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Fritz Lang's M (1931), is one of the earliest serial killer films and laid the foundation for future horror movies and thrillers. Samm Deighan explores the way Lang uses horror and thriller tropes, particularly in terms of how M functions as a bridge between German Expressionism and Hollywood's growing fixation on sympathetic killers in the 40s.

Released in 1932, The Mummy moved Universal horror into a land of deserts, pyramids, and long-lost tombs. This book examines the roots of The Mummy. It shows how the film shares many motifs with the work of writers such as H. Rider Haggard and discusses how The Mummy drew upon a contemporary vogue for all things ancient Egyptian.

Harry Kumel's cult classic Daughters of Darkness (1971) is a vampire film like no other. Kat Ellinger explores the film's association with fairy tales, the Gothic and fantastic tradition, as well as delving into aspects of the legend of Countess Bathory, traditional vampire lore, and much more. The book also contains new and exclusive interviews.

Shivers (1975) was David Cronenberg's first commercial feature and his first horror film. Luke Aspell's analysis addresses shot composition, lighting, cinematographic texture, sound, the use of stock music, editing, costume, make-up, optical work, the screenplay, the casting, and the direction of the actors.

With new exclusive input from writer, director and star Alice Lowe, the text also looks at the production's inception and development, assesses its debts to cult British cinema, and inspects its umbilical connections to Rosemary's Baby, Alien, Village of the Damned and many other 'Monstrous Child' silver screen features.

Martin Scorsese's Cape Fear (1991) opens with a shot of water andclimaxes on a raging river. The director's love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters.

While Let the Right One In is startlingly original, it nevertheless couldn't have existed without the near century of vampire cinema that preceded it.

Considers the complex ways that Sergio Argento weaves together light, sound, and cinema history to construct one of the most breathtaking horror movies of all time, a film as fascinating as it is ultimately unfathomable.