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The first book to analyse cultural dynamics of Chinese migration to Italy, Migration and the Media compares Italian, Chinese migrant, and international media interpretations between 1992 and 2012. From paternalistic tones reducing migrants' motives to poverty or political oppression to fear-mongering diatribes about illegal business practices, tax evasion, and unfair competition, the Italian and international media covered this large-scale migration extensively during this period. The Chinese community also joined in the media polyphony with articles in their own newspapers and magazines, more likely refuting biased mainstream media coverage or protesting the harsh regulations that seemed to target the Chinese, but sometimes even advising fellow migrants on how to counter the media's criticism. Gaoheng Zhang places the strong media interest in Italian-Chinese migrant relations within relevant economic, political, cultural, and linguistic contexts. Examining how journalists, entrepreneurs, and politicians debated Italy's Chinese, Zhang argues that these stakeholders viewed the migration as a particularly effective example to support or dispute Italy's general stance toward migrant integration and economic globalization.

Connecting French thinkers to the American sixties, The American Politics of French Theory demonstrates why, in an era of mass communication and global revolt, it is politically potent and methodologically necessary to think of translation not as an act of substitution, but as a web of associations.

Building on the concept of a "teaching community," Heble and his contributors explore what it might mean for teachers and students to reach outside the walls of the classroom and attempt to establish meaningful connections between the ideas and theories they have learned and the broader community beyond campus.

Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging.

With contributions by both artists and scholars, Embodied Politics in Visual Autobiography is a unique examination of visual autobiography's involvement in the global cultural politics of health, disability, and the body.

Gramsci's Politics of Language fills a crucial gap in scholarship, linking Gramsci's writings to current debates in social theory and providing a framework for a thoroughly historical-materialist approach to language.

Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.

Shedding light on many topics of current interest, especially the commodification and globalization of museums, this study makes a lively contribution to museum studies and cultural studies.

Exploring the crossroads of commerce and culture, this book provides an account of the relationships forged between technology and finance in 1990s New York, and the urban culture they generated.

On Location fills a major gap in contemporary media and cultural studies debates that question the connections between the politics of place, culture, and commerce within the larger context of cultural globalization.

Prizing Literature is the first extended study of contemporary award winning Canadian literature and the ways in which we celebrate its authors.

Utopian Pedagogy is a challenge to the developing world order that will stimulate debate in the fields of education and beyond, and encourage the development of socially sustainable alternatives.

Shows how the placeless markets that billboards created presage the pop-ups in the ultimate placeless space, the Internet. Richly illustrated with more than 60 illustrations--including an 8-page color insert--of billboards and ads from across the century, this book traces the evolution of billboards from urban centers of the 1920s to the freeways that stretch across America today

With contributions by both artists and scholars, Embodied Politics in Visual Autobiography is a unique examination of visual autobiography's involvement in the global cultural politics of health, disability, and the body.

Traces the rise of New York City as a brand and the resultant transformation of urban politics and public life. This title shows that the branding of New York was not simply a marketing tool; rather it was a political strategy.

Explores the significance of globalization processes on urban change, architectural practice and the built environment. This book covers the "star system" of international architects who combine celebrity and hypermobility, the top firms, and whose offices undergo a major global expansion.

Presents a cultural history of how people experienced commodities in the era of industrial expansion. This work explains that the emergence of a culture of mass consumption dominated by visual experience was a much slower process, not truly ascendant until after the First World War.

In a clear and accessible style, Witnessing AIDS illustrates how memoirs and diaries are used as self-theorizing documents that approach personal testimony as an intervention in cultural memory.

Capitalizing on Culture offers a fresh examination of critical theory that will be valuable to scholars studying the intersection of culture and capitalism.

Nineteen of New York's best urbanists consider the attacks of September 11. Their essays provide a panoramic social portrait of New York and point to a manifesto for a democratically planned city, where all the different communities count.

Using the redevelopment of the Yonge-Dundas intersection in downtown Toronto in the mid-1990s as a case study, Ruppert examines the language of planners, urban designers, architects, and marketing analysts to reveal the extent to which moralization legitimizes these professions in the public eye.

Following an introductory chapter by Mary Gallagher, which maps this conceptual terrain, the contributors investigate how globalization inflects the necessary relationship between poetics, culture, ethics, and politics.

In Eating Chinese, Lily Cho examines Chinese restaurants as spaces that define, for those both inside and outside the community, what it means to be Chinese and what it means to be Chinese-Canadian.

Maps of Empire examines how literature was affected by the decay and break up of old models of imperial administration in the mid-twentieth century.

Inheriting a Canoe Paddle emphasizes the importance of self-consciously evaluating the meaning we give to canoes as objects and to canoeing as an activity.

Kyle Conway's textual analysis and in-depth research, including interviews from the show's creator, executive producers, writers, and CBC executives, reveals the many ways Muslims have and have not been integrated into North American television.

In this first ethnographic account of North American diaspora Jews imagining and experiencing Israel, Habib blends anthropological, historical, and cultural studies theories together in an analysis of diaspora nationalism that has broad implications.

Pickering-Iazzi uses an array of cultural documents from 1990 to the present to examine the myths, values, codes of behaviour, and relationships produced by the Italian mafia through a wide cross-disciplinary lens.