Bøker i Digital Media and Society-serien

Online technologies excite the public imagination with narratives of democratization. The Internet is a political medium, borne of democracy, but is it democratizing? Late modern democracies are characterized by civic apathy, public skepticism, disillusionment with politics, and general disinterest in conventional political process.

Hacking provides an introduction to the community of hackers and an analysis of the meaning of hacking in twenty-first century societies. On the one hand, hackers infect the computers of the world, entering where they are not invited, taking over not just individual workstations but whole networks. On the other, hackers write the software that fuels the Internet, from the most popular web programmes to software fundamental to the Internet's existence. Beginning from an analysis of these two main types of hackers, categorised as crackers and Free Software/Open Source respectively, Tim Jordan gives the reader insight into the varied identities of hackers, including: Hacktivism; hackers and populist politics Cyberwar; hackers and the nation-state Digital Proletariat; hacking for the man Viruses; virtual life on the Internet Digital Commons; hacking without software Cypherpunks; encryption and digital security Nerds and Geeks; hacking cultures or hacking without the hack Cybercrime; blackest of black hat hacking Hackers end debates over the meaning of technological determinism while recognising that at any one moment we are all always determined by technology. Hackers work constantly within determinations of their actions created by technologies as they also alter software to enable entirely new possibilities for and limits to action in the virtual world. Through this fascinating introduction to the people who create and recreate the digital media of the Internet, students, scholars and general readers will gain new insight into the meaning of technology and society when digital media are hacked.

The media are home to an eclectic bunch of people. This book is about who they are, what they do, and what their work means to them. Based on interviews with media professionals in the United States, New Zealand, South Africa, and The Netherlands, and drawing from both scholarly and professional literatures in a wide variety of disciplines, it offers an account of what it is like to work in the media today. Media professionals face tough choices. Boundaries are drawn and erased: between commerce and creativity, between individualism and teamwork, between security and independence. Digital media supercharge these dilemmas, as industries merge and media converge, as audiences become co-creators of content online. The media industries are the pioneers of the digital age. This book is a critical primer on how media workers manage to survive, and is essential reading for anyone considering a career in the media, or who wishes to understand how the media are made.

* New edition of the first textbook on the central ethical issues of digital media, ranging from privacy and copyright, to pornography and privacy. * Uses a wealth of contemporary issues and illustrations to engage readers with recognisable ethical dilemmas.

Computer games have fundamentally altered the relation of self and society in the digital age. Analysing topics such as technology and power, the formation of gaming culture and the subjective impact of play with computer games, this text will be of great interest to students and scholars of digital media, games studies and the information society.

Radio s influence can be found in almost every corner of new media. Radio in the Digital Age assesses a medium that has not only survived the challenges of a new technological age but indeed has extended its reach.

A timely account of this incredibly popular site of online participatory media. The authors provide a clear and comprehensive overview of this phenomenon. The book also includes important contributions by Henry Jenkins and John Hartley, both experts in this field.

Digital War Reporting examines war reporting in a digital age. It shows how new technologies open up innovative ways for journalists to convey the horrors of warfare while, at the same time, creating opportunities for propaganda, censorship and control.

A critical overview of one of the most pervasive digital technologies in the contemporary world. Written by two leading researchers in the field, with international renown and both industrial and academic experience.

* The first book to focus on the changes digital technologies have made on the production, circulation and consumption of photography. * Considers a range of digital cameras and their contexts, from prosumer SLRs to cameras embedded in mobiles.

Smartphone adoption has surpassed 50% of the population in more than 15 countries, and there are now more than one million mobile applications people can download to their phones. Many of these applications take advantage of smartphones as locative media, which is what allows smartphones to be located in physical space.

What are we to make of the information society? Many prominent theorists have argued it to be the most profound and comprehensive transformation of economy, culture and politics since the rise of the industrial way of life in the 18th century.

Authored by a scholar-blogger, this engaging book is packed with examples that show how blogging and related genres are changing media and communication. It gives definitions and explains how blogs work, shows how blogs relate to the historical development of publishing and communication and looks at the ways blogs structure social networks.

The internet and the mobile phone have disrupted many of our conventional understandings of ourselves and our relationships, raising anxieties and hopes about their effects on our lives.

"In the first book-length examination of Instagram, Leaver, Highfield and Abidin trace how this mobile photography app has developed as a platform and a culture. Rich with examples from across the world, from birth pictures to selfies at funerals, Instagram is essential reading for students and scholars of media and communication"--

Patrik Wikstrom illuminates the workings of the music industry, and captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public.

More objects and devices are connected to digital networks than ever before. Things - from your phone to your car, from the heating to the lights in your house - have gathered the ability to sense their environments and create information about what is happening. Things have become media, able to both generate and communicate information.

An introduction to one of the hottest topics in digital media studies - search engines. Gives a grounded and accessible overview of the social impact of search engines - from the ways we access and organise knowledge through to the political implications around censorship and privacy.

Twitter is a household name, discussed for its role in prominent national elections, natural disasters, and political movements, as well as for what some malign as narcissistic chatter .