriously Ireland's euphemism for World War II, ""the Emergency"", Anna Teekell's Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency.

The first collection of essays in English dedicated to the life and work of German-language author H.G. Adler. Together, the essays examine Adler's writing in relation to his life, especially his memory as a survivor of the Nazi death camps and his posthumous recognition for having produced a Gesamkunstwerk, an aesthetic synthesis of the Shoah.