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    151,-

    'The first novel from, the renowned storyteller Hugh Lupton opens with a scene that could be straight out of Thomas Hardy... A helpless observer of the damage that enclosure is doing to his beloved landscape and the people who live there, a young man torn between romantic love for his muse, Mary Joyce, and the consequences of a moment's folly with a woman named Betsy Jackson, Clare comes to see that ' the bright world has begun, one by one, to break its promises.' Yet, while the immediate causes of his grief and disillusionment are personal, they are always intricately linked to what is happening to the land - and it is to Lupton's great credit that, in this engaging and lyrical novel, he brings this relationship between emotional and psychological life and the environment into play at every turn. This vision transforms a bittersweet love story that takes place 'seven generations ago' into a study of the politics of land use, revealing the true nature of British agriculture as systematic exploitation of land and people whose tragic consequences Lupton notes in an afterward, 'we are reaping the full harvest of today.' John Burnside in The Times

  • av Pat Gray
    165,-

    Pat Gray's Kafkaesque fantasy presents a bureaucratic landscape which is both sinister and comic. Mr Narrator leads an obscure neo-colonial existence in Goughly, where he is an export agent for a firm of Rotherham engineers and shares a flat and a mistress with Murphy, a post-modernist writer. An upset to one of his business deals plunges him into a bizarre cross-desert journey to the capital, where, social, political and sexual humiliation descend on him in ever increasing number. Pat Gray's novel portrays with documentary accuracy a Morocco which has never existed but one which has now been colonised by surrealism

  • av Ros Franey
    167,-

    "Suspense and foreboding move alongside the chief players in this auspicious novelistic debut by a British writer. Franey deftly engages the reader's emotions as she spins this disturbing tale." Publishers Weekly "It is fortunate for those perpetrators of child abuse that a novelist has at last managed to highlight their trauma in an imaginative and sympathetic light. The cold, stark and unpleasant facts of child abuse usually come to us from newspapers and the real skill of Cry Baby is the way the novel explains all the complications which force a person into abusing their own child." Social Work Today

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