Bøker i Disruptions-serien

Words are everywhere. Ubiquitous, pervasive. Yet our relations with words are narrowly defined. How does the sound, feel, touch, taste, place, position, speed, and direction of words come to matter in their uses? Word begins from the premise that, if we consider words only in terms of language and as images, we overlook a range of bodily, sensory, affective and non-conscious relations with words. We overlook, too, their epistemological, methodological, experiential and political implications. This book seeks to redress this neglect by exploring words themselves in histories of language and contemporary theory, in print and typography, and through a series of empirical examples which include religion, embodiment, photography and performance. Word is a reminder that words live richly in the world. It is an invitation to recognise those non-linguistic word-relations that are already existing, and to bring new and generative encounters with words into being.

The phrase ';martial arts studies' is increasingly circulating as a term to describe a new field of interest. But many academic fields including history, philosophy, anthropology, and Area studies already engage with martial arts in their own particular way. Therefore, is there really such a thing as a unique field of martial arts studies?Martial Arts Studies is the first book to engage directly with these questions. It assesses the multiplicity and heterogeneity of possible approaches to martial arts studies, exploring orientations and limitations of existing approaches. It makes a case for constructing the field of martial arts studies in terms of key coordinates from post-structuralism, cultural studies, media studies, and post-colonialism. By using these anti-disciplinary approaches to disrupt the approaches of other disciplines, Martial Arts Studies proposes a field that both emerges out of and differs from its many disciplinary locations.

By what aesthetic practice might post-politics be disrupted? Now is a moment that many believe has become post-racial, post- national, post-queer, and post-feminist. This belief is reaffirmed by recent events in the politics of diminished expectations, especially in the United States.What Lies Between illustrates how today's discourse repeats the post-politics of an earlier time. In the aftermath of World War II, both Communism and Fascism were no longer considered acceptable, political extremes appeared exhausted, and consensus appeared dominant. Then, unlike today, this consensus met a formal challenge, a disruption in the shape of a generative and negativist aesthetic figurethe void.What Lies Between explores fiction, film, and theory from this period that disrupted consensual and technocratic rhetorics with formal experimentation. It seeks to develop an aesthetic rebellion that is still relevant, and indeed vital, in the positivist present.

Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner's Mad Men, Lars von Trier's Melancholia and Todd Haynes's Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau's foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a ';plastic' form with the capacity to mould and be moulded and that speaks to fundamental processes of mediation. Living Screens evokes the thrills, anxieties, and uncertainties accompanying our attachment to technologies that are close-at-hand yet have far-reaching effects. In doing so, it explores the plasticity of our current situation, in which we live with screens that melodramatically touch our lives.

Political and economic models of society often operate at a level of abstraction so high that the connections between them, and their links to culture, are beyond reach. Bearing Society in Mind challenges these disciplinary boundaries and proposes an alternative frameworkthe social formation. The theory of social formation demonstrates how the fabric of society is made up of threads that are simultaneously economic, political, and cultural. Drawing on the work of theorists including Marx, Althusser, Butler, Zizek and Ranciere, Bearing Society in Mind makes the strongest case possible for the theoretical importance and political necessity of this concept. It simultaneously demonstrates that the social formation proves to be a very particular and peculiar type of ';concept'it is not a reflection or model of the world, but is definitively and concretely bound up with and constitutive of the world.

This book provides a close look at the challenges posed by pushing to make the experience of news a full bodily event.

Photojournalism Disrupted addresses the unprecedented disruptions in photojournalism over the last decade, with a particular focus on the Australian news media context.

Using the Nordic media model as an empirical backdrop, Journalism Between the State and the Market defines and analyses journalism's fundamental problem - its shifting location between the state and the market.

Citizen Journalism explores citizen participation in the news as an evolving disruptive practice in digital journalism.

Social Media Livestreaming: Design for Disruption? addresses a host of emerging issues concerning social media livestreaming, exploring this technology as a disruption and its potential to shape journalism practice and influence society.

Data Journalism and the Regeneration of News traces the emergence and flourishing of data journalism through a scholarly lens.

A Short History of Disruptive Journalism Technologies provides a swift analysis of the computerization of the newsroom, from the mid-1960s through to the early 1990s.

Explores the visual ways in which the concept of revolution is appropriated through public images across the globe using a diverse range of case studies.

A multi-disciplinary and inter-disciplinary volume exploring the damage to the arts, arts' funding and education through the rhetoric, manipulation and auditing of value. The collection includes contributions from anthropology, the history of art, literature, education, musicology, political science, and philosophy.

A multi-disciplinary and inter-disciplinary volume exploring the damage to the arts, arts' funding and education through the rhetoric, manipulation and auditing of value. The collection includes contributions from anthropology, the history of art, literature, education, musicology, political science, and philosophy.